Harper’s Retreat

You must not under any pretense allow your mind (Harp).  To dwell on any thought that is not positive, constructive, optimistic, kind. -Emmet Fox

I think this should be the mantra I focus on. It’s always tough when you put your heart and soul into something and then have your spirit crushed by not obtaining that goal.  

This year was a new year to push myself . To try something new. This year I brought new repertoire. These pieces had never been performed by me for the public.  This year’s repertoire choices were very personal and close to my heart as well.  

Saturday I spent the day fencing, teaching, reveling in good friends and company. What did you teach, Lady Solveig? I taught what’s called a “Master Class”. This class is a safe place workshop where you bring a piece you are polishing or a piece you want to improve on. The format is generally you perform your entire piece all the way through and then you do it again, section by section. Suggestions are made about your performance and how to improve it. This was my first time performing this outside of an academic setting and I was overwhelmed to have three students attend. All of them brought difference pieces and styles to the table. I say overwhelmed in a good way. I never know how performers feel about being critiqued. Not everyone takes criticism well and even when they ask for it, it can rub them the wrong way. This was a great exercise for me in providing feedback but also serving as a bardic mentor for those who were older, same and younger than I was. I monitored body language very closely to make sure what I was providing was well received. When the class was over, I was thanked by the students and was told by two of them that they were now going to compete with these pieces for Baronial Bard and the third was just going to get up and perform for the open mic section. I couldn’t be prouder. I felt like a mama bird, proud that her kiddos are getting kicked out of the nest…. her… viking nest. With spears and fire.

I had set up, ahead of time, for an accompanist to help me with a piece. A few weeks prior, for personal reasons, he had to decline. Luckily, I am surrounded by amazing musicians in my life and another rose from the mist. I went to go rehearse with her but found out she had broken her foot the night before. In addition, she may have injured her wrist (Insert a chain of explicates and rapid swearing/heart beat) Oh wait! Another friend… can you play a thing? Maybe? No. Crap. oh hey, other friend (#4) yeah, I can play violin and make this work if your guitarist can’t.  (Like watching the Bob Ross reruns on twitch where he throws a blob of paint on the painting and you think its ruined? Nope.… SAVED!). We made this work. Awesome.

After the class was over I rushed to get ready for feast and the bardic competition that night. “Ooooo girl, you so fancy!” I would jest with my friend, Ollala, that I was “Installing my weave”. I was quickly corrected that it was not a weave, because they were not sewn in and they were just extensions. I pushed that button a lot over the next few hours. After all, what is a Skald without harassing their good friends.

I made my way over to feast in my finest raizing garb, head weighing a few pounds more, thanks to the extensions and beads. I promise, my head was not full of hot air… that would have made this so much easier to walk. I followed up with a few of my friends whom I knew were competing, and I made sure to speak to them and encourage them. One, specifically said they weren’t even sure if they were going to complete. I did my best to encourage them and even walked over with them to sign up. The rest was all feast and a blur until the competition.   Feast was an immense success as it always ways. The food was amazing as was the company.  #Foodcoma #Wholeroastedpig #liquidcourage #bardjuice

Game face on. No… not vampires. You know, srsbsns.

I mentioned that my repertoire this year was important to me. Several years prior, I had discovered a performer named Owain Pfyfe. If you know me well enough, you know I do not really care for tenors. The bright timbre is not something iI inherently enjoy. However, there was something about his charisma and style that I couldn’t ignore. I was so intent on finding him. He had to be a SCAdian right? After about six months of searching and re-listening to all of his repertoire, I was DEVASTATED to find out that he had passed a few years prior. I then began spending my time learning his music, listening to his humor and trying to take it and internalize it, making it my own.  My first piece would be one of his repertoire and it was my own take on it. I spent time focusing on that.

This year, I started with a mummer like feeling. I sat in the back of the room, covered in a wool cloak and an Italian Renaissance style plague doctors mask. I sat, quietly listening to the other performers, trying not to disturb them, but enjoy myself as well. Then, a friend of mine and fellow Bard, Kara the Mischievous took the stage. She sang a song, in which I have already received from her to add to my own personal book (It was that awesome!). Then, she too, decided to tell a story. She had mentioned at dinner she was telling a Norse story. I listened intently as she started her story, to tell us about when “Thor wore a dress”. My heart hit the floor, eyes widened and all the blood rushed from my body. That was -my- story. What was I going to do? Should I leave? Should I quit? What should I do?!?!?!

I took a stiff upper lip when it was turn, re-centered and let my new “persona” take over. I would not back down. I took the stage from the back of the hall in my mummers kit and my awful mix of European accents. I would crack jokes, get my “unsuspecting” assistants to the stage to help me out and slowly remove each piece. First the cloak (Which was alllll wool) so i weighed more than the world did at the moment. Next, the mask. Facial expressions are very important with physical comedy and the shtick I had chosen at that time. The piece I performed was “Fuggi, Fuggi”. I had the audience sing with me, I sang the Italian and as I explained to the audience, they’d be singing the Latin… ( Falalalala). At the end, it was time to show off my classical training. I arpeggiated my way up to a F above treble clef (One full octave above the top F line) and then gliasando’d down (Slide). A few small mistakes here and there, but ultimately I am very happy with how that piece went down.

Next, it was time for my story. I quickly thought of how I was going to fix this, the debacle, of two of us telling the same story. I opened with, “You may have already heard this story… tonight” and the audience seemed to appreciate that. Thank goodness for me, Kara and I have very different styles of telling stories so, although we told the same story, it was very different. This story was huge for me as I am not a storyteller, though, my friend’s say otherwise. I rely on my fast paced wit and vocal technique to entertain with. This was also important as this was my first true to persona piece I had done. Win or lose, this was my own victory.

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At court on Sunday, I was not announced at the victor and my heart sunk. I had several folks approach me, telling me how much they enjoyed my piece, how much they loved my voice, how excited that I was going to be their champion again. I think this was devastating to me only because this was told to me. Had I not had so much stake in this at this point I think it wouldn’t have been as much of a letdown. However, their new Baronial champion is a shining star. She is just starting to really get her feet wet into Bardic. She has such talent and skill. I cannot wait to watch her grow and support her. My job in Stonemarche is done.  Their community is growing strong and supportive. I will never stop supporting them, I will never stop being a part of their community, but they are not my focus any more. I need to find another group who needs my help just a tad more. You could say, “I’m a Wizard, Harry” and “A wizard is never late, nor is he early, he arrives precisely when he means to.” And I will go precisely to where I am needed next.

Stonemarche Yule 2016

Jingle Bells, the Baron Smells, MacFrode laid an egg…

Ahem, sorry.

This is the year I get to attend, and have no responsibility. The Viking was incognito, donning 13th century garb, trading in my beads for a veil, and a fancy belt. However, never leaving my side is my Bard-Book — like a safety blanket, it goes with me everywhere.

Music was supposed to be run by someone else this year, so it was time for me to be a regular bystander and enjoy the atmosphere. Besides, I had my own little event to worry about back home, I didn’t want to do anything but eat, drink, and be merry. However, we know how these things tend to work out.

A familiar tugging on my kirtle occurred, but not from Photographer-Girl — she was absent this year, and I missed her greatly, — but from the Music Maestra herself. Inquisitively, she asked when music would begin. I gave her a blank stare. I said it was her show, and I was happy to sing whenever she needed me.

More time passed, and another tugging, from a different individual. However, same question. It seemed like it wasn’t just the food that brought people to this event. Finally, a third tug had me deciding to snap the chariot reins. I Oyez’ed for interested participants, and made a space for singing. Luckily, I had brought my security blanket full of a plethora of holiday music. We gathered in the hall, and sang through my usual repertoire. When I ran out of music, it turned out that the Music Maestra had indeed brought her own holiday SCA filks.We sang through those, and the event soon ended after.

I’m starting to wonder if I’m a musical Moses. I hope I’m not doomed to wander for 40 years.

 

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Winterfeast

Fa la la, fus roh da

Who’s smart idea was it to let the bard autocrat an event? Who’s smart idea was it to let the Viking bard autocrat an event? Vikings are known for pillaging, ravaging, and burning, not planning, and organizing, and decorating!

However, this Viking likes food. And I had an awesome kitchen staff. Despite all the hare in the stew.

I spent months planning my first event {Trust me, she did, it’s all she would talk about at fencing practice. (Shut up, Karen!)}  And I never took for granted how much work the autocrats put into their events, big or small. I had excel spreadsheets, checklists, and lists for my excel-lists and checksheets. No, wait.

And best of all, the best deputy a Viking could ask for. My deputy found my masterful feastocrats, and also helped to find the perfect location. I didn’t just want this event to be delicious, I wanted the atmosphere to feel like home. If home had servers. And live music. And dancing. And games. And a silent auction. And room to seat 120.

Oh, and two surprise guests I couldn’t even imagine would grace my small event. But that comes later.

Before I had even submitted my bid. I made sure I had beat all my ducks into submission, and they were all in a neat row. I had lined up all my volunteers, and had my menu planned, and waited several weeks anxiously to find out my bid had been accepted.

Once everything had been lined up, I had about a month and a half to complete everything on my checklists. Everything fell into line easily, almost like I had planned it to. Until two weeks prior to the event…

Dun dun DUUUUUUN!

I had received a message on the Tome of Visages from Astrid, head retainer for their Royal Highnesses. “Hey Solvieg, Guess who’s coming to visit?”

I don’t know, Batman and Robin?

Good guess, but think a little bit fancier. With pointy hats.

Batman and Robin putting on a Statue of Liberty cosplay?

Close, but still no cigar.

Their Highnesses!

*insert cursing in my brain*

My heart began to palpate. What are you supposed to do to royalty? Or is it *with* royalty? Do I also have to dress up fancy and wear a floofy dress? Gosh darn it, I don’t wanna! You can’t make me!

The realization that the event was a week and a half away, and I don’t know what to do with royals or where to put them, or even where they went on my excel sheets, I did what any insane person would do: reach out to my 50 closest friends who had run events before, and ask for their sagest knowledge. And when that didn’t cut it, alcohol suggestions.

I was blessed with copious suggestions, and my mind was put at ease.

Hooray! The day of the event!

Wait, what is all this white stuff?! Why is it snowing?!

Because it’s January in Maine. Gah.

Thanks to the presence of our Royals, the event was sold out before the doors even opened. I had more volunteers than I knew what to do with for set up. And more kept coming. The hall was beautiful, filled with everything from garlands to banners of personal arms. We even glitter bombed their Highnesses chairs (thanks Karen! {My pleasure! His Highness said I gave him craft herpes, hehe!})

The fragrance of fine food filled the air. (<– see, I made alliteration work this time!) And I had just enough servers for the tables, even with Karen bouncing in and out of the kitchen as needed. We even had a small court, thank goodness for no set up. The removes rolled in, and empty dishes rolled out. Between removes, the Malagentian Bardic Players even performed. When there were no Malagentian Bardic Players performances, solo bards got up to do their own. Some I had pre-arranged, and some were a surprise. I felt almost empty, not having performed up to that point. It was my duty to make sure the event kept running smoothly, however, my deputy advised me that for five minutes, the event would be under control with me {Oh, what a liar!} (Shut up Karen!). She encouraged me to get up and sing, and so I did just that. I performed one piece by myself, and then an improvised duet with a friend.

{Karen even got up with the same friend and sang The Feast Song with her! And Karen doesn’t sing in public!}

As the night came to a close, their Highnesses presented me each with their tokens, which were the first ones minted of their reign. On top of that, the numbers were run for the event, and we made a $750 profit {on an event that usually loses money! Wow!}, and a $450 donation to the Riding of Ravensbridge through the Silent Auction.

The snow continued to fall, though my wonderful volunteers stuck around to help break down the event. I think I made it home in one piece. I didn’t leave site until 11:30. I don’t remember how I got home, I just remember crawling into bed and sleeping until noon the next day. What an exhausting and wonderful experience. The cherry on the sundae was receiving from many individuals about how much they loved the variety of bardic performances throughout the evening. 8.5 out of 10, would definitely consider running again, in a few years at least. As long as it’s not a last minute Royal Progress…

 

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The Feast of St. Nicholas in Queen Elizabeth’s Court

I’m King Henry the VIII I am!

Eight months prior to the event, I received a message on the Visage of Tomes from Mistress Aneleda. And within this message, she inquired whether I’d be willing to serve as an ad hoc choir director for an Elizabethan immersion event. Without hesitation *damn helium hand* I said sure! She quickly put me in touch Mistress Aife/Master Valentine, as well as the autocrat for this event. Most of the communication was done through email. Me, being an introvert with extroverted tendencies, I really just wanted a phone call. But I’d make this work anyway.

I was in charge of obtaining vocalists, selecting the music, and rehearsing for a one-day event. Now, you might think, this is crazy, how can you do that, why would you do such a thing, that’s impossible? Trust me, I asked myself these same things over the course of eight months. I’m sure these are the same questions I would be asking myself if I ever found myself knocked up, and some mornings, thinking about the task I had taken on, I woke feeling queasy.

Much like the first trimester, these feelings passed as this baby grew. I tried to figure out the best way to communicate with my potential vocalists: would it be via the book of faces, email, yahoo groups, carrier pigeons, messages in bottles (I felt like I needed to drink a lot of wine to get through this, so I might have some empty bottles), maybe smoke signals? And finally settled on Facebook, even knowing not everyone used it.

Four months prior to the event, as the second trimester as it were was wrapping up, my search for singers would begin. I joined EVERY Eastern Kingdom Facebook group I could find, and started to spread the gospel. The responses started to trickle in. Some committed, some didn’t, but it gave me hope.

Three months prior to the event. Huh, I should probably pick the music now, just like a parent would pick names, right? I had done my research months prior as to selecting what type of pieces — knowing that each piece had to be Elizabethan, —  but the exact pieces hadn’t been chosen until I knew what vocal range my vocalists had, and how many I would have. You can’t do six-part harmony with only two people, after all. Even Vikings can do that much complex math. I settled on five pieces in polyphony, and a few rounds. I sent out a copy of the scores, midi recordings with all the parts, as well as individual parts, for song-learning, so even if my vocalists couldn’t read music, I should have my bases covered.

A few weeks prior to the event, I kept checking in with my vocalists, to see how part-learning was going. I myself had to study the scores and be ready to assist on any of the four parts as necessary. Also, with learning the score, is looking ahead, and anticipating where there might be part difficulty. My scores looked like a rainbow. It had also occurred to me that I would need suitable garb for this event, because while Vikings pillaged quite a bit, they weren’t around to pillage the Elizabethan court. Aw, hell. Thank goodness for Fortune St Keyne. This goddess, this angel of mercy, whipped me up some spiffy threads in but a few weeks time.

A week prior to the event, I still didn’t have a final number of individuals who would be participating. It was coming down to crunch time, time to push this metaphoric baby out, and it was like we didn’t have a birth plan. Or a hospital. Or something equally important, I don’t know.

Day of event! Don’t panic. Don’t forget your towel. I’m panicking! No, don’t panic!

I was early. I’m always early. I hauled my feast gear, my keyboard, my music, my pitch-pipe, my garb, my piano-bench, and other assorted things needed for the event up the stairs of this decommissioned church. I set my things up in my rehearsal space, and slowly began to decrease my heart rate. Don’t they talk about breathing in those birth classes? Something like that. In all my years of being a choir director, I had never been in this situation before. I didn’t know what levels of experience my vocalists had, or if they had even learned their music. Heck, I didn’t even know if anyone would show up. I asked my vocalists to show up at 10am, so we would have a good two hours of rehearsal time all together. In typical musician manner — or maybe it was Scadian manner? — they were tardy. Circa 10:30, we finally got down to working on the music. My vocalists were surprised that I insisted on warming them up, like I was a professional or something. In my own turn, I was pleasantly surprised that I had a well balanced and versatile group. And they had all learned their music!!! If I could work with them every time I had to choose vocalists in the future, I would in a heartbeat.

I was also pleased to find that every section of music that I anticipated difficulty with came up, and I was able to nip it in the bud quickly and efficiently. Proper planning prevents poor performance, right? The only surprise in the rehearsal was the sheer delight and ease of this experience. Every single one of my singers were prepared and respectful. It was beyond anything I could have even imagined. I even got to twirl in my dress.

The autocrat, Lady Olivia, had done a beautiful job with her dream, though through no fault of her own, had difficulties the day of the event, with kitchen mishaps beyond her control. The only reason I bring this up, because it affected performance time. We didn’t know when we would perform, but at least we had prepared a signal. What happened next was also incredible, performance time.

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My angels took to the loft, and we assembled in the planned formation. Song after song, beautiful harmonies echoed throughout the hall. I got so excited throughout one piece, I lost control of my baton, and it left my fingers. I *think* it missed my vocalists, and landed somewhere in the pews next to us. I was saved the embarrassment of trying to climb beneath the pews by one of my angels, who retrieved said baton and returned it to me. Could a director get any luckier?

Video by : Anna Elisabetta deValladolid.

 

Even during one of the pieces, where it had slightly derailed, they continued to sing like nothing was wrong until we could get it back on track. They were true professionals in my eyes that day. There was downtime for soloist performers as well, which I had arranged, a few of my vocalists had asked me if I would sing that day. At first I refused, because that day was not about me, but I finally decided it was something I should do, if only to stop them from asking.

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Photo by Lady Olivia Baker

I sheepishly approached the front of the balcony and waited for the moment to feel right. When it did, I sang the only Elizabethan solo piece I knew by heart. When I was done, I was glad I had performed, because soon after, I was approached by five individuals who presented me with their tokens. One was chocolatey and delicious.

I am also pleased that after this performance that I gained so many new friends and performers, that I would not give up this experience for anything. Okay, maybe the Elizabethan dress. If I could have done the whole thing in my Viking, the day would have been MUCH better!

 

Huginn and Munnin

Write me like one of your french women.

Huggin and Munin was taking flight and the Riding of Ravensbridge was starting to take shape. As a growing community not quite yet official, it was time to begin recording their history. Ravensbridge is an incipient Riding of Malagentia and as a resident of Malagentia, I felt the need to help document their history.

I spent the next few weeks reaching out to the founding members to find out exactly how this group came to fruition. Of combined efforts, I was able to piece together this viking village and their bright birth.

Below is the entry I composed:

 

Down by the swan-road  we soar on the  wing

and from our hearts a song we did sing

Over the mountains it rang o’re the ridge

about the birth of Ravensbridge

 

Trapped between rivaling nations we stand

This place was not home, no not on this land

Together as people the plain that we spanned

to make a home not written in sand

 

Down by the swan-road  we soar on the  wing

and from our hearts a song we did sing

Over the mountains it rang o’re the ridge

about the birth of Ravensbridge

 

We searched for a center, a place to call home

Two strongholds that stood, both we did roam

Endewearde, headland of swords north fair

Malagentia lit South, by the  light of Sif’s hair

 

Down by the swan-road we soar on the  wing

and from our hearts a song we did sing

Over the mountains it rang o’re the ridge

about the birth of Ravensbridge

 

Our men speared-din worn, our people lost drive

‘til an outstretched arm lent our kinsman to thrive

A spot between moon and shield to be shown

Our wound-hoe, blood-ember and arms soon to be grown

 

Down by the swan-road  we soar on the  wing

and from our hearts a song we did sing

Over the mountains it rang o’re the ridge

about the birth of Ravensbridge

 

Nameless the many who wandered are we

A name and an image we’re proud to be seen

In honor of friends and this place that we stand

The Raven and Bridge is our chosen brand

 

Down by the swan-road  we soar on the  wing

and from our hearts a song we did sing

Over the mountains it rang o’re the ridge

about the birth of Ravensbridge

 

As a side note, this was my first attempt at composing using kennings. Ravensbridge is a viking based group, I tried to be authentic in composition style and true to their heritage.

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After the performances were completed but before their winners were announced, music needed to be made. I did what I do best and I pulled out rounds and found any willing to sing to join me. It was then announced that I was the first winner of their Bardic competition.

 

Malagentia Winter Feast

When I was your age, I used to walk to school uphill, both ways, barefoot, in the snow!

Because, winter!

Winter Feast was my first event in Malagentia, WAAAY back in 2011. I can remember it back in the Grange hall, and the warm feeling of families feasting together. Since then, Winter Feast has always been a special event in my heart.

With my passion for the feast, I made sure I would attend this year. The Malagentian Bardic Group had been on the newer side of things, and was looking for an opportunity to perform. With their numbers small, and my need to be a ham, I quickly raised my hand to be part of this production. It was discussed at the monthly bardic brunch that they would be performing a piece about the local champions; with my connection to Stonemarche — being my second home after all — I quickly volunteered to play their champion, because Viking, right?

Feasting and festivities filled the night, as well as food, fun, friends, family, and [fr]alcohol — hey, I tried! I was lucky I didn’t go comatose after the copious amounts of food I consumed, after all, a sleepy champion wouldn’t make much of an impression upon the stage. We even roped in unsuspecting volunteers — poor Sir Ivan, what a good sport.

We had made cue cards for our volunteers, as well as actors who might forget their lines; we had makeshift costumes, and fun props as well. You might say we gave ourselves “mad props” for our props, yo. Hey, I’m a bard, this is what I do.

The bad word plays were plentiful, as were the laughs. I even got my Paul Reubenesque death, which was all I really wanted. This was the first real experience for the Malagentian Players to perform, and it would be the birth of their stage performances.

Harper’s Retreat 2015

The final days of being Baronial Bard leave me with bittersweet tears. On one hand, I am relieved to be done with the responsibility; on the other hand, I lose my sweet bling, and the super cool title — I’m most upset about the bling. Viking, after all.

This year’s competition required one period piece, the second in a different style, and finally dun, dun DUN (a la Jaws)… a surprise round!!!! for the top two finalists. As in years past, even though I wasn’t competing, there were still nerves about me, because this year I was in charge of running the competitions. While I had helped run the All-State competitions in college for high school students, and even had help running a very small competition at Palio, I had never been in charge of an SCA competition, by myself, no help, so I was worried things would get interesting and I’d have to turn to their Excellencies and beg for forgiveness.

In addition to finding my successor as Baronial Bard, I was running Warrior Bard, and adding an all-new competition for youth under the age of eighteen. The Warrior Bard position is important because it drives home the fact that athletes too can be performers, and vice versa. The position of Child’s Bard is one of the most important initiatives that the SCA has in their hands: after all, not to be cliche, but they are our future. If we instill the arts in them young, we will have a richly tapestried future.

But first, let’s start at the beginning of the day, shall we?

Like in the year before, the rounds had been such a success, I decided we must go around and around and around again. I swear the crowd was just as big as last year, mayhaps bigger than before. Had the news gotten around about how much fun we had had? Perchance. Bodies wandered in and out to join the festivities until there were no voices left. I had set a time limit on the class, but we soon lost track of it. I decided that rounds needed to become a staple at any event I could gather willing bodies, young and old alike enjoyed them no matter their musical backgrounds, and it was a joy to watch everyone have so much fun.

A lot of these bodies were returning from not only last year, but some whom I had met at Bardic Around the Fire, individuals who were too timid to sing on their own, and some who had come due to word of mouth. It once again was mentioned to me that not only were the rounds classes exciting because they offered an opportunity to sing, but they also gave people the courage to do so who would not usually sing in public. I cannot express how much their words of gratitude mean, but I can tell you their words continue to motivate me to run this class and provide this opportunity as often as I can. Plus, it’s a lot of fun.

There had been a previous announcement that the three Bardic Competitions would all be run at separate points during the day, allowing for children to have a decent bedtime, and fighters to have a full night’s sleep before their tournaments the next day. However, due to their Excellency’s prior commitments, things ended up running on Scadian time.

Feast ran once again without disappointment, and their Excellencies were as always a delight to sit with and make merry. Minor details of the upcoming competitions were discussed and the final call for competitors was made. At the end of feast, it was then announced the location and exact time of the competitions. I glanced over the list prior to the beginning of the competition, and extremely excited to see the sheer number of names, but also the backgrounds.

An hour later in the barn, it was time for the heat to rise.I had prefabricated scoring sheets, which had been a new practice to make things as fair as possible. These categories weren’t necessarily about aesthetics, but included such categories as stage presence, entertainment value, and the ability to be understood. Not only did I have their Excellencies on the panel, but also requested previous Baronial Bards and professional performers to join the jury. This, again, had never been done before, or at least in my short tenure in the SCA.

I, of course, allowed the children to go first so that bedtimes could be met and attention spans wouldn’t wander too much. We had five performers under the age of eighteen, the youngest looked to be ten. All of them sang, but their pieces were diverse. I was not disappointed in a single performance. There was so much potential in this small group of youth, I wanted to make all of them winners. One of the young ladies I had met in a harp class I had taken that morning, and her mother was eternally grateful for this opportunity to perform before an audience. She was generally a shy but happy individual, so I can see why this meant so much.

Next up were the Warrior Bards. We had every martial except equestrian represented in the competition. Again, I cannot express how exciting and important it is to not only have a turn out, but to also have one this diverse. We had song and story, poem and improv dictated by the audience.

Finally, we had the main event. All of the eight competitors were allowed to present both of their pieces, however, one at a time and randomized. From the eight competitors, the field was then narrowed to two. They were then given the challenge to write something about the Barony. They were given thirty minutes to compose anything, a song or couplet, story or lyric. While they were composing I had the difficult responsibility of talking to somebody I called friend and letting them know why they didn’t proceed to the finals. My heart sank, and although I was angry at having to do so, I worried I would potentially discourage an incredibly talented human being, I vowed to do my best to do the opposite, and encourage her the best I was able.

Each of my peers performed their individual compositions, both vastly different, but it was clear who would be champion that day. When the dust settled, it was announced the winners would be revealed in court the next day, as was tradition, and we would continue with an open bardic circle. It felt like the night had lasted forever, for both good and bad reasons. I mourned with my friend, but the incredible talent of the performers left my soul renewed.

The next afternoon, I processed into court the final time as a Baronial Champion. Before I stepped down her Excellency had honored me by allowing me to perform a piece before the entire court.After my performance, I first called the Child Bard, and presented them with a personal token; then I called the Warrior Bard. Then, the moment of truth. My successor had been called, and I got to dress her with the regalia, give her the box, and say, “So long, and thanks for all the fish!”

I then found a place in the crowd, and was a regular viking once more.

Harper’s Retreat, Take 2

This is the year. I’m totally going to do it.

That’s what I kept telling myself, anyway. I actually spent time learning my music. In fact, I had memorized my music, unlike last year. I was more prepared this year than I was last year, and had even decided to share some of what I had learned at college with others. There had been a post in the forums asking for teachers for this event; I had polled many of the locals about their interests: I had narrowed it down to three classes: the first being about protecting your voice for singing and local heraldry; the second was on period rounds; the final was about medieval notation and church modes. I looked at my schedule for the event, decided to forgo the heavy field, and if I moved around my perusing of the merchants I could squeeze in all three classes and still make the competition, and perhaps squeeze in some more shopping after. Vikings need bling; after all it might be bad taste to pillage my competitors.
11am. Protecting Your Voice

I was armed with York Peppermint Patties and DumDums. In my head, I kept bouncing between Oh, God, I hope people show up, and Oh God, I hope no one shows up! After all, if no one showed up, more candy for me. I arrived at my designated car-port fifteen minutes early, and was kept company by my litany until people started arriving. And arriving. And arriving! To my chagrin, I think seventeen people showed up; I might have lost count after the third Oh God! And the wet trickle down my leg that may or may not have been sweat. After all, it was summer.

I had my handy bullet of talking points, inclusive of vocal warm ups, breathing exercises, physical stretches, and partner massages — keep your mind out of the gutter Karen! I discussed the importance of warming up your voice, as well as the horrors that professionals had experienced such as polyps, nodes, hemorrhaging, aphasia, and laryngitis/pharyngitis.

We discussed discovering your soft palate through the clever use of the aforementioned candy, and voluntary raising of the soft palate. The stretching and massage circles loosened up the body — and hey, who doesn’t love a good massage? For those who had difficulty with breathing, we even made use of the floor in our exercises.

The hour flew by, and I had people begging to ask me questions beyond the time limit. I was glad I could help so many people to begin — or continue — their careers as some sort of vocal performer. It was even discussed with me that one of my students had even regained confidence in performing due to the techniques I had taught in one short hour.

It was now time to haul as — I mean swiftly fly to the next class. Who’s idea was it to schedule them back to back? Oh, yes, shopping, bling.
12pm. Round and Round and Round We go!

The litany in my head had changed slightly from the previous class. I had had so much fun helping people, that I was no longer afraid of nobody showing up, I was hoping for a handful, maybe seven to show up and spend an hour singing with me. Though now the litany on my head was Oh God, please let them read sheet music. I hope they can carry a tune, I hope I printed enough copies. What if they already know these songs. Or worse! What if they don’t know any of them?

My new classroom, a scenic picnic table in a wide open space, was empty, but in the near-distance, there were a few harpists twiddling on their instruments, and to the other side, the sound of rapiers punctuated the intricate dance of fencers. Neither were disruptive, but still permeated the air with a music all their own.

The bodies poured in. I don’t know where they were hiding. Not only did we fill the extra long picnic table, but Sir Cumfrance himself showed up — and his seat at the table was surrounded as well. An amoeba of bodies totaling twenty-three — I know because I made an absurd eighteen copies, and five were without and had to make due with looking over shoulders or getting cuddly with new or old friends — raised their voices in layered homophony, and overpowered the harps and rapiers both. Again, many levels of experience surrounded me, and yet every moment was a joy. What was originally slated to be an hour class swelled to fill two and a half. I didn’t have the heart to stop the group once they got going; I guess I wasn’t getting my much needed break before my final class. But who really needs to eat or nap or shop anyway?
3pm. Medieval Notation and Church Modes

Hurray! I got an actual building for this class! With walls and everything! More space than I actually needed.

I had a circle of benches and five eager attendees; three familiar faces from my household — who swore they weren’t just there for support — and two new faces. The inquisitive faces and inquiring minds were puzzled at the very square notation which lacked many lines on the white paper I handed to them. There was no treble or bass cleft; there were no bar lines; all the notes were oddly diamond shaped. Where were the familiar {or even evil}  time signatures; where was the familiar italian that we knew and loved?

Nonexistent!

All that seemed tangible was the spacing and filled in heads of notes. From there, the aesthetics got worse — even though you might be wondering how it was possible — and I got questions like, what do you mean that the scale stops on the second pitch? What do you mean, this feels like major, but isn’t? And why are there seven of them?!

In the end it all made sense — or at least they nodded their heads and pretended it did — though I don’t think we’re going to have any new medieval music scholars any time soon. Even words like dorian, locrian, mixolydian, might arise out of their mouths in the future, if they can’t bite their tongues fast enough.

 

A glance at my anachronistic time piece and CRAP! A rushed shower and garb change, and then off to feast. At least I didn’t have to run down the stairs, hopping to pull one shoe on, then the other. I was invited to sit at the dais, beside the Baron and Baroness, and the other teachers, who offered their time and skills that day. Lost in conversation with her excellency, I was offered her gratitude once again in the form of liquid courage that I gladly partook, as well as general entertainment.

Feast was a delightful blur — and not because of the alcohol being passed around — and all I can remember is at the end of feast, his excellency offered up the list to sign up for the Baronial Bard competition that evening. Like a comet across the sky, I moved to sign up first, then rushed to the arena. If only I had known what my haste was getting me into.

That same friend I had made the year prior had planted herself beside me; we chatted and talked music and things we had learned in the year since we had set eyes upon each other last. It was then time for instruments to be tuned, voices to be warmed, and the games to begin.

Things were different this year. Instead of separating the performers and having them perform just once piece at a time, we were to perform both pieces back to back. In years past, the performers had been randomized, and the sign up sheet had been but an attendance sheet for the competitors. This year, they called my name first.

Normally, my heart would have raced, but the scotch had set in.

I suavely approached her excellency, Baroness Jocelyn Del Espada, at the judge’s table, and cunningly brought her to the stage to take a seat, so she would be the center of attention, and closest to my performance. I announced my Italian love song would be dedicated to a lover of music and the arts, her. By the end of the piece, I could see tears streaming down her face, her hands trying to cover the rosy blush tinting her cheeks.

I could not leave my Baroness in distress like this.

I had to change the mood, and luckily, I had come prepared. I allowed her to take her seat amongst the judges for comfort, and beckoned for assistance from the audience. I pleaded for the biggest, strongest warriors to join me on stage. I told my comical tale of kings, fairy princesses, knights, dragons, swords, and pickles! That’s right, pickles! (ooh, you have Karen’s attention now!) By the end of my nine and a half minute story, the judges amongst the audience were fighting to keep back laughter. I feel like I was successful in changing the mood just a tad.

Once my performance was over, I then spent the rest of the night sitting against the wall, enjoying the rest of my comrade’s performances. Unlike last year, I didn’t have negative thoughts towards my competitors. I was in awe at their skills, and found myself biting my nails in anticipation for their performances, as well as at my potential demise.

The competition ran late that night, and my head remained questioning the outcome. It was almost torturous waiting for court the next day.

Camp chairs now made a makeshift amphitheatre where the fencers danced yesterday. After their Excellencies and the previous year’s Champions processed in, it was time for business to begin. The first order of business on the docket was for the newest Baronial Bard. I remember staring into my lap, and listening with my right ear to the wind. My name was called, and it almost felt foreign. I had only been called into court once previously, so the customs were still new to me. I think I did okay. I hope I did okay. I didn’t puke on anyone’s shoes, so I must have done okay, right?

Not only was I greeted by the familiar face of her Excellency, but the tender embrace of my friend, who was the previous year’s Baronial Bard. (insert picture and videos here, you schmuck) I was gifted the traditional chalices for bardic performance, as well as the regalia.

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I got to stand amongst the newest champions during the rest of court, and let the realization that I had a new-earned responsibility set in. I set in my mind that I was going to change things. I was going to build a bardic community, not just for Stonemarche, but for my own homeland, the land of the badly behaved people, Malagentia.

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Winter Feast

Home, Home at the Grange,

Where the knights and the laurels all play…

Where Bards are all heard

Not a discouraging word,

And our plates are all covered with food!

 

This feast almost didn’t happen. The autocrat was a last minute decision, as was the location. But this didn’t take away from the delicious potluck feast which dwelled on the bottom floor of the grange hall. Scadians are terrible at famine. And I’m terrible at not eating Scadian food. An incident with a near-comatose Viking — though I promise I survived, or else these would be post-mortem stories…

Earlier this year, I had taken on the responsibility of becoming the musical director of Voce di Sonata, the vocal group of Malagentia. We rehearsed bimonthly, at different homes in Portland and Saco. We had been working on general medieval music as well as holiday themed medieval music. It was decided that we would perform at Winter Feast, to give us a goal to work towards.

When the food dissipated, and people were mingling, it was time to present what we had been working towards. It was interesting, because half of my group was sick, and two of my three bases canceled last minute. Eh, we could handle it.

One of my friends from Endewearde happened to be in town, and also happened to be a professional musician! She offered to join us, and would have no problem sight-reading the music. So we gathered in our typical horse-shoe choir shape, and let the music flow. This had been my first time conducting since I graduated college in 2009, and it was just like getting back on a bike, as long as you put the training wheels back on.