51 Here I come

Pennsic 51 was not as full as I would have liked it to be, but maybe it was what I needed. This year was weird and between the weather and a less than full schedule, I don’t know how I managed to still have an over full schedule to not spend much time in camp.

Pennsic this year was hot but manageable. Much more manageable than GNEW by a good 10 degrees or so. Spouse creature and I took 2 days to drive down instead of 1 which seemed to be a solid plan. We got there at a good time when there was no rain, which was huge! He doesn’t mind setting up in the rain, but alores alons, I am a princess.

Before we got to site, the vehicle above was spotted. This brought me a silly amount of joy. It became more joyful when I realized I knew the humans -inside- the vehicle. We were messaging directly for about 30-45 mins. It started to get the hype up for Pennsic in a way that it was going to feel like HOME.

This year we chose to camp topside with our Barony, Stonemarche. I have to give a huge shoutout to camp moms Julienne and her Excellency Dierdre. Camp was perfectly laid out, spacious and felt again, like home.

These flag-a-dos were great and our footprint was laid out for us. That was super nice. However, as mentioned before, I am a princess and do not enjoy hear. Can you tell by my face?

The rest of the day was uneventful. This was also the first year that we would be cooking all of our own meals for the whole 8 days we were there. In years past, I had camped with a group that had fed us the whole week so the only thing I needed to worry about was my medications, snacks and breakfast. I am picky about brekky and don’t really do solid food. Also, to be fair, there were snacks, but I have a specific diet I try to keep to while I am away at events. It helps keep me hydrated as well as within my needs for protein… which are high. However, none of you came here to read about my dietary needs. You can here for the tea on Pennsic and TEA I shall bring… or coffee. Hmm. I could use some coffee right about now…. anyways!

Saturday was my OMGWTFBBQSAUCE rehearsal day. I had 3 rehearsals and a performance today. Sleeping in is not a thing on the ‘getti. I learned this the same way I learn everything… sheer brute force and stubborness. Which… didn’t help. I was up-ish with the sun and spent a lazy morning in camp, drinking coffee out of “Mine-ick”. The cousin of Yorik. Rehearsals started at about 12:30 with my Laurel, Sabine. She is always warm and willing to work with my less than focused brain. We played through duets, trios. It was nice to just -play- with no judgement. My recorder site reading is rusty as I focus more on voice. We picked some pieces which we were going to play for incidental music for the Runnymeade dinner the next day and then off to my next rehearsal I went.

Just down the block, off I went to meet with my Apprentice “Niece” Adelissa. She plays a plethora of strung instruments and so I had asked her if she was willing to accompany me for one of my solo pieces that I was choosing to do. She’s is very good and a fast study. So we worked through that and then off to my final rehearsal with Amalie. She is another classically trained opera vocalist who I have been -dying- to make music with. If you have not heard her sing, you absolutely should. It was like we had always sang together. We blended well, our timbre’s were well suited for one another and we seemed to make good choices around breathing spots in a way that would not effect the music.

From that rehearsal it was time to look cute. Off to Opening ceremonies! I love the pomp that it brings. It really helps make the event for me. However, not much time to stick around as I was heading off to perform at the EK/MID Bardic Showcase.

This year the showcase was centered on stories. I don’t often tell stories because when I do I become a very different persona. Solveig the singer is very demure, well behaved and serious. Solveig the story tell is well? A goblin. I don’t know what does it to me, but telling stories, I want to get down on the ground, play with levels… tempos… emotions. Also, these days, when I tell stories, I tend to dress in more masculine presenting clothing. I can’t tell you why, it’s just what triggers in my brain. My Apprentice “Nephew” Phillipe is also a fantastic story teller. However, he was helping me “Run” this from the background perspective and wasn’t up for telling a story this year.

Thus ends my public post for Saturday.

Sunday was filled with a mix of items. My first group rehearsal for the KWP: The Reckoning By Master Lorcan, I was once again playing in the pit. No new faces this year until the slightly later edition of Phillipe. However, I was also serving as the vocal coach for the 3 performers who were in varying stages of vocal performance. I worked with them for about an hour to 90 mins and by the end of our time together, it appeared to me that they were confident enough to bring that piece to life. oh! and lots of rain

From there I hauled tush to a few tents over where I was teaching my Bardic 101 class. This class is so important for newer folks and I wish I had a class like this when I started. When I started in the SCA 14+ years ago, I didn’t really have a path or anyone I could super talk to about Bardic. I found some folks a few years later, but this class would have been a great guided tour and I am glad to keep offering it. I had 12 people attend this class and a few contact me after for more information. That is always a thrill.

Later in the evening I would be orchestrating and performing in the Runnymeade Dinner. This is a gathering of all the landed Baronages of the East Kingdom. I was originally asked to bring “High Italian Aria” like feeling to their Excellencies. I had also recruited Amalie to sing a solo and a Duet with me. She sang “It was a lover and his lass”. As a duet, we did Machaut’s “Je Ne Cuit Pas”. This piece is in Occitan french so additional pronunciation research had to be done. And I finally finished with I’vo’ Bene. by Firenze The below picture captures 3 generations so to speak. My Laurel, Sabine, Myself and my student, Drustan.

This was also a chance for him to be exposed more and people could see him performing more. Covid killed a lot of folks desires to perform and be seen in public. He is working through this. So, he brought his guitar and a goose quill and he did a lovely job of playing for 20 minutes just as background music.

I had recruited about 8-9 performers to play and there was a lot of quick thinking as 1 of my musicians who I was counting on bowed out and the other did not show due to illness. So, re-organization needed to happen and quickly. I tried to make sure everyone had a chance to be seen/heard but of course, things never go according to plan. I think I should have made sure i had more reasonable backup plans besides “You go here now”.

We had only been asked to play until about 8 or so. From there, the instrumentalists packed up and made a quick stop at Bhakail’s boardgame and music night. I premiered my new song for the first time this week and I think it went well. We had stormed into camp like a flock of geese singing “Well Actually” by Her Excellency Emma Macalmone and then hailed Bhakail with a mighty “WAUGHHHHHHHHHHHH!!!”.

As dark o’clock rolled in we then hit VDK Bardic which is hosted by her Grace Caoilfhionn. Which, she, herself also has quite a beautiful voice. If you haven’t listened to the “Sing for the East” CD, she sings with Drake on “We are the East”. Anyways, I rolled in with the Bard Yard and once again, showed off my new song. This is important to me as I am super anxious about sharing my own work. I always feel like it’s never as good as anyone else’s. I know we cannot compare as all music is it’s own creation, but I want this piece in particular to be an anthem for “The Bards”. I can never tell if anything is well received or not, especially when the audience is small. So, I stuck around for a little bit, chatted with friends and again, back to N33 I went!.

Monday was my first instrumental Reckoning rehearsal, followed by running the annual Pennsic EKCOP meeting but nothing too flavorful for the day.

Tuesday was rehearsal, court and retaining and hitting up Silver Oak Bardic. I brought minstrels memory and a story as this was a group of select Bards who were performing for their own love and they were all skilled “Hand Picked” performers.

Wednesday was the same, but replace Silveroak bardic with the Holy Kingdom of Acre Bardic. Acre is a parallel game to ours. I have made many friends in their game and they are a lovely group of people so I try to make it to their Bardics.

Thursday was a big day for me. I would be teaching my intro to 16th century vocal technique and pedagogy. I am passionate about the voice and showing folks that there is more to singing than just opening your mouth. It is an Olympic sport with lots of research. I was only able to touch on a few key factors from key players into the 16th century for performance, who was singing and what ornaments were being used, but I was pleased that I had 6 participants come to my class, Thursday morning at 10:00 am ACROSS the battlefield.

Later that morning I had the joy of giving a private voice lesson from my camp. I had donated an hour of singing for voice lessons to a young human who had a passion for singing. It had been about 10 years since I worked with someone her age and it was really nice. Her enthusiasm and willingness to grow was so fresh and great to see. Her guardian was also a big support in her growth and I really enjoyed both of them. I do hope they continue to pursue voice with kiddo.

Friday Fri-yay! Just the reckoning on the schedule. A few pictures below, stolen from the beautiful Emeline (Phillipe’s Spouse and good friend of mine as well). Our performance was a performance. I don’t have much to say about it because it’s a pit performance. We weren’t meant to be the shining stars. The Stage actors and Actresses were and they did a phenomenal job.

Like I said… not much to report this year. It wasn’t terrible but it wasn’t amazing either. Hoping next year changes that.

2024-The GNEW Edition

In the 14+ years I have been playing in the SCA, I have yet to miss a GNEW.

This year was emotionally tough to get motivated for. Had I not had prior commitments, I had thought about skipping. It has nothing to do with the event itself as it is a wonderful event. It had nothing to do with the offerings or the people. It was simply “It’s hot, I’m tired and I don’t wanna”.

The weather until the day before had predicted rain. LOTS of rain. If you are not from New England, a lesson you should know is that, “If you don’t like the weather, wait 5 minutes”.

So, I waited. The weather cleared for the entire weekend and that was grand.

Wolfgang, Child and I arrived on site about 3 hours later than I had planned, which worked out with the weather (heat).

We set up camp, but I was already full of anxiety. There were some things in my personal life plaguing me, but I won’t get into them here, plus the anxiety of teaching a new class, running an ensemble with very litter external direction from the coordinators and a performing a boast which I had written for a dear friend.

Thursday evening, we sat in camp and wandered about to see friends. Much of my memories for the evening was a blur, but I suspect it was due to my busy day ahead of me on Friday.

Friday am came too quickly and it was rehearsal time. 9:00 am is not my favorite, but it’s when we were all available. The rehearsal was for playing in the Deed of Arms. If you read my blog last year, we did the same thing.

This year we played an assortment of Duets and Trios from the Rosenbeck books (1 and 2) and some other gems I grabbed off the internet. All of the pieces we played would have been heard in the 14th century (So, 13th and 14th century pieces).

I am grateful for Ameline (Center) and Richard (Right) for their willingness to play and be flexible… and meeting me at 9am for rehearsal.

After we finished up, I was off to teach my brand new class, “16th Century Vocal Technique and Pedagogy”.

The class was attending by a few people, but their varying levels of background gave me a good sense of what was working and if anything had areas of opportunity for growth. I focus on a very niche topic and I am always concerned that there will be no interest in it. I am excited to present this class at Pennsic. This will be 1 of 2 class offerings that I will be bringing to Pennsic.

From there, I hid back in my tent until it was just time to change for the Deed. Part of the Deed was not only playing 14th century music, but also dressing. Apparently, my performers and I chose an unofficial uniform. GREEN FOR DAYS!

The Deed itself was wonderful to watch and each of my instrumentalists were a delight. Not pictured is our wonderful bagpipe player.

The rest of the evening was spent socializing and prepping for the next day.

The next AM, the true reason I was excited to be at GNEW were my friends, Tessa, was about to be elevated to the Order of the Pelican, Cedric to the Order of Defense and Matt to the Order of the Pelican.

Tessa is my deputy for Harper’s retreat 2024 (COME! IT WILL BE A GREAT TIME). I had been told about her elevation and was asked to boast/herald her in. Who was I to refuse this great honor to celebrate my friend. She and I were doing a site walk and had stayed behind to do some follow-up discussion from the site-walk. I had a stroke of genius… or perhaps just a stroke, but I figured out how I was going to get what she wanted for a boast (Mind you, she has no peer, no ICOP…just friends desperately trying to not ruin the secret).

“Hey Tessa… I’ve got a friend down in Atlantia who’s going to be elevated to Laurel in September. They’ve got a 14th century Italian Persona and they -love music/performing arts. Any idea what they might like for a boast?”

“Solveig, you should do it based on Chaucer from “”A knights tale””. His speeches are *chefs kiss*”.

There… that is what I was going to do. I watched all of the speeches and settled on his 2nd speech. Separate post coming with the boast and information.

After she was taken to Vigil (and I had shot a little archery with Wolfgang) I went to go visit my friend, Tessa. (I did not visit the other two as Cedric lives 2 miles from me and had a mile long list of visitors and Matt also had a mile long list of visitors.) I went in by myself (though, I typically take Wolfgang in with me, I wanted this to be a private moment between us.

I’m not a peer, but I always try to bring some words of wisdom and support to candidates I am talking to. I never rehearse anything and only speak from the heart. It is, however, my goal to make them cry. Cry from being touched, from feels… whatever.

Anyways, I walked in. I shared with Tessa that information. I shared with her that I did the wordsmithing on her scroll (But would not share it at that time) and also that I was who was going to be boasting her in. I gently reminded her of our last Harper’s walkthrough. I explained I wanted to share her boast with her now as she would likely be too wrapped up in emotions to be able to hear the boast (Despite my crystal clear diction and projection ^_~). As I started to read it to her, her face lit up.

“You bitch!” said in the most loving way possible.

We laughed for the last few minutes and I left her with a hug.

From there I ran off to go to practice read through the scrolls at court. Audrye runs a tight and well oiled machine and I am always thankful to work under her. I read scrolls and found out I got to spend some delightful time sitting with Wolfgang and Erik (We share a Peer…actually all 3 of us do but anyways).

It was time for the Silver Wheels to be called up. I knew 5/6 of the recipients. I…. made a medallion for each of them. I care for them all and they have all touched me in different ways that this was just something small I wanted to do for them. I suspect many may be passed down or given away, but I wanted them to feel cared for in the moment.

I had not realized that there was only 1 recipient that I didn’t know. I wish I had so I could have gifted her one as well. The schtick of this court became “Is there a medallion?” “Yes, your majesty” *Hustles up to the front of court* “Is there a legacy?” “Nope…. I made it” and some form of variation for each of the 5 I made.

Finally, it was time for the boast. An adult beverage consumed before hand to “Take the edge off” and then here we go!

This was my first truly “Heroic” style boast. I was trying to channel Paul Bettany but still make it my own.

I could not do a better set of timing because I had a parade of folks behind me, but I still tried to do my best. I feel like I at least nailed the timing for the finish.

I heard some snickers, I saw folks reacting in pictures. I watched the video that Arlyanna van Wyck had taken (Thank you as always, Arlyanna for all your hard work and the gift you give to the kingdom with your videography. You capture so many memories).

It wasn’t perfect, but it was perfect for the moment. I, as a performer, am mostly content with it, but the fact that it did make my friend’s day, is all that mattered.

My heart is full and I feel somewhat revitalized. I am still taking the rest of the summer easy as I have responsibilities at Pennsic and Harper’s and in October, my royals step up and I work more for my Largesse coordination.

Please check out the boast video and the scroll words when you get the chance.

The bard go flop now.

-thud-

St. E for Excellent

I often stray away from arts and sciences competitions. It’s hard enough as a vocalist to show prowess in an ephemeral art. It is also difficult to convey information to this art as it simply is it’s own language. Music is a refined language, spoken by many, but felt by all.

How do you judge something that cannot be touched or smelled or tasted? How can you judge a feeling? How do you judge something that you cannot describe? Did you miss something? Why was this good or bad?

“I don’t like this because (Insert genre here) is boring”. “Gross it’s in ( insert foreign language)”. “No one likes vibrato” “I hate straight tone” “Too many notes for the royale ear!” (Bonus points if you can name that movie).

Taste plays a lot into performance. To break out objectivity into a performance is completely impossible. How could we add objectivity to it? That was my goal with this grouped up project. I wanted to show my research and why my performance choices were period, while explaining my aesthetic choices and provide examples of each objectively to prove a point.

The first linked paper below is regarding the overall performance of Downland’s, “Flow My Tears”. However, there is a controversial discussion regarding one specific performance technique. So, I decided to research it and show why -I believe- that, although the word “Vibrato” did not exist until the 17th century, it was likely an active performance technique, used as an ornament as opposed to being completely expunged.

Flow My Tears-Overall Performance

Vibrato Defense Paper

If you are music illiterate or don’t want to read my entire defence, here is an abridged version:

Abridged Documentation

I then chose to make 2 seperate comparison recordings. They are not perfect, but they are there to serve as references to my points.

Recording- No Vibrato/Straight Tone/No Ornamentation

Flow My Tears- With Vibrato/Ornamentation

Points to anyone who reads my paper and understands why “The GOAT”.

I didn’t expect to win as my project didn’t meet the rubric at all but there was a challenge. I entered as a chance to receive some feedback to see where I was on my A and S journey. Out of 25 points I scored a 21 and a 22. I will take it.

The other proud moment for me was I -almost- won populace choice…. WITH A RESEARCH PAPER. Not many thoughts on this but I figured this was a good start. More research to come.

Returning Home

Gnew has been and likely always will be my favorite event. Yes, it’s hot but you know what? It’s home. This year the plan was to take it easy. I am still re-learning my body as I am going through changes as I continue to lose weight and see how my instrument is working. Minor other health issues but nothing to bring up here.

Since I had earned consorts champ, I have been trying to put up monthly challenges, serve as a mentor and teach. I chose to provide 3 classes at GNEW as I would not be fencing.

My first class was Friday for 12. I was presenting my ad hoc choir. This was not the best time for this class to be successful, but beggars can’t be choosers. We had a mixed skill level group but not much for vocal variety. Click below to listen to the group perform the piece they learned day of!

Edi be thu, heven queene

Sheet Music-Edi be thu, heven queene

Later in the day, I met with several performers who had an interest in the Bardic Arts. Aalina and I hosted a Bard round table to discuss questions, stories, fears and all in between. We had the full gambit of questions and I feel like the new generation of performers is strong and ready to flourish.

From there it was off to teach my son about the joys of service in the SCA. He is 9.5 so doing for others if somewhat foreign to him still. I ran off to retain with Their excellencies Stonemarche. I was given a plate of delicious items to share with the Deed gallery. There was nor formal gallery this year so tasty treats for all!

Saturday I started my day in morning court, seeing folks celebrated and then off to my final class. I did my rounds class. This class had originally been inspired by Aneleda Falconbridge. I had taken it over when she was elevated to Laurel. It had started as her labor of love and I have been continuing it. Inspired by this I have been putting together a book of all period rounds. It is a work in processes, but I hope it will continue to be a tool that folks will use to keep singing in a safe space.

Rounds Book compiled by Solveig Bjarnardottir

Here is a small recording of the folks singing in my group. This song is originally in German, but I am using the English translation with my students.

Music Alone Shall Live

The rest of the time in between was a blur until court. Previously, I had been asked if I would serve as an alternate on the A and S team. This was an absolute honor. I didn’t put much thought into it, but it has really kick started my desire to go into further documentation with my pieces. However, look at this group of amazing folks!!!! I am so excited to do this. Look out Pennsic. More to come on that post Pennsic.

Last but not least, for Saturday, my love was to be recognized in court and become a Lord. Wolfgang was to receive his silver brooch. I have a mold of the silver brooches I had made before. if you look back in past posts, you can see what they look like. However, this time, to make his special, I enameled it for him so it represents the heraldic picture of the award. That night, my house mate was being being apprenticed and I had the joy of heralding him and wandering camps to sing and do Bardy things. Just a good ol’ shennaniganless night. Irish coffee without the irish and songs for old and new friends.

Sunday was pack up day. The saddest day of all. Sure, it was hot and gross all weekend, but this is where my heart lies. As I was packing up, some old friends from Malagentia asked if I would mind mentoring their child in Bardic Performance. I was honored and moved. I have watched this amazingly warm human grow and nothing would give me greater honor. I cried back in camp. This… this was my passion, my joy. To bring bardic to the world, be safe and be a teacher. I cried for joy. We drove home…. washed off the GNEW tan and that was the end of this tale.

A More Challenging Assembly

You would think after the 3 prior years of running this event, it would be easy as cake. The problem was that the 3 previous years had all been different. Covid-19 is still raging on and that lends itself to many other challenges.

In the first year of the challenge assembly’s inception, it had a large location in an area that was well accessible by many of the performers in the region. Bringing it up north had it’s own challenges. EKCOP has no money of it’s own, so we would need to find a sponsoring location. Luckily, Stonemarche had some extra money in the coffers and could offer us a sum to run this event. Finding sponsors for the challenges was another item as folks were unsure how their challenges were going to be taken and how they would view them.

This year, I was able to have 18 sponsors of 20 unique challenges. Next, getting folks to travel to New Hampshire and be willing to perform. We still had the requirements of masking indoors and performing outside would pose a challenge as there was a baseball game booked on the same grounds we were using. Can’t really complain considering the site was only charging us 75 dollars for the day. In addition we had to figure out how much food to feed people for day board and how we could encourage folks to teach.

The performance community in Stonemarche is decently sized, however, covid was making this all difficult. All in all, we had 43 attendees and actually made a profit of a little more than a hundred dollars for the day and this with charging folks the least amount we possibly could. We also had 12 amazing classes ranging from singing, story telling, history of stories and insturmental. The videos will be up soon… I hope.

I Challenge you… to do this online

My Co-Autocrat and I had spend months and months planning the second iteration of the EKCoP Challenge assembly. This was my first time “running” it and I had found a super sweet location. Weeks before, COVID-19 really started to spread into the US and reared it’s ugly head. The plague doctor could truly not contain this one.

My Co-Autocrat and I made the difficult decision to cancel the even. This was not done lightly. However, not only is this spread via respiratory system, singing/vocal arts were known to be the fastest way to spread it.

I wasn’t willing to go down without a fight. I wasn’t willing to let the performing arts community take a blow to one of their only real chances to gather and perform in a low key environment. Then, it hit me! Why not do this online? What were the logistics?

I spoke to my co-autocrat who has been running monthly online practice to see if this was feasible.  It was!

From there we got everything sorted and up and promoted within 5 hours of this idea. Would this work? Would anyone come? Would the delay kill everything? Are we running it like it was run previously? Who knows! here we go!

We eventually settled on a formal of open meet for an hour, classes till 6 and open performances till 10.

Attendance rolled in, every class was attended and well respected.

The Beginning of a new era!

Panteria was my first camping event in 2010 and has always been a special event to me (Even though a bunch of my friends tried to coax me into go to Roses instead). This year would be no different. Well, I mean, it will be because the event has grown and changed over the years.

With this development of the event, I decided to develop myself farther. I had started a similar idea before, but this will be an ongoing contingency group. I started a travel ad hoc choir in which we would learn some music and then after a few events or so, would get the chance to perform it.

The plan for this one would be to introduce everyone, get a gauge of their skill level and then do a thing! My first meeting has 10 vocalists as I gave out all copies of my music. we had 1 bass, 1 tenor, 4 altos and 4 sopranos. What made this group even more interesting was the addition of a youth (sub 18).  I handed out pieces in various languages. She seemed very concerned that they would potentially contain a swear word. Even after I reassured her several times there we no swears, I even had a native speaker of the language to also confirm that.

It was a challenge to have a youth there as I haven’t been a youth instructor since 2008. So, a few years. She stuck around for about a half hour. With permission, just after she left, I made a recording of the group performing and a second one as well.

By the end of our 2 hour sessions, a complete piece of music was learned as well the groups excitement level was near explosion. They asked over and over again if they could perform that night at Bardic. I had been planning to wait a few rehearsals, but they people have spoken.

Additionally, I had brought my new rounds book which I created. This would be the second event it is making it’s debut at. I am really proud of what I gathered. Now I have a few finishing touches to add to it. However, people are eager to purchase or have a copy of it in general.

Here are a couple recordings of the rehearsal process:

Take 1:

https://drive.google.com/open?id=1-8hj3AmqyfbUb17JhhYOor3FWT3vwzJr

 

Take 2:

https://drive.google.com/open?id=1-7n480C7IACotD2tIAFFNsL3TeV7ICc6

 

You can definitely hear the improvement between takes. There is maybe a 20 minute difference between them.  By performance that night they were spot on. I am still hunting down that recording.

 

During rehearsal I did refrain from singing with the group so they could focus on themselves. However, by performance, we had lost a couple folks and needed to shift around and I ended up singing with them.

NB) This was not taken at tempo for rehearsal reasons.

About the piece:

 

It was included in Dowland’s First Booke of Songes or Ayres, which appeared in 1597. The piece is often performed as a lute song by soloist and lute, but, like other songs in the First Booke, it is printed in a format that can also be performed as a madrigal by a small vocal group (typically SATB).

This lute song is largely famous for the lovely melody and the striking repetition of rising fourths in the penultimate line of each verse. This is especially effective in the first and second verses, where the text and the music are a perfect fit.

In the first verse, the singer urges the beloved to come to him again, so they can enjoy together the pleasures of love, “to see, to hear, to touch, to kiss, to die, ” in the second he sings of his sorrow, “I sit, I sigh, I weep, I faint, I die, ” and in the somewhat less graceful third verse, he claims that nothing can move her heart, “By sighs, and tears, more hot than are thy shafts/ Did tempt, while she for triumph laughs.”

Come again!
Sweet love doth now invite
Thy graces that refrain
To do me due delight,
To see, to hear, to touch, to kiss, to die,
With thee again in sweetest sympathy.

Come again!
That I may cease to mourn
Through thy unkind disdain;
For now left and forlorn
I sit, I sigh, I weep, I faint, I die
In deadly pain and endless misery.

All the day
The sun that lends me shine
By frowns do cause me pine
And feeds me with delay;
Her smiles, my springs that makes my joys to grow,
Her frowns the Winters of my woe.

All the night
My sleeps are full of dreams,
My eyes are full of streams.
My heart takes no delight
To see the fruits and joys that some do find
And mark the storms are me assign’d.

Out alas,
My faith is ever true,
Yet will she never rue
Nor yield me any grace;
Her eyes of fire, her heart of flint is made,
Whom tears nor truth may once invade.

Gentle Love,
Draw forth thy wounding dart,
Thou canst not pierce her heart;
For I, that do approve
By sighs and tears more hot than are thy shafts
Did tempt while she for triumph laughs.

New Beginnings

If anyone knows me, they know that music is the number one priority in my life. Whether I am singing or playing instruments or encouraging others to perform. I know the power that music can hold and I want nothing more than to make sure that others have this saving grace in their lives as well.

A few years ago I was very involved in a choral group called “Voce di Sonata”. These were all volunteer vocalists from Malagentia. We would run through pieces and work on them. Eventually we would get to have other performance experiences as well. However, after running it for 2.5 years, it was time for my life to explode and I simply couldn’t organize it again at that stage of my life. Life happens.

Even without formally running it, I would have folks approach me and ask for group singing and soloists to perform at their events (and weddings). I would gather ad hoc groups as needed as well as find appropriate soloists. In addition, those vocalists in the group would come and say, “Solveig, we would really love to sing with you”. My heart couldn’t say no, but I just didn’t know when.

In addition, I was also involved in the Malagentian Players. From a solo member as well as a member of their troupe. However, through discord and life, it too mostly went the way of Ol’ Yeller.

This broke my heart.

A few months ago I moved to the Riding of Giggleswick. It is a small riding but with some fiery and passionate hearts. I have a stable place to live and partner. I love my new job. Emotionally, I am in a good place. It was time.

Last night was the first meeting of the Giggleswick performing arts group.  I had 6 people show up! That’s huge for our little riding. There is promise for more to show as well. We had very new performers telling their first story in public, more seasoned performers working on newer pieces. We had rounds. ROUNDS GALORE. Folks who claim they don’t sing, sang with us! It was beautiful and harmonious. We even had a few repetitions of singing through “O Magnum Mysterium” which is no small feat. It was beautiful. The feedback was positive and I am ready to do this again in 2 weeks.

The plan is to have folks perform their pieces. Should they want feedback, they will ask. If not, no feedback is to be given. I am hellbound on making sure this is a safe space for all to perform. There will be workshops and classes to come as well.

For now, a new beginning, like a fresh layer of snow.

Teaching Online- Barriers and Successes

A few months ago I was asked by the resurgence of the East Kingdom College of Performers to teach a class online. As I have been serving as the Deputy Chatelaine, I feel very connected to this group and it’s successes. I agreed but had to think of what I could teach. Very much, like the iconic Taoist bear, Winnie, I sat and thought and I thought and I thought.  Then in struck me, like a a sack of bricks… or something more gentle I suppose, as my face and body are intact. As a modern medievalist, I spend a large amount of time attached to social media. I use it to make connections in our modern world and I use to to connect to better resources. Living in the more Northern Part of the East Kingdom and being separated from our vast populace, there are only so many places I can travel. The internet is for more than porn and kittens… and memes.  (By the way, my Partner has just given me a huge lecture on the actual teachings of Taoism)

One if the largest issues about being a performing artist is how to get your work out there and how to get noticed. Below is an outline of my class. If you’d like more in depth information regarding what I talked about, please feel free to contact me.

 

First and Foremost, your online appearance:

 

Good/Yes!                                                              

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Bad/No!!!

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Be neat, clean and groomed. It doesn’t matter your personal style, but no one wants to see you fresh out of bed.

1) Getting noticed

  • Bards/Performers are a 1 off performance (fleeting performance)
  • How do we get seen outside of competitions and bardic circles
  • We are not all composers (and don’t need to be)

2) Platforms for getting noticed

  • Competition
  • A and S
  • Word of mouth
  • Campfires/Events

But…. is this effective? Let’s talk digital!

Social Media Platforms

  • WordPress
    • Can maintain images/texts/videos
    • Simple to use
    • Easy cross platform posting
    • Free, but Can pay to upgrade for additional features
    • Maintenance heavy
    • Free
  • Livejournal
    • Text only
    • image/video embedding is not as simple
    • Older Platform
    • Not as well trafficked
    • Nominal customization
    • Free
  • Reddit
    • Home of trolls
    • Very well trafficked
    • Not well respected in documentation society
    • Simple to use
    • Easy Embedding
    • Easy search engine to use
    • Posts are easy to discovered if you are looking for them.
    • Minimal customization
    • Free
  • Facebook
    • Well Trafficked
    • Well integrated
    • Easy embedding
    • Videos can be downloaded and uploaded
    • Images are easy to upload/download
    • Algorithms are wonky
    • Missing data
    • Timeline only (Scrolling text and no customization)
    • Free

 

  • Myspace (LOL)
    • Houses Tracks
    • No space for Blogging
    • Basically a dead site
    • Free
  • Soundcloud
    • Tracks only
    • Free
  • Podcasts
    • Tracks only
    • Can have upkeep costs
    • Can have potential for income
  • Homemade websites
    • Fully customizable
    • May require coding knowledge
    • Generally have a cost
  • Youtube
    • Videos/Songs only
    • Cannot have copyrighted material
    • No limit but can take forever to upload material
  • Yahoo Groups
    • Text only
    • Dead source
  • Instagram
    • Images only/Videos/Vines
    • No text

Silliness ensues

  • Twitter
    • Short text only
    • Good for link sharing/Cross posting
  • EK Wiki
    • Good for short and basic info about your persona
    • Can link videos/Images
    • Not very versatile for blogging/Documentation

Blogging in general

Talk about WordPress in general and availability

 

https://solveigbjarnardottir.wordpress.com

 

https://wiki.eastkingdom.org/index.php?title=Solveig_Bjarnardottir

 

https://www.youtube.com/watch?v=eIGXtcuwfZg

 

https://myspace.com/laurentreidel

 

EK Wiki:

  • Everyone should have one!
  • Easy to maintain. If you don’t have one or don’t know how, we can connect to make sure you have one
  • Should have who you are, awards, affiliations, interests and events you’ve staffed. If you have any other focuses, those can be listed as well. Should really be just short reference and quick so people writing you in, people reviewing you for the order and scribes and do you proud.

Word Press:

This is where you make the dream happen

Images!

Videos/Recordings

Blog entries

Compositions

All other social media can be linked to and from

 

What sort of things should I be blogging about?

  • What you are doing
  • Period pieces performing
  • Documentation
  • Videos and recordings of your performances
  • Stuff you have composed/wordsmith-ed (Images if they are avail) If there is documentation on that, include it too
  • Non musical stuff. People want to see that you are more rounded
  • Classes you are teaching and their documentation
  • Feedback and reflection

 

The major barrier of teaching online is engagement and response. Also, equipment levels from your audience.

Success!!! I got a bunch of information out from my house, I had a moderator and more people are blogging.