Birka 2016

Shopping!!!

This is where you find the viking. This year, she’s up to no good, and by no good, I mean super secret, kill you if I told you no good. I had gotten wind that my teacher, Aneleda (though only for another day, OMG the year went too fast!) was to get her Laurel this Birka. What do you give a Laurel when you can only draw pregnant stick figures? I was sure they had already chosen the best person to make her scroll, her wreath, her cloak, and I knew my skills just couldn’t compare to those that had been chosen. What could I add to this occasion?

How about the gift that she’s been trying to enhance?

I put myself to the challenge that I would compose a song for my new-to-be Mistress about the best subject I could think of: her. I destroyed pens and pencils and perhaps a few computer keyboards while trying to make the lyrics befit her eloquence. This was no small task. Finally, like a load of bricks, I was hit by the muse.

The words poured out like water from a fall. I was mostly happy, and then I rewrote the entire piece about five times over, everything from the meter to the accents to pure word choice. Then came the music. It had to be folk-like. Because that’s what it called for. So not to forget what I had composed, I recorded a copy into my mundane recording device (aka my phone), and practiced it ad nauseum (I think I sang it in my sleep a few dozen times).

Once I had known Aneleda had safely received her writ, I reached out to her to find out if I should run the rounds class in her place, since she’d be just a tad bit busy. She agreed, and I did so. There was nothing profound about the rounds, but the sheer number of voices coming together to sing made me happy, and always makes it worthwhile.

It was then time for her vigil. The ad nauseum I was talking about? That’s turned to nausea, and let’s add some knees shaking, just for fun. This is something I had poured my heart and soul into, for someone I admired. Liquid courage was needed. A friend of mine had dashed off to find me a beverage, which I quickly consumed, and I found myself called into the vigil. I drew the curtain back, and sat by the candlelight. I opened my mouth and poured out my soul. When I looked up from the music, I saw tears running down her face, and knew I had achieved what I had come to do.

 

The Ballad of the Balladeer

 

There is a tale set not long ago

Ventures a maiden, rare and bold.

Locks of silver, tresses of flame.

Her songs, her charms, her stories remain.

Fearless she seeks tales, ever forth.

Lo! The shield maiden appears from the north!

 

Besides you she sings, besides you she fights.

Circled by shield wall she’ll take up the pike

With bolstered hearts, the army ne’r yields

Joined the warrior, bard on field.  

Fearless she hunts legends, e’er forth.

Lo! The shield maiden appears from the north!

 

Warrior, friend, a sister on field

Ready for a tune and ready with a shield.

A leather bound book, great stories inside  

If you are not careful, you too will reside.

 

This Balladeer n’er will  leave your side

Your stomach soon filled as time would abide

A hearth ever lit where her songs resound

Souls never empty when she’s to be found

You will find savour burgeoning forth

Lo! The shield maiden feeds from the north!

 

Warrior, friend, a sister on field

Ready for a tune and ready with a shield.

A leather bound book, great stories inside  

If you are not careful, you too will reside.  

 

As fire lay dying, coals lay to rest.

Fellowship lines the walls of her nest

More songs, more tales, the crowd would plea

She’d exclaim, “Said you! post the last 3”

As stories of snails and epics came forth

Lo! The shield maiden sings of the north

 

Warrior, friend, a sister on field

Ready for a tune and ready with a shield.

A leather bound book, great stories inside  

If you are not careful, you too will reside.

If you are not careful, you too will reside.

If you are not careful, you too will reside.

 

Words and Music by Sólveig Bjarnardóttir

Mentoring Dartmouth

Give it the good ol’  college try!

After winning Baronial Bard this year, I took is very to heart that I wanted to save and grow the bardic community. It was brought to my attention that we had a college chapter within the Barony at Dartmouth. I was close with Frenya, Estefania and Frostulf, who were serving as advisors to this chapter. I had first gone to meet the group when they were having their own faire/demo for the school. I went to show support and to get some music going. I met several talented musician’s in the group and offered my services.

My second visit to the school included me teaching a class on how to compose a Contrafact (Filk). We did this as a whole class. I had been working on one of my own, “Bow Hemian Rhapsody”. I brought the unfinished product into the class and then, we as a class worked through our own. I started with a popular song that most people in the class new like the back of their hand (No, there was no hair on the song and certainly no dried mustard).

The second class I brought was a master class. This is where a person would bring a piece that is pretty well worked on or in the process of being completed and we work on enhancing it in front of the group. This is a safe setting where you get to perform a piece without interruption and then we slowly and gently pick it apart to make it better.

The first brave soul was a young gentleman singing “When Johnny came home again”. His twist on it was painful and beautiful. When we finished working, everyone expressed they had chills and some had tears in their eyes.

Next, we had a young Harpist. This was an experience for me as I’d never worked with a stationary instrumentalist before. She was certainly skilled but where we could enhance her was in stage presence. We talked about eye contact, body movement and shaping her melodies and how her hands trailed from her harp. She stated that even she felt more connected  to the piece as well.

I made a few more visits up with the students until my reign was over.