Patronus

Take 2?

Back when HRM Tindal was on the throne the first time with HRM Albrecht, I decided I wanted to try my hand at composing a processional. I wanted to capture a piece that captured Tindal, himself.

I titled the piece, “Patronus” which means proctector. Nothing to do with Harry Potter. This was a conscious choice based on Tindal’s 1st century roman persona. It finally got a real performance of it and was performed for it’s intention. I was not there that day, but many thanks to Mistress Deonna von Achen for teaching it and running the group. Enjoy!

Video Recording of Patronus

Thank you to Angelica Di Nova Lipa for capturing this video for me and Ronan MacCodrum for sending it to me (And always being willing to sing my music either that I compose or teach)

Another recording from Arlyana van Wyck from a different visual/vocal vantage:

This comes from :

Gaius Iulius Caesar Octavianus Augustus

Res gestae Divi Augusti

anno 14 a.C.n

Bella terra et mari civilia externaque tóto in orbe terrarum suscepi  victorque omnibus veniam petentibus cívibus pepercí. Externas gentés, quibus túto ignosci potuit, conserváre quam excídere malui. Míllia civium Rómanorum adacta sacrámento meo fuerunt circiter quingen ta.

Wars, both civil and foreign, I undertook throughout the world, on sea and land, and when victorious I spared all citizens who sued for pardon. The foreign nations which could with safety be pardoned I preferred to save rather than to destroy.

Link to Source

The Spark

You never know where a spark of inspiration will come from. A funny story about the humble beginnings of this song. When Wilhelm and Vienna were on the throne, I had been thumbing through some awards, writing some folks in. I had seen this one award, called the “Gold Lyre” and from that moment I decided I wanted it more than anything. I had this grand plan to compose a song about inspiration and then corner Vienna and sing it for her. This would hopefully spark her to grant me the golden lyre award. Fast forward, I chickened out. However, I still had the humble beginnings of the song.

Fast forward a few years later, I had completely forgotten about this song and it was sitting in the depths of my google drive, never to see the light of day. A friend of mine, Roiberd Mac Neil had just received his writ to join the Order of the Laurel. As part of his “In Case Of Peerage” was to have me make music. He requested that I write a song for the Laurels. He spoke about the knights having “Weight of the Chain” by Aneleda Falconbridge but he wanted something for the artists. Who was I to compose for the peers? I myself simply have AOA level awards. Aneleda is an incredible composer of whom I respect her work immensely. I couldn’t see my work standing up to hers. I, however, would do anything for Roiberd, so I agreed.

I knew what I wanted the subject matter to be, but the words just wouldn’t come out. I sat on this for months before creativity struck. I was digging through my google drive and stumbled upon the above musings. I started to write and rewrite. This went through atleast 9 revisions before I was somewhat happy. Then, the music…. the music just wasn’t flourishing as it should. I spent the next few weeks listening to some of my favorite symphonic metal, folk metal and general Euro metals bands until the melody hit me.

As the melody sank into my soul, it was time to rewrite the words yet again. Below, is the final text:

The Spark– By Solveig Bjarnardottir (MKA Ren Haywood)

All our senses spark the drive
Of A kinship for all to see
A new life blooms, breeds skill to thrive
Which ignite the flames with ease

Passing knowledge, hope all will hear
We press forward, now back to see
The growing paths becoming clearer
All our dreams run wild and free

Each has a muse, a burning fire
Our labors ne’er seems to cease
A moment more drives our desire
The spark that lights the East

We made a path, dragged more along
Surpassing all our wildest dreams
The journey’s harsh, but you’ll grow strong
Your treasured art shines as it gleams

Spent countless hours, late at night
Just to watch each pass our skill
Climbing mountains, reach new heights
A sense of pride, is deep instilled

Each has a muse, a burning fire
Our labors ne’er seems to cease
A moment more drives our desire
The spark that lights the East

Each has a muse, a burning fire
Our labors ne’er seems to cease
A moment more drives our desire
The spark that lights the East
The spark that lights the East
The spark that lights the East

The Recording:

Recording “The Spark”

Scroll for Noble Bird the Bard

When the mead of poetry falls upon dumb lips, the tongue lay now silvered. Sweet rhapsody resonates, flowering from what was once small buds, fragment gardens. Firey passion and never hesitation from the spirit. As a nightingale sings so does our beautiful azure songbird. They grace us with music, poetry, performance from dawn till dusk and never do they falter. Today, we the people and landed Baron and Baroness, Rowen and Suba, do see it fit to bestow this honor upon the muse amongst us by inducting them into the order of the (insert) at Pennsic

Text by Lady Solveig Bjarnardottir

Lochleven Sheep!

At Palio this summer, Baroness Jocelyn and I were chatting about the sheep that has been gifted to Stonemarche from Lochleven. She had a desire, nay, a passion to have the world know of these infamous sheep. Her excellency entrusted me to share their story. Here is the Ballad of the sheep!  Recording to come:

The Ballad of the Lochleven Sheep

By Solveig Bjarnardottir

Year Thirty five , Pennsic all were off
The gate was naked, Ewe the list’ner may scoff
What a way for the glory of the East
Than to guard the gate with a flock of sheep

Sheep, Sheep, Sheep
Rustlin’, Bustlin’ Sheep
Roaming free without their Bo Peep
They once were lost, but now are found
Keep an eye out for the sheep soon to be bound
Lo le lo le Lochleven
Lo le lo le Lochleven

Like the story goes, the herd did roam
The Sheep were missing, but not a Scottsman blows
A ransom laid, of mead well made
Libations for liberation , a splendid set trade

Hide and Seek, Stonemarche’s kids ne’er fail
The sheep were returned with no avail
Honors bestowed upon them at their feet
The taxes roll in without a single bleet

Sheep, Sheep, Sheep
Rustlin’, Bustlin’ Sheep
Roaming free without their Bo Peep
They once were lost, but now are found
Keep an eye out for the sheep soon to be bound
Lo le lo le Lochleven
Lo le lo le Lochleven

A new herd was granted, but something was a wry
Amongst the skein, they did lack all the eyes
A haunted face, an image dare burn
Into the minds of the Barony, all stomachs did turn

When gifted this splendid drove, to our Baroness
Discomfort replaced dreams about the new largesse
How could we make these noble creatures sans morose
Replace these emptied sockets with buttons to diagnose

Two Mismatched pupils, handsewn with care
These two baaaaaad sheep, now serve as Ambassador Heirs
No longer haunting, a fond memory they serve
For Stonemarche, the Children and all who hear the word …

Sheep, Sheep, Sheep
Rustlin’, Bustlin’ Sheep
Roaming free without their Bo Peep
They once were lost, but now are found
Keep an eye out for the sheep soon to be bound
Lo le lo le Lochleven
Lo le lo le Lochleven

By His Hand

“Look at that,” he said, “how the ink bleeds.”  
It mirrors the way the rivers  
of the soul soak in the parchment
He loved the way it looked
to write on a thick pillow of the pad
To him, it was like music, a song in his hands–
all of the possible drawings,
curves, relationships–  
all of the answers, questions, mysteries,  
all of the problems solvable in that space.
The pen in his hand,  
a key to the prison, that white space.
By his hand, a new beginning.
By his hand, imagery–flights of arrows
Piercing through the stark confines
Like a sword dashing through the dark,
Revealing a new light
in his work, in his words

Coronation of King Ionnes and Queen Honig

When in Rome, do like the Romans! Wear togas… what did you think I was going to say?

Callooh Callay! Oh frabjous day! My friends were getting crowned.

This little Viking — well, not so little, really — feels weird, because she doesn’t know how to roman. She’s more of a stayin kinda gal, to be honest. Thank goodness for Bianca di Firenze, who knows all about stolas and pallas and I’m pretty sure dressed the entire kingdom. Or at least the Malagentian half.

But before the festivities were to begin, there was always more work to be done for this Viking-turned Roman. Wait, where’s my bling? None of my bling matches! ACK!

I had been informed a few months prior that Lord Alexandre St Pierre was to receive *his* Laurel — I think you’ll start to notice a trend of when I compose. At least, I’m not decomposing. Yet. Wait, what’s that smell?

Anyways, how does one write a song for a scribe?  I made lists of all the things he couldn’t do very well — it wasn’t that long a list. I even tried to read poems about other scribes — don’t try it, because they don’t exist. But what does exist is a passion for hobbies, and then I was inspired by his passion. By his words, by what came from his hands, you could even say inspired by his hands.

I wanted well-rounded scribe, but a talented artist, and an archer as well. So I figured it out. I wasn’t going to write him a song. I was going to write him a poem instead!

Poems were their own sort of challenge, because they weren’t restricted by the same parameters as a song. Word stress was also far different. I hadn’t written a poem for anyone in seventeen years. I guess you have to start somewhere. Again. I stared at blank paper. I stared at ink. I made lists of all  to include *everything* he did, not just the scribal aspect. I used allusions to swords and to archery, and music as well. I was pleased with the product, but as always, shy to present it to the public.

Coronation arrived, and I think I figured out which way was up with my garb — the little arrows Bianca safety-pinned on really helped. I arrived early to help set up his vigil. And schmooze, as you do. And check for the 513th time I was wearing my palla correctly. Which fell off my head over 9,000 times! If I hadn’t been told how much of a hussy I would have been without one, I would have just given up on the darn thing.

Morning court came, and everyone played it cool. I had Alexandre’s little flaggy hidden in my palla, and he was the first one called in. The look of, “Oh crap!” was priceless! Hopefully someone got it on camera! We waved our little flaggies and watched as he was sent off to vigil. He was one of the lucky ones, because he wasn’t there when (former) King Brion made the entire room cry while singing “My Queen” to his lovely wife, Anna. I bet Alexandre’s were the only dry eyes in the entire building as King Brion sang well and with all his heart, nothing could have been more true. It was really freaking adorable. Even the Vikings cried, though they probably won’t admit it, since they were all disguised as Romans.

About an hour into his vigil, I finally got my chance to present my gift to Alexandre. I felt like one of the fairies from Sleeping Beauty. I hope it’s not Merryweather. Oh God, or Maleficent!

Since I lack the skill of calligraphy and illumination — I’m learning, but it’s taking quite a bit of time — I had “borrowed” in classic Viking fashion, a previously created illumination from Ye Olde Internets, and had placed the words of my own composition on it using Ye Olde Word MMXIII. You would think, as a bard, I’d be better at words in vigils. But I feel as if I always walk all over my tongue. I spoke to Alexandre of the beauty that he presents the world, and his multitude of gifts. So now it was my time to give him a gift back, the only one I have to offer. I handed him the framed copy, and then began to read. I didn’t catch his reaction, since I was too busy being nervous reading it to him to look up, but I feel it was well received. I also let him know that I learned a new trade just to be able to honor him that day. I told him that I would be heralding him into court. This is something I had never done before, not just in court aspect, but at all.

The rest of the afternoon passed, and it was time for the afternoon court, the first court of the new King and Queen, my friends, Ionnes and Honig. We anxiously mustered in the hall. We were all of Woolfe’s Company: We were small but we were mighty. Thank you, New England April Fool’s Day storm. We were the last business, but the energy was still high. As herald, I was the second to process, the first being a small boy no older than eight years old, carrying Alexandre’s banner of arms. I wrote the words that morning as I was inspired, and grandiosely presented my friend to the Known World. In addition, I had arranged a Machaut piece (which was of his persona) to be played as I heralded. I made sure the words suited him, and that I was clearer than crystal. The world would tremble at his presence. But not too much, because as Sir Ivan remarked, he is a small man.

Image may contain: 6 people, people on stage and child

Beautiful gifts were presented to him as were his right, and court finished soon after as all the Laurels swarmed to welcome their newest inductee. I got a hug too.

Now my favorite part of any event, that doesn’t have shopping, FEAST!

This feast would have a new twist — I had signed up to serve. It’s true. My palla found a new place to live, as I became a kitchen hussy. This experience was not only enlightening, because while I had only just recently learned what it was like to run a feast a few months prior, I had never served a feast before. I would say I rolled up my sleeves and dug in, but I didn’t have any. Where it was a whirlwind at times, it was still a great time. The camaraderie and leftovers were great. 9.5, maybe 10 out of 10, would definitely serve again. Besides, any time I can be that close to Gryffyth’s food is a fantastic day in my book!

 

By His Hand

“Look at that,” he said, “how the ink bleeds.”  
It mirrors the way the rivers  
of the soul soak in the parchment
He loved the way it looked
to write on a thick pillow of the pad
To him, it was like music, a song in his hands–
all of the possible drawings,
curves, relationships–  
all of the answers, questions, mysteries,  
all of the problems solvable in that space.
The pen in his hand,  
a key to the prison, that white space.
By his hand, a new beginning.
By his hand, imagery–flights of arrows
Piercing through the stark confines
Like a sword dashing through the dark,
Revealing a new light
in his work, in his words

The Maiden of the Gardens

Through solitude’s blooming orchid garden,
A graceful and elegant maiden does stride,
Enters our lady, Camille Desjardins,
Lavender waves across an amethyst tide.

The flowers herald her arrival,
Blossom with each step serene,
As if her presence Spring’s revival,
All in her grace stay evergreen.

Careful she gazes upon their beauty,
with every floret’s form observed,
For she accepts her kingdom’s duty,
to see them on a scroll preserved.

Her brushstrokes capture and acclaim,
the trappings of renown and glory,
To skill and service she does bring fame,
And to great battle, and claimed quarry.

Upon her parchment she infuses,
Life into the artistry she weaves,
She is the favored of the muses,
Her inspiration the lakes and leaves.

She captures the beauty of color and light,
Immortalizing honors with ink and quill,
To bring glory to those who do right,
Her patient hands bear unwavering skill.

This art alone could be life’s labor,
Yet her talent flows without such bounds,
Her voice, her stitch, her nimble saber,
The quality of which astounds.

Her voice can soothe a heart of fire,
Granting peace and granting reason,
As a lark’s call disperses ire,
that sounds upon the warming season.

Her mastery of fiber weaving,
Shows clearly within her stitch,
The way she blends fiber receiving,
awe from those it does enrich.
And none would dare to test her mettle,
As this gentle flower does adorn,
Herself with not just purple petal,
But with our kingdom’s golden thorn.

A woman finely celebrated,
In talents stitched and inked and floral,
Does rightly need be elevated,
Into the Order of the Laurel.

Fall Crown Tournament

It was a bright and sunny day. Not as warm as I’d hoped it would be, but warm enough, nonetheless. This would be my first Crown consorting for Sir Marcus. I was told I would have some mighty shoes to fill. After all, Astrid was a mighty viking. I was dressed in my finest garb, newly made for the occasion, because I lost my other finest garb — which of course, I found as soon as Crown was over.

I was early to site, with a hidden treasure tucked under my arm. I had been made aware that a month and a half prior that Dona Camille was to receive her Laurel. I had put myself to the task of composing a new piece for someone who had taken me under her wing. I found it quite the challenge to put to words what this human being was to me. So I did the next best thing. I reached out to her cadet, Trian, and asked him if he was willing to scheme with me. What a silly question that was. Of course he easily agreed.

By Trian’s hand, with a little help from me, there would be words. Due to location, and both of us being on the go individuals, we found it hard to meet up in person, however, thanks to the joys of modern machines, we were able to Skype and use Googledocs to compose at the same time. Have I mentioned how much I love modern machines? Because I really do.

I mean, we used doves, and carrier pigeons, and the Black Arts…. Yeah…

Anyways, after a few nights of tediously working and edit after edit after edit (what rhymes with Camille?) we were both sorta, kinda, maybe okay with what we considered to be the final lyrical product. It was now time for me to work my magic. *spits in hands, rubs palms together, then grimaces at gross hands* ugh….

The muse ran away. Even after I hog-tied her. Of course she did, stupid, frivolous muse! Even after all the shinies I gave her too. Then, as the muse does, in typical muse fashion, I laid in my bed, and she smacked me upside the head around 1, maybe 3 am. Eureka! I needed some tissues to wipe up the way it flowed.

I called up Trian to present the product, and he provided only minor feedback. I’d say that’s a win, right? Not bad for musical vomit in the wee hours of the morning, right?

So, back to Crown, after my musical malady had been cured. I’ll admit most of my focus was on my consort. After all, it was my duty to the East Kingdom, and him, to be who he needed me to be. I spent hours chewing at my fingernails, watching each of his combatants being laid to rest. Between bouts, I would check on Sir Marcus, and then run over to the vigil, to where Dona Camille had been taken that morning. I was lucky to have known the guards well, and gotten my name on the list when I was available. Text in a frame tucked under my arm, I made my way into the tent. The frame sat face-down in my lap and I began to explain to Camille in what words I could muster, who she was and what she meant to me. I turned over the frame, and almost skittishly provided the art that Trian and I had collaborated on. It was to no surprise that rivers ran down her cheeks — not the first time, and not the last that day. I wonder if the pollen counts were too high?

Image may contain: 6 people, people standing and outdoor

I then hurried back to the list field when my time was up to watch my champion. Sadly, soon after Sir Marcus lost his second fight and was eliminated from the tournament. This was in the top six if I recall correctly. I couldn’t have been more proud of my friend. He fought bravely and chivalrously, and was an inspiration to the fighter inside myself.

Image may contain: 4 people, people sitting, child and outdoor

Soon after, we had our new Prince and Princess, Ionness and Honig, and it was time for court. It would be my first time attending a Crown Tournament court, and after I made myself comfortable next to some familiar faces, court began as dark quickly fell. Her new Highness, Honig, was presenting her first award as a Lady of the Rose, and she called my name. I was flabbergasted, trying to figure out what I could have done wrong. Honig had been, until recently, part of Malagentia, the local group, so she knew of some of my shenanigans, but I couldn’t think of anything horrible enough to get called up in front of court for. She called me up to present a token for my poise on the field. She said to me that she was impressed with my behavior, and how I presented myself as a consort. I gratefully accepted the token, and went back to my seat, where I buried myself in my cloak for the rest of the court.

 

The Maiden of the Gardens

 

Through solitude’s blooming orchid garden,

A graceful and elegant maiden does stride,

Enters our lady, Camille Desjardins,

Lavender waves across an amethyst tide.

 

The flowers herald her arrival,

Blossom with each step serene,

As if her presence Spring’s revival,

All in her grace stay evergreen.

 

Careful she gazes upon their beauty,

with every floret’s form observed,

For she accepts her kingdom’s duty,

to see them on a scroll preserved.

 

Her brushstrokes capture and acclaim,

the trappings of renown and glory,

To skill and service she does bring fame,

And to great battle, and claimed quarry.

 

Upon her parchment she infuses,

Life into the artistry she weaves,

She is the favored of the muses,

Her inspiration the lakes and leaves.

 

She captures the beauty of color and light,

Immortalizing honors with ink and quill,

To bring glory to those who do right,

Her patient hands bear unwavering skill.

 

This art alone could be life’s labor,

Yet her talent flows without such bounds,

Her voice, her stitch, her nimble saber,

The quality of which astounds.

 

Her voice can soothe a heart of fire,

Granting peace and granting reason,

As a lark’s call disperses ire,

that sounds upon the warming season.

 

Her mastery of fiber weaving,

Shows clearly within her stitch,

The way she blends fiber receiving,

awe from those it does enrich.

 

And none would dare to test her mettle,

As this gentle flower does adorn,

Herself with not just purple petal,

But with the our kingdom’s golden thorn.

 

A woman finely celebrated,

In talents stitched and inked and floral,

Does rightly need be elevated,

Into the Order of the Laurel.

 

Words by :  Trian O’Bruadair / Sólveig Bjarnardóttir

 

Music by :  Sólveig Bjarnardóttir

The Birth of Ravensbridge

This piece was composed for the the incipient shire of Ravensbridge. They has put forth a challenge to compose a Song/Story/Poem about their inception. This was my response. Recording to come.

Down by the swan-road we soar on the wing
and from our hearts a song we did sing
Over the mountains it rang o’re the ridge
about the birth of Ravensbridge

Trapped between rivaling nations we stand
This place was not home, no not on this land
Together as people the plain that we spanned
to make a home not written in sand

Down by the swan-road we soar on the wing
and from our hearts a song we did sing
Over the mountains it rang o’re the ridge
about the birth of Ravensbridge

We searched for a center, a place to call home
Two strongholds that stood, both we did roam
Endewearde, headland of swords north fair
Malagentia lit South, by the light of Sif’s hair

Down by the swan-road we soar on the wing
and from our hearts a song we did sing
Over the mountains it rang o’re the ridge
about the birth of Ravensbridge

Our men speared-din worn, our people lost drive
‘til an outstretched arm lent our kinsman to thrive
A spot between moon and shield to be shown
Our wound-hoe, blood-ember and arms soon to be grown

Down by the swan-road we soar on the wing
and from our hearts a song we did sing
Over the mountains it rang o’re the ridge
about the birth of Ravensbridge

Nameless the many who wandered are we
A name and an image we’re proud to be seen
In honor of friends and this place that we stand
The Raven and Bridge is our chosen brand

Down by the swan-road we soar on the wing
and from our hearts a song we did sing
Over the mountains it rang o’re the ridge
about the birth of Ravensbridge

Huginn and Munnin

Write me like one of your french women.

Huggin and Munin was taking flight and the Riding of Ravensbridge was starting to take shape. As a growing community not quite yet official, it was time to begin recording their history. Ravensbridge is an incipient Riding of Malagentia and as a resident of Malagentia, I felt the need to help document their history.

I spent the next few weeks reaching out to the founding members to find out exactly how this group came to fruition. Of combined efforts, I was able to piece together this viking village and their bright birth.

Below is the entry I composed:

 

Down by the swan-road  we soar on the  wing

and from our hearts a song we did sing

Over the mountains it rang o’re the ridge

about the birth of Ravensbridge

 

Trapped between rivaling nations we stand

This place was not home, no not on this land

Together as people the plain that we spanned

to make a home not written in sand

 

Down by the swan-road  we soar on the  wing

and from our hearts a song we did sing

Over the mountains it rang o’re the ridge

about the birth of Ravensbridge

 

We searched for a center, a place to call home

Two strongholds that stood, both we did roam

Endewearde, headland of swords north fair

Malagentia lit South, by the  light of Sif’s hair

 

Down by the swan-road we soar on the  wing

and from our hearts a song we did sing

Over the mountains it rang o’re the ridge

about the birth of Ravensbridge

 

Our men speared-din worn, our people lost drive

‘til an outstretched arm lent our kinsman to thrive

A spot between moon and shield to be shown

Our wound-hoe, blood-ember and arms soon to be grown

 

Down by the swan-road  we soar on the  wing

and from our hearts a song we did sing

Over the mountains it rang o’re the ridge

about the birth of Ravensbridge

 

Nameless the many who wandered are we

A name and an image we’re proud to be seen

In honor of friends and this place that we stand

The Raven and Bridge is our chosen brand

 

Down by the swan-road  we soar on the  wing

and from our hearts a song we did sing

Over the mountains it rang o’re the ridge

about the birth of Ravensbridge

 

As a side note, this was my first attempt at composing using kennings. Ravensbridge is a viking based group, I tried to be authentic in composition style and true to their heritage.

Image may contain: 1 person, outdoor

After the performances were completed but before their winners were announced, music needed to be made. I did what I do best and I pulled out rounds and found any willing to sing to join me. It was then announced that I was the first winner of their Bardic competition.