The Pilgrimage

I have quickly discovered that driving to DC from NH the week before pennsic is perhaps not the best thing I could have planned. To be fair, I didn’t think Pennsic was in the cards this summer. Oh, what a fool I am.

After already being exhausted from the 9.5 hour drive each way + additional tops and working a convention for 4 days, I came back to speed pack and finish up procrastination projects that needed to be done for pennsic. I know this is a new concept, but hey. #speedfinishgarb, #finishgarbforking, #learnnewmusic, #finishtokens.

Friday am, Husband and Consorts Bard hit the road at 6 am and drove straight to Slippery Rock. Ahhhhh, more poor choices. We got on site just in time to set up the rain fly on our tent and the heavens opened up. I am lucky husband was with me, even though this was his first pennsic, he is no stranger to setting up camp effectively. As the skies opened, I shrugged, closed the trunk of my SUV and took a nap. It was a glorious couple hours. I have learned that in a pinch, my car can be comfy enough to stay in for a couple days.

Around 10 pm, Collette the Bard graced Mermaid’s Song with their presence and we did a quick run through so not everything was fresh on Sunday. Not my best, but it had been over 3 years since I’ve sang harmonies with another human.

Saturday was fairly open and the only thing on my agenda was Opening ceremonies. This will probably be the only time I get to head up the line, but it was fun! Pomp and circumstance-y. Walking with my friends, fancy-ish garb and feeling important in our game.

Sunday was probably the biggest highlight for me. We met around 3pm to rehearse for our 6 pm concert. There were multiple reasons. First and foremost, I have been dreaming of singing with my very skilled friend since I met them. Also, typically, I am running the choirs or singing solo. Getting to not be the center of attention for once was super nice. I love being the supportive role. Many go “But Solveig, don’t you have a soloist voice?” Ah ha! If you are a skilled singer, you know how to blend with other singers, change vowels and vibrato density and be a unit, not just a soloist. Below are some of the tracks I was honored to be able to sing in.

By The Rose

Music to Me

On Allisoun

Needle and Thread

Siren Song

Vocalists were Collette the Bard(Collette le Trouvere), Bird the Bard (Julianna Bird) and Aibhilin inghean Daibhidh.

That night, I had been invited to VDK Bardic by Caoilfhionn inghean Fhaoláin, 3 time past queen of the east, warrior and passionate performer. I was honored to be able to even join. It’s amazing what weird ideas humans can have about one another. Many years as we have been passing ships in the night, it was assumed that each of us hated one another. This could not have been any farther from the truth. I tried to put on my brave girl pants and chat with her further to see if I could find out why there was stress on our relationship, but instead, I treated her as if there was none. This was probably the best option I could have done. We commiserated over our children, life events and bonded. It was beautiful and I am so glad that we got to strengthen our friendship further. I decided to open up with my new song, “The Spark”, which I had been gushing to Caoilfhionn over, which is what pushed me over as she seemed excited about the concept. Caoilfhionn was also having a rough time with her voice due to exertion from melees… which is to be expected. Someone requested her to sing “We are the East”. She advised she couldn’t remember the words. I happened to be opened up to that very page in my bard book and offered to sing with her so she had the opportunity to perform. We may have sang in unison, but it made my heart happy to finally join voiced with this amazing human. Soon after my husband whisked me away for dinner since it had been 11 hours since my last meal. Woops.

Monday was shopping day with husband. He had been spending a good amount of the time at the range. We had lunch and a shopping date. Before we met up, I found a singular bass gemshorn which I snapped up quickly. This was my new precious. If you haven’t seen this instrument, it looks very much like a drinking horn. Keep this in mind for court the next day. At night, we hit Pirate Bardic and Chalkman. I don’t normally get to sing Sea Shanties/Maritime Songs or do belty chest voice. This is where I just let it loose. I still had to be careful with Wednesday coming and the A and S Warpoint.

I woke up super late on Tuesday, unsure why. Guess my body was angry. Still getting used to calorie intake and such. However it was EK Court time. It was exciting as always to see folks get recognized. There were a few well planned shenanigans and it made my heart swell with joy. I did, finally, get the nerve up to do my “job” in court. I brought my gemshorn to court and played when there was time between calling recipients. The best response I received was from those who had never seen a gemshorn before. I received such responses as “Did… did you just whip out and play a drinking horn?” followed by, “Didn’t you just buy that yesterday… and you already know how to play it?” That was the highlight of court for me.

Wednesday was the big day for me. I was asked by Sefa to serve as an A and S alternate for the war point. This was huge for several reasons. 1) I would be the first performance for the A and S warpoint in the History of the Pennsic War. 2) I have only competed in A and S twice and neither time did I have anything beyond 1 page of documentation. This time, I had 9 pages of documentation, a piece of music that is 100% period and I even dressed in garb that was appropriate for time time period, composer and world location. Although I did not actually get to compete for points, I was excited to be included this year. I was excited to meet performers from other kingdoms. I was excited to show that performance is not just “Learn a song and sing it pretty”. The best part was sharing my passion and knowledge of music with others and explain things in a way they could understand. Music can be scary and intangible for many. I had atleast 3 separate folx who told me that I taught them something that many others had tried and had not succeeded before. My heart gushed. Later that evening I had the pleasure of hosting the East/Mid Bardic Showcase. Every year the East and Mid alternate hosting it. This would be the first year back at Pennsic in 3 years, so it was weird. It was supposed to be hosted by the Mid, however, the mid has no current royal bard. Also, their stand in, Jolicia, happened to have other commitments that night, so I took it over. I made sure to introduce the circle, provide a warm space for all to perform, make sure every performer was gifted a token for their effort simply enjoy. All in all, I found this to go well.

John Dowland “Flow, My Tears”

After that was over and the temperatures had dropped, I dragged my husband to see Volgemut so he could understand the majesty and awesomeness that they are and then off to visit with the Kingdom of Acre. They are SCA adjacent. I made friends with the soon to be King of Acre, Nico several pennsics ago and promised I would stop by. I whipped out my ladino song because it makes my heart happy and I wanted to sing of my love for Nicco and husband. When I was done, I received several “Wow” and “Oh shit” and that made my heart glow.

Thursday I ran and facilitated the EKCOP Meeting. Lots of good stuff coming this year! Check the EKCOP page for minutes. After I ran to the 1 act short plays and got to play Hermes and the Greek Chorus. This gave me another idea for classes to bring back to the East for more classes for those who performance is new/scary and make it a safer place for them.

Friday… home….. the worst. We split up the drive and now I am le sad. So… here we are.

Returning Home

Gnew has been and likely always will be my favorite event. Yes, it’s hot but you know what? It’s home. This year the plan was to take it easy. I am still re-learning my body as I am going through changes as I continue to lose weight and see how my instrument is working. Minor other health issues but nothing to bring up here.

Since I had earned consorts champ, I have been trying to put up monthly challenges, serve as a mentor and teach. I chose to provide 3 classes at GNEW as I would not be fencing.

My first class was Friday for 12. I was presenting my ad hoc choir. This was not the best time for this class to be successful, but beggars can’t be choosers. We had a mixed skill level group but not much for vocal variety. Click below to listen to the group perform the piece they learned day of!

Edi be thu, heven queene

Sheet Music-Edi be thu, heven queene

Later in the day, I met with several performers who had an interest in the Bardic Arts. Aalina and I hosted a Bard round table to discuss questions, stories, fears and all in between. We had the full gambit of questions and I feel like the new generation of performers is strong and ready to flourish.

From there it was off to teach my son about the joys of service in the SCA. He is 9.5 so doing for others if somewhat foreign to him still. I ran off to retain with Their excellencies Stonemarche. I was given a plate of delicious items to share with the Deed gallery. There was nor formal gallery this year so tasty treats for all!

Saturday I started my day in morning court, seeing folks celebrated and then off to my final class. I did my rounds class. This class had originally been inspired by Aneleda Falconbridge. I had taken it over when she was elevated to Laurel. It had started as her labor of love and I have been continuing it. Inspired by this I have been putting together a book of all period rounds. It is a work in processes, but I hope it will continue to be a tool that folks will use to keep singing in a safe space.

Rounds Book compiled by Solveig Bjarnardottir

Here is a small recording of the folks singing in my group. This song is originally in German, but I am using the English translation with my students.

Music Alone Shall Live

The rest of the time in between was a blur until court. Previously, I had been asked if I would serve as an alternate on the A and S team. This was an absolute honor. I didn’t put much thought into it, but it has really kick started my desire to go into further documentation with my pieces. However, look at this group of amazing folks!!!! I am so excited to do this. Look out Pennsic. More to come on that post Pennsic.

Last but not least, for Saturday, my love was to be recognized in court and become a Lord. Wolfgang was to receive his silver brooch. I have a mold of the silver brooches I had made before. if you look back in past posts, you can see what they look like. However, this time, to make his special, I enameled it for him so it represents the heraldic picture of the award. That night, my house mate was being being apprenticed and I had the joy of heralding him and wandering camps to sing and do Bardy things. Just a good ol’ shennaniganless night. Irish coffee without the irish and songs for old and new friends.

Sunday was pack up day. The saddest day of all. Sure, it was hot and gross all weekend, but this is where my heart lies. As I was packing up, some old friends from Malagentia asked if I would mind mentoring their child in Bardic Performance. I was honored and moved. I have watched this amazingly warm human grow and nothing would give me greater honor. I cried back in camp. This… this was my passion, my joy. To bring bardic to the world, be safe and be a teacher. I cried for joy. We drove home…. washed off the GNEW tan and that was the end of this tale.

Bardic Around the Fire

Another bardic another safe place. Not much to report on this one besides we had 5 completely new folks to Bardic/The SCA. People who I have never seen before got up and performed. I did learn that although my circle is a safe place, I do need to mention that politics have no place in my circles even though they are mutually followed and agreed upon.

Also, I think I may need to find a safe and kind way to tell folks that their piece may not be appropriate in general, even with trigger warnings etc….

Palio di Stonemarche

This year Palio was very small compared to previous years. However, considering it was up against fencing champs and another full war event, we still had a decent sized crowd. It was bitterly cold and rainy at night, but that didn’t take away from the run.

I ran the fencing tournament that day, but I was also in charge of the Golden Tongue Bardic competition. This is very near and dear to my heart because it gives folks who were newer performers a chance to shine. The rules are that you can never have won a bardic competition. We had 4 folks competing this year ranging from age 10 to a bit older (We never speak of a ladies age!) These folks do not proclaim themselves Bards. They have had rough experiences and similar to me, had sworn they would never perform again.

They said that -I- inspired them to give it a chance again. I was speechless. I just want folks to have a safe performance space.

When all was done, I chose, not the best or worst performer, I chose someone who moved me. I gifted them the prize and asked them to make me a promise that they would work on their story and tell it to me again sometime within the year.

A More Challenging Assembly

You would think after the 3 prior years of running this event, it would be easy as cake. The problem was that the 3 previous years had all been different. Covid-19 is still raging on and that lends itself to many other challenges.

In the first year of the challenge assembly’s inception, it had a large location in an area that was well accessible by many of the performers in the region. Bringing it up north had it’s own challenges. EKCOP has no money of it’s own, so we would need to find a sponsoring location. Luckily, Stonemarche had some extra money in the coffers and could offer us a sum to run this event. Finding sponsors for the challenges was another item as folks were unsure how their challenges were going to be taken and how they would view them.

This year, I was able to have 18 sponsors of 20 unique challenges. Next, getting folks to travel to New Hampshire and be willing to perform. We still had the requirements of masking indoors and performing outside would pose a challenge as there was a baseball game booked on the same grounds we were using. Can’t really complain considering the site was only charging us 75 dollars for the day. In addition we had to figure out how much food to feed people for day board and how we could encourage folks to teach.

The performance community in Stonemarche is decently sized, however, covid was making this all difficult. All in all, we had 43 attendees and actually made a profit of a little more than a hundred dollars for the day and this with charging folks the least amount we possibly could. We also had 12 amazing classes ranging from singing, story telling, history of stories and insturmental. The videos will be up soon… I hope.

Words for Onana Frizzell- Lamp of Apollo

Words for Onana Frizzell- Lamp of Apollo
By Solveig Bjarnardottir
Inspired by Oedipus

Auspicious Onara Frizzell, stretch the skilled hand
The delicate digits, until they embroider and paint for us
Fine Tapestries and illuminations
Athena, Artist
Make with prism of colors upon the fabric!
Oh, amethyst virtuosa, O fine crafter of brush and needle
O Stonemarchian-Rhapso not be belittled to Nike
Inspire on and share with all you can
Come with outstretched palm as you raise
yourself and others
Baron and Baroness of Stonemarche
Keziah and Deidre, inspired by your skill
Elevate you, an order to join
Apollo, Lamp, golden bright
This Palio, Anno Societatis 57

Words for Spyridon Tou Nkrizou Lykou- Lamp of Apollo

Words for Spyridon Tou Nkrizou Lykou- Lamp of Apollo
By Solveig Bjarnardottir
Inspired by Oedipus

What is Dionysus singing in his profound
Pytho of burgundies and brown
Until now, we were strangers to the taste
As we have been strangers to water
Could we enjoy but the fine tastes that he presents
Without knowing how refined they were
But now, friends
As we are no strangers to this land
Make this proclamation
If any person knows by whose tongue have but tasted
The brews et all
Knows the finery they share
Let it stand as promised to those before him that he too be noticed
Spyridon Tou Nkrizou Lykou, Brewer of fine beverages,
That the Baron and Baroness of Stonemarche
Keziah and Deidre, inspired by your skill
Elevate you, an order to join
Apollo, Lamp, golden bright
This Palio, Anno Societatis 57

Silver Crescent words for Cedric of the Floppy Hat

By Solveig Bjarnardottir MKA Lauren Haywood

Were he to keep a lower profile, he might
Have lived quite unknown in the East Kingdom the rest his life.
The list fields he prowled most every day,
Crossing swords with joy and never delay.
His clothes, most oft his vest and his stripes,
Though his hat alone would identify and suffice
Then, mostly alone save for only a few
To whom he had confided his whole story true.
One afternoon he turned up at the court
And offered his services at their report
To fetch and to carry—any kind of work
No task to small, no trial would shirk
And, to cut short a tale already long,
He strove to study and train and belong
To the rapier marshallate where by and by
He was a cunning fellow who kept a sharp eye
On every fencer and event support staff.
(Which is no small feat alone and by half.)
As Atlas was strong and wise as an ox,
As Apollo was swift and wily as a fox,
With all of these qualities alone, he was good
At teaching and training, as any with such skill should.
He took time to do any job he was asked.
Filling each duty, request, or each task
Helper, mentor, and friend were the names that they called him,
The very notion of abandoning those in need appalled him.
Few folk of the kingdoms were, as all would support,
Were half so beloved as he in the court.
So gentle was his manner, and seen by the crown,
That all of the East Kingdom rang with renown.
So great grew his reputation in time
Both for his helpfulness and service in prime
So for nine years he led life in this way
Through trials and struggles and joys he did stay
And did his job so well, both in peace and in war
That there was no man whom the East valued more.
So we grant Cedric of the Floppyhat, crescents of silver
To show our thanks, we now deliver
Counsels Tindal and Albrecht do bestow in Ethereal Court
This day and forever shall this honor shall be cavort.

Scoll by the incredibly talented Tiffan Fairamay

Check out her other incredible works! https://thornandthread.wordpress.com/

Sweet Nymph, Come to thy lover

Singing! The digital age pt 2! A few days ago, Amalie and I were approached by the Baroness of Stonemarche, who happens to be a performer in I Sebastiani (The greatest comedia troupe in all the known world). They had one of their performers who was supposed to perform in the intermezzo have a health emergency come up. She approached us asking if we could “Do a thing”.

We have both been Bardic Champions of the Barony and long time friends . We agreed to perform a duet. There wasn’t anything in either of our repertoires that really suited what they wanted, so off to learn new rep it was!

Amalie went digging through CPDL and Thomas Morley fell on to our plates. This was Tuesday Night. Wednesday, off to learn a thing!

Thursday, Thursday,…. Thursday. I guess i should record a thing. My friend, George, who is a mundane friend had been getting me into doing some streaming. With this came some awesome and free software. OBS. I was able to make this beautiful half of my recording. It also instantly transfers my files to videos for consumption.

21 takes later this is what I decided to keep. Live performances are fleeting and you cannot dwell on mistakes and imperfections. Videos… those are permanent and scary!

Text:

Sweet nymph come to thy lover,
Lo, here alone our loves we may discover,
Where the sweet Nightingale with wanton glosses,
Hark! her love too discloses.

Sweet Nymph Come to Thy Lover (MorleyThomas). Composition Year, 1595 or before

First Published in 1595 in Canzonets to Two Voices (No.3)

Make sure to check out Amalie and all her other amazing things she does:

https://arsamalie.wordpress.com/

Hamlet, Hamlet!

Hamlet

Although this was not my own production, I was granted a chance to perform with the gifted cast. A few days ago, my Laurel, Sabine, had reached out to me asking if I would be willing to be a part of the live intermission music for Hamlet. This was a live reading so I thought it would also be really cool to be a part of a live performance in any way I could.

I was trying to wrap my head around a way to make this work. Sure, I have some ok recording equipment which make for OK sound equipment when recording. I also don’t really have any period instruments that I play well enough to accompany myself. However, it hit me that I didn’t -need- one. I have a keyboard in my house and music!

This would probably be the only chance I will have in the foreseeable future to be able to play piano and sing without it being too jarring.

Among that challenge, there is the looming of the novel virus COVID-19, which, has put a damper on my performance muse. I won’t even really sing seriously in front of my fiancé.  It’s amazing what isolation will do to your singing spirit.

From there, a small bit of rehearsal and details to iron out.

Day of, everything that could go wrong on the musical side of technology went wrong. After multiple reboots, some sound engineering (Thanks to my fiancé for helping listen for balance checks) and then leveling the volume of the keyboard versus my voice, it was time to go.

Right before I was going to sing, the power supply blew and a quick changing of sockets fixed everything.

Was this my best performance? No. Did I get to be a part of an amazing production? Absolutely.

Thank you again, Sabine for coordinating this and to my fellow performers who made a magical day.

If you have not watched this, please enjoy!