Tag: Adhoc

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Well, well, well… What do we have here?

Vermont! Here I come. One of the smaller, but favorite events I get to teach at is Mimir’s well. This is a Viking descriptive event which is all about classes and an A and S display and contest (some years). I tend to offer up on the Bardic track because there are a lot of folks who enjoy performance but not a ton who teach. That’s ok. Not everyone teaches, but I love doing it. In addition, I was asked to teach a class on pewter casting. I have been making tokens for the last year or so as well as award medallions. The Event Stewards wanted to get more folks into doing it since it was as far spread in this part of the Northern Region. I happily agreed.
I had decided to challenge myself. I have a really big fear of putting my own work for the general public. Not only that, I never feel like my polyphonic works are good enough. I was inspired by their Royale Highnesses to compose them a processional. His Royal Highness crown winner has an early roman persona. I pulled from the texts of Augustus. I used a small portion of the texts that I felt would represent our Royalty

Bella terra et mari civilia externaque tóto in orbe terrarum suscepi3  victorque omnibus veniam petentibus4 cívibus pepercí. Externas  gentés, quibus túto ignosci potuit, conserváre quam excídere malui. Míllia civium Rómanorum adacta sacrámento meo fuerunt circiter quingen ta.
Wars, both civil and foreign, I undertook throughout the world, on sea and land, and when victorious I spared all citizens who sued for pardon. The foreign nations which could with safety be pardoned I preferred to save rather than to destroy.

Choir

Below, find  the MP3 and the recording I made during rehearsal. Sheet music to follow. I chose to teach this during the ad hoc choir that I run. It was a dream group because I had a pretty good balance on all voice parts. Everyone learned it quickly and took direction well. Again, everyone was excited to perform this during court while THR processed. TRH were banished from the room while we rehearsed because I wanted this to be a big surprise.

https://drive.google.com/open?id=1xSn0BGTbBZfLUvubdQLD7hwQkYXfbw8J
Pewter casting came later. I went through all the different forms of casting materials from clay, cuttlefish bone, soap stone and sand. We went over the materials I use in my anachronistic process (which you can see in my post for making the tokens for Ozurr and Fortune) and then, everyone who gave a donation could bring their own piece home. I had made two molds, one a Mjolnir and one a Viking brooch replica. I wanted to keep with the mood of the event. Also, this is the first time I’ve ever let anyone use my supplies or cast in front of me. I made sure to bring safety equipment to make sure everyone was safe and was ready to have my first vict-.. first student attempt this as HRH walks in. I of course offered him the chance to cast and he took it. A perfect pour! It wasn’t the first time I’ve ever had royalty attend my class, but it was the first time they were ever actively a part of it.

Everyone had gone home with their own, personally casted piece. There were no injuries. Only a few broken rubber bands and my mantra (NO PAPERWORK) seemed to work.Casts

If you’re curious about the site tokens I made (all 200 of them) here is a picture of the completed tokens.

Site tokens

The rest of the day I got to enjoy classes. I had my Partner with me and his son, in matching garb (which was cute as heck!). It was also his son’s first event. He got to calligraph, make an LED lantern, chainmail and even got a token from TRH. You could see the magic in his eyes as he entered our little village and made new friends. He felt right at home. This is a huge deal because he doesn’t have a lot of friends. They say he’s weird (Honestly, he’s a normal kid who really enjoys Pokémon and telling you about it. Also, wicked smart at math). If you have been part of our village, these are qualities we all share.Family
The end of the day was here. Court! My partner loves court and he’s only been to one. It’s not the gift he got (both times) but the celebration of people and the pomp and circumstance that goes with it. I got to explain the awards people were getting, the vocabulary we were using and what was what and who was who.
It was my turn in court. I am one of the officers for EKCoP (east Kingdom College of Performers). I serve as Chancellor as well as Deputy Chatelaine for the Northern Region. I had been given the Travel journal to pass on since the recipient was sick (with the world being like it is right now, we don’t want any of your flu/COVID-19 crud). I asked if I could present it in court. It’s a cheesy way to get the college some recognition and make the recipient feel more special. As I was about to sit down, their royal highnesses told me to hold on.Journal
What had I done? Did they hate my song? Wha I being Banished because I’m an obnoxious and loud Bard? No.. they were doing a thing.

I was inducted into the Order of the Silver Wheel. This is an armigerous level award for those who do community service. I never expect to get awards for what I do. Sure, I dream about them like anyone else, but I do what I do because I enjoy it and want others to enjoy. I was literally dive tackled by 2 of my peers in the order… who also happen to be in the Free Company of the Stella Maris. With teers and joy I entered the order.
Please see this BEAUTIFUL scroll done by the hand of Kenneric Aubrey. Text is based off of L’homme Arme (The Armed Man)

Here is a copy of the sheet music for the processional:

Patronus

 

Here is an MP3 of it, at a fast tempo, This should be performed at a  marching tempo and militantly timed.

https://drive.google.com/file/d/1hvby7YD2y9oJRj0biix5tQtXn3OoN_Fh/view?usp=sharing

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It was the best of times; it was the 12 night of times….

Long island! You are a bit of a haul from Maine. 12th night is one of the most exciting social events of the SCA. It’s usually encompassed by the best garb, amazing food and music! Oh no! Music!!! Twist my arm!
I am fairly close with both Royale Bardic champions, so we communicate a lot. I had found that they had an entire track of music for the day. My heart sung with glee. At first, I thought of what I could sing? Would this be holiday related or just my usual run of tracks. Then I had a stunning idea. The adhoc choir would get a chance to finally get their first real performance!
I sent out an email about 3-4 weeks prior to and got a good feeling of head count. There will always be last minute stragglers, people who aren’t on the lists and people who don’t make it. That’s ok! It’s life and it happens. When I figured out there was enough interest, I reached out to the Event Steward and asked if I could kidnap a space for 90 minutes to learn and run 20-25 minutes of music. He agreed!
Next, the music choices came out. During holiday season, we all want to spread cheer no matter what faith we have or don’t have. It’s a great way to bring the community together. I went through and picked out 7 period and traditional pieces. The Boards Head Carol, Ah Robin, Dona Nobis Pacem, Gaudete, Gloucestershire Carol (Traditional, not period), Here we come a wassailing (Traditional) and The Holly and the Ivy (plausibly period). Due to the nature of documented music for vocalists, it can be a challenge to find pieces that were secular in nature and at the skill level of the performers I am working with. I think this diverse set of pieces would give them some challenge as well as some easier pieces to rely on. I even chose to give out a couple Solos to the performers who wanted to try their hand at it.

Choir
I didn’t hold auditions for various reasons, but the primary reason is opportunity. When you are a full-time performer, you tend to get more opportunities to perform as a soloist. The more skill you had, the greater the chance. Most of these folks are all volunteers who just liked to sing or sang in chorus in high school and that was their last real opportunity to sing. Some don’t even read music. That is just fine. Everyone gets a chance if they want it with me.
After rehearsing the pieces, couple of soloists asked for additional help. One expressed concern on rhythm/notes and the other with the language itself. I worked with each for an additional 20 minutes and by the end, they both felt very confident and ready to perform.
About 1:00 it was their time to shine. Each of them stood proudly in our vocal horseshoe, ready to do a thing. They sang their hearts out with joy. Not even one of them seemed nervous. After about 25 minutes of performance and several pictures being taken, we were approached by a couple of patrons. The one comment that really stuck with me was this: “You made me feel like I was truly immersed in a 12th night feast. The music, the madrigals… I was there. Thank you” and she handed each one of my performers a token of gratitude. Were the pieces perfect? No. Were they enjoyed by all? Yes. Both singer and bystander. My heart flowed for each and every one.

 

Choir 2
I had my own set later. I used this time to work some of my Crown Bardic pieces to get them in front of an audience, because they were new. One of the pieces of advice I give to all of my performers I have every worked with both solo and group is to make sure you get to perform a piece in front of as many people as you can before you go for the gold. My middle schoolers would have an assembly in front of their peers before they sang for their parents that night. What this does is prepare people ahead of time and make it old hat instead of new and shiny. This is also done with professional performers as well. They have full runs and open dress rehearsals to get feedback from the audience. So, this is done by all skill levels.

Solo
The rest of the night was food and merriment as well as serving my amazing queen. In my free time I have been retaining whenever possible. I helped pack up for the night and home I went. I even got to participate as a mummer in my dear friend’s performance during open bardic performances.

Mummers

The Boar’s Head Carol was first published in English during the 1520’s in a book entitled Christmase Carolles Newly Emprynted at London in the flete street, which was written by Jan van Wynken de Worde.
“Boar’s Head Carol”. Christmas-Carols.org.uk. Archived from the original on December 28, 2009. Retrieved December 8, 2009.
William Cornysh (1468-1523)

Cornish. William. Ah Robin, Gentle Robin. Edited by Alberto Gomez Gomez: 2012.
Encyclopædia Britannica Online, s. v. “William Cornysh,” accessed February 10, 2014, http://www.britannica.com/EBchecked/topic/138138/William-Cornysh.
“Dona nobis pacem” (Ecclesiastical Latin: [ˈdona ˈnobis ˈpatʃem] “Grant us peace”) is a song with Latin text, often sung as a canon or round (where each section starts with a new voice). It is the invocation to the Lamb of God to have mercy and grant peace to the worshipers. It is said to have been introduced into the Mass by Pope Sergius I in 687,

Gaudete ( “rejoice [ye]” in Latin) is a sacred Christmas carol, thought to have been composed in the 16th century. It was published in Piae Cantiones, a collection of Finnish/Swedish sacred songs published in 1581. No music is given for the verses, but the standard tune comes from older liturgical books.

The Holly and the Ivy was first published in a broadside dated 1710 and have have originated somewhere in the Cotswolds.
The Holly & Ivy; Twelve Articles. Birmingham: D. Wrighton. n.d.