Scroll for Amalia

This was a scroll commissioned of me for Amalia’s von Hoehensee’s Lamp of Apollo

Oh yonder doth sit that little turtle dove, nay nightingale
Whos sweet rhapsody flows through not just music
But weaves and pierces the finest cloth
Each stitch is a note upon the melody of the cloth
Each stanza, a roving of the weave
Dulcet sounds and harmonies nestle into the thread
which is warmed by the heart and hands that are Amalia’s
Like a phoenix in her craft, sets the spirit a glow, a blaze
Pushing forth and reliving, creating each experience
She tests the purity of the cloth with fire
She lights the lamp of apollo which is now granted
By her skill from the hands, her voice
Deemed it so by Baron Dorio of the Oaks
Deemed it so by Baronessa Jocelyn Del Espada

On this day, January 27, A.S. 52 at A Market day at Birka

Ah Weh, Away! (Birthday Bash)

It was time for something completely different. Well, not completely different, but new to me.  I was going to challenge myself to do a new craft that pertained to Bardic, but still new and would help me expand.

I have many friends up in the Mountain Freehold and tend to make my way up there for their events. However, not many folks up there know me and who I am. I was told that their Bardic community could use some growth so what better way to show who I am but to enter their A and S competition.

The rules were that it had to be inclusive/about the shire.

I chose to compose a piece a bout the shire. I wanted to bring it to the next level. Not only did I compose a piece about the shire, I composed accompaniment and I created a scroll and did the illumination for it. The scroll was done in Skaldic poetic style. The Mountain Freehold is a group that is heavily populated by vikings. The melody was mirrored after Scandinavian motifs and the Cello accompaniment was based off the sounds of the Nickleharpa, a widely used Scandinavian instrument.

 

Here is the final Product:

 

And here is the Scroll:

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I am pleased to announce that I won best overall for the A and S competition.

 

Lochleven Sheep!

At Palio this summer, Baroness Jocelyn and I were chatting about the sheep that has been gifted to Stonemarche from Lochleven. She had a desire, nay, a passion to have the world know of these infamous sheep. Her excellency entrusted me to share their story. Here is the Ballad of the sheep!  Recording to come:

The Ballad of the Lochleven Sheep

By Solveig Bjarnardottir

Year Thirty five , Pennsic all were off
The gate was naked, Ewe the list’ner may scoff
What a way for the glory of the East
Than to guard the gate with a flock of sheep

Sheep, Sheep, Sheep
Rustlin’, Bustlin’ Sheep
Roaming free without their Bo Peep
They once were lost, but now are found
Keep an eye out for the sheep soon to be bound
Lo le lo le Lochleven
Lo le lo le Lochleven

Like the story goes, the herd did roam
The Sheep were missing, but not a Scottsman blows
A ransom laid, of mead well made
Libations for liberation , a splendid set trade

Hide and Seek, Stonemarche’s kids ne’er fail
The sheep were returned with no avail
Honors bestowed upon them at their feet
The taxes roll in without a single bleet

Sheep, Sheep, Sheep
Rustlin’, Bustlin’ Sheep
Roaming free without their Bo Peep
They once were lost, but now are found
Keep an eye out for the sheep soon to be bound
Lo le lo le Lochleven
Lo le lo le Lochleven

A new herd was granted, but something was a wry
Amongst the skein, they did lack all the eyes
A haunted face, an image dare burn
Into the minds of the Barony, all stomachs did turn

When gifted this splendid drove, to our Baroness
Discomfort replaced dreams about the new largesse
How could we make these noble creatures sans morose
Replace these emptied sockets with buttons to diagnose

Two Mismatched pupils, handsewn with care
These two baaaaaad sheep, now serve as Ambassador Heirs
No longer haunting, a fond memory they serve
For Stonemarche, the Children and all who hear the word …

Sheep, Sheep, Sheep
Rustlin’, Bustlin’ Sheep
Roaming free without their Bo Peep
They once were lost, but now are found
Keep an eye out for the sheep soon to be bound
Lo le lo le Lochleven
Lo le lo le Lochleven

Bardic Around the fire, Strikes again!

Winter is coming, my friends and it’s time for more Bardic!

 

With winter starting to show it’s face and the camping events slowing down, it’s time to keep our bodies and souls warm with the best thing I can think of. Bardic!

Once or twice a year for the last few years I have been running an unoffical gathering at the Inn of Bards Rest. There is a bonfire, potluck and of course, Bardic lubricant. The event is child friendly until 10pm and then the bawdy material may seep its way out.  I try to make this a safe place for all sorts of performers all all levels.

This particular time we have just shy of 30 folks showing up from Maine, Mass., NH and even Vermont. We had performers ranging from age 9 to 60. The fired roared and so many new pieces I have never seen or heard performed happened. One story even made its debut as it was completed being written while the story was being told!

The best part about this was there were folks who showed up only to listen and they grew brave enough with the encouragement of myself as well as those around the circle to perform themselves. It was a magic night especially since the rain held off.

Until next year, when I have a new witty title to name this.

 

Winter Nights

Those suuuuummmerrr….NIGHTSSSSSSSS *singing to the tune of Grease*

 

Hello friends and welcome to another edition of Solveig needs to stop traveling and competing so much. I am your host, very sleep deprived and messy housed Solveig. This weeks edition is a special one. This episode has nothing but bards in it (ok, and a few viewers).

Back at the Feast of St. Nicholas in Queen Elizabeth’s Court, Drake Oranwood had described to me this as an all day/night bardic challenge called Winter Nights. He spoke of this sweet sweet armband he got to wear for a year and the circulating location of this event. It had started as a Concordia only event, but had grown larger. This event, however, was not typical to most bardic competition. This one would almost require you to have access to your coveted book of all things bardic. On top of that, you would be issued a challenge and would issue a challenge every round.  This would be a new way for me to meet new Bards as well as stretch myself.

Drake had reached out to me prior, asking if I could assist with gate, so I arrived early anticipating that I would be providing assistance. Luckily, when I arrived, that was all managed so I didn’t have to leave the secret not so secret bard lounge. The atmosphere was filled with Drake noodling on his new toy, chatting of new bards meeting one another and then anxiety of trying to figure out the sign up format and the grading system. We would all be judging. Hooray for rotating judges!

Although I had introduced myself to several new faces, ADOS (Attention Deficit OOH SHINY) over a fancy piece of weaving, I cuddled myself into familiar bare feet. I was second on the roster to perform my first piece (which was our choice). I pulled out a familiar favorite of mine as most of these folks had never heard me sing it. I sang it well and as per the challenge, described what kind of a Skald I was.  To date, I believe this was my best performance of this piece yet, despite the yellow liquid trickling down my leg and boy… was the air dry *cough cough* is it hot in here?

Each of the performers one by one displayed their array of interesting styles. I was quickly feeling intimidated. I was so used to being a big fish in a small pond. It was awe inspiring but it also kicked me down a few pegs.

The second round I was issued my first opposition challenge by a familiar face I had met at crown. Lorita spoke of how she had observed me constantly making the audience laugh. She asked me to make the audience cry. I gladly accepted that challenge. Her challenge from me was to perform a piece not using her own words.

For my challenge I chose the Irish folk piece of lover’s loss, “Turtledove”. It was somber, slow and beautiful. I wish I had chosen a better key to sing it in. Hindsight. Lorita did an incredible job of telling a story (which she informed me afterwords, was originally a song) of an angry woman cursing  the populace as they would make a pregnant woman run. Her emotions evocative, her timing, impeccable and her facial expressions were solid.

For my final challenge, I was paired with Grimm/Grym Skald. I panicked to think of a challenge for this story telling/poetic giant. His work was far surpassing of my own and I often wondered how I could challenge him. I though, very Winnie the Pooh style and contemplated how I could even put a small obstacle in his way. It then dawned on me that I had never heard him sing.  I asked my barefooted co-skald if that was a thing Grym could do and they affirmed as such. I asked Grym to sing and he asked me not to sing. I was prepared. I had not 1 but 2 stories I could pull out this time.  Which one? GYAH!

After deliberation, I pulled out the piece that had more refinement to it and played with the audience.  The timing was much better than the last time I performed it, better response times from the audience and much shorter.  This was some of the feedback I had received from the King’s previous bard (from K and Q) as well as a few peers. Still not perfect yet, but it’s a work in progress.

The end of the event, we had some open bardic before the winner was announced. I sang a contrafact/filk which I hadn’t performed for the public, as well as Drake’s “We are the East” (Which, to that date, he had never heard another human sing his piece for him). Peregrin the Illuminator was named the winner of the day and my god, his grapes were the best grapes. (he had been challenged to Illuminate the grapes and as well write a dirty/lusty/raunchy/sexy piece… which he took his first piece and wrote a new perspective on it).

The other two performances which truly stuck out to me were Cedar san Barefoot’s piece where they wrote themselves into a “Norse” piece where Loki had to get them to wear shoes and Douglas Doan’s constant use of staircase jokes and box myths. I will never look at staircases and boxes the same way again.

As we packed up for the evening, I was stopped by Toki (of whom I had never met prior to this day, but apparently had created this event many moons ago). He presented me with his token. I was humbled because as the day had progressed I had heard much about him.  I thanked him graciously and thanked him for his patronage.

A few days later I had connected with Toki on the Visage of Tomes and we had a several hour conversation. To me, I think a new mentoring relationship/friendship was born an I am deeply grateful for this opportunity.

 

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Harper’s Retreat

You must not under any pretense allow your mind (Harp).  To dwell on any thought that is not positive, constructive, optimistic, kind. -Emmet Fox

I think this should be the mantra I focus on. It’s always tough when you put your heart and soul into something and then have your spirit crushed by not obtaining that goal.  

This year was a new year to push myself . To try something new. This year I brought new repertoire. These pieces had never been performed by me for the public.  This year’s repertoire choices were very personal and close to my heart as well.  

Saturday I spent the day fencing, teaching, reveling in good friends and company. What did you teach, Lady Solveig? I taught what’s called a “Master Class”. This class is a safe place workshop where you bring a piece you are polishing or a piece you want to improve on. The format is generally you perform your entire piece all the way through and then you do it again, section by section. Suggestions are made about your performance and how to improve it. This was my first time performing this outside of an academic setting and I was overwhelmed to have three students attend. All of them brought difference pieces and styles to the table. I say overwhelmed in a good way. I never know how performers feel about being critiqued. Not everyone takes criticism well and even when they ask for it, it can rub them the wrong way. This was a great exercise for me in providing feedback but also serving as a bardic mentor for those who were older, same and younger than I was. I monitored body language very closely to make sure what I was providing was well received. When the class was over, I was thanked by the students and was told by two of them that they were now going to compete with these pieces for Baronial Bard and the third was just going to get up and perform for the open mic section. I couldn’t be prouder. I felt like a mama bird, proud that her kiddos are getting kicked out of the nest…. her… viking nest. With spears and fire.

I had set up, ahead of time, for an accompanist to help me with a piece. A few weeks prior, for personal reasons, he had to decline. Luckily, I am surrounded by amazing musicians in my life and another rose from the mist. I went to go rehearse with her but found out she had broken her foot the night before. In addition, she may have injured her wrist (Insert a chain of explicates and rapid swearing/heart beat) Oh wait! Another friend… can you play a thing? Maybe? No. Crap. oh hey, other friend (#4) yeah, I can play violin and make this work if your guitarist can’t.  (Like watching the Bob Ross reruns on twitch where he throws a blob of paint on the painting and you think its ruined? Nope.… SAVED!). We made this work. Awesome.

After the class was over I rushed to get ready for feast and the bardic competition that night. “Ooooo girl, you so fancy!” I would jest with my friend, Ollala, that I was “Installing my weave”. I was quickly corrected that it was not a weave, because they were not sewn in and they were just extensions. I pushed that button a lot over the next few hours. After all, what is a Skald without harassing their good friends.

I made my way over to feast in my finest raizing garb, head weighing a few pounds more, thanks to the extensions and beads. I promise, my head was not full of hot air… that would have made this so much easier to walk. I followed up with a few of my friends whom I knew were competing, and I made sure to speak to them and encourage them. One, specifically said they weren’t even sure if they were going to complete. I did my best to encourage them and even walked over with them to sign up. The rest was all feast and a blur until the competition.   Feast was an immense success as it always ways. The food was amazing as was the company.  #Foodcoma #Wholeroastedpig #liquidcourage #bardjuice

Game face on. No… not vampires. You know, srsbsns.

I mentioned that my repertoire this year was important to me. Several years prior, I had discovered a performer named Owain Pfyfe. If you know me well enough, you know I do not really care for tenors. The bright timbre is not something iI inherently enjoy. However, there was something about his charisma and style that I couldn’t ignore. I was so intent on finding him. He had to be a SCAdian right? After about six months of searching and re-listening to all of his repertoire, I was DEVASTATED to find out that he had passed a few years prior. I then began spending my time learning his music, listening to his humor and trying to take it and internalize it, making it my own.  My first piece would be one of his repertoire and it was my own take on it. I spent time focusing on that.

This year, I started with a mummer like feeling. I sat in the back of the room, covered in a wool cloak and an Italian Renaissance style plague doctors mask. I sat, quietly listening to the other performers, trying not to disturb them, but enjoy myself as well. Then, a friend of mine and fellow Bard, Kara the Mischievous took the stage. She sang a song, in which I have already received from her to add to my own personal book (It was that awesome!). Then, she too, decided to tell a story. She had mentioned at dinner she was telling a Norse story. I listened intently as she started her story, to tell us about when “Thor wore a dress”. My heart hit the floor, eyes widened and all the blood rushed from my body. That was -my- story. What was I going to do? Should I leave? Should I quit? What should I do?!?!?!

I took a stiff upper lip when it was turn, re-centered and let my new “persona” take over. I would not back down. I took the stage from the back of the hall in my mummers kit and my awful mix of European accents. I would crack jokes, get my “unsuspecting” assistants to the stage to help me out and slowly remove each piece. First the cloak (Which was alllll wool) so i weighed more than the world did at the moment. Next, the mask. Facial expressions are very important with physical comedy and the shtick I had chosen at that time. The piece I performed was “Fuggi, Fuggi”. I had the audience sing with me, I sang the Italian and as I explained to the audience, they’d be singing the Latin… ( Falalalala). At the end, it was time to show off my classical training. I arpeggiated my way up to a F above treble clef (One full octave above the top F line) and then gliasando’d down (Slide). A few small mistakes here and there, but ultimately I am very happy with how that piece went down.

Next, it was time for my story. I quickly thought of how I was going to fix this, the debacle, of two of us telling the same story. I opened with, “You may have already heard this story… tonight” and the audience seemed to appreciate that. Thank goodness for me, Kara and I have very different styles of telling stories so, although we told the same story, it was very different. This story was huge for me as I am not a storyteller, though, my friend’s say otherwise. I rely on my fast paced wit and vocal technique to entertain with. This was also important as this was my first true to persona piece I had done. Win or lose, this was my own victory.

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At court on Sunday, I was not announced at the victor and my heart sunk. I had several folks approach me, telling me how much they enjoyed my piece, how much they loved my voice, how excited that I was going to be their champion again. I think this was devastating to me only because this was told to me. Had I not had so much stake in this at this point I think it wouldn’t have been as much of a letdown. However, their new Baronial champion is a shining star. She is just starting to really get her feet wet into Bardic. She has such talent and skill. I cannot wait to watch her grow and support her. My job in Stonemarche is done.  Their community is growing strong and supportive. I will never stop supporting them, I will never stop being a part of their community, but they are not my focus any more. I need to find another group who needs my help just a tad more. You could say, “I’m a Wizard, Harry” and “A wizard is never late, nor is he early, he arrives precisely when he means to.” And I will go precisely to where I am needed next.

Pensic Pity Party

Pity me on my pilgrimage to Loch Derge!

As in the aforementioned post, I could not make the journey to the holy land this year. Next year in Jerusa—– Pennsic.A few folks had created a small circle in the middle of the lawn. Garb, fencing, thrown weapons, food and archery were all surrounding this (safely at distance… the marshalls all checked! I watched). Music started. I sat and listed to the dulcet tones of these strangers. There is nothing more comforting and home than music.  One gentleman asked me if I sang or played anything or if I was just there to listen. I responded “Both”. They asked me if I would share.  Who was I to say no. I was honestly there to just listen, but denying someone music is the worst crime of all.

I pulled out a tune I knew well and suddenly new friends were made. We jammed for what seemed like hours.  I harmonized with the other performers, I noodled on one of their guitars, sang by myself, had them harmonize with me. It was heaven. Now I just need to figure out how to make this happen in Malagentia. To the drawing board!

The Great Northeastern War

She turned me into a GNEW-t!… I got better.

Lord Frederick Vanderveer had approached me once again to open my mouth to make pretty noises. It was time to arrange another concert for GNEW. It was a bit harder to wrangle performers this year due to the fighting schedule and the notoriously long pomp and circumstance of Court.

I had lined up a few new acts for the concert. Something about this year filled me with the anticipation of new and exciting talent.

A few days prior to the concert, I began to receive multiple messages from people who could no longer perform. What started as a venue of 7 performers was now down to 4. This would still work, but we all suddenly had more stage time to fill.

Bardic Grove had been moved to Merchants Row, and the stage was now more intimate. The concert was slated for Friday night so it would not compete with Court (besides, some of us like to go to bed BEFORE the thunder parties are over).

Waiting with me to perform was Lady Nuala McKensie, but my 2 other performers never appeared.

I swore I would still make this work.

Nuala and I would weave between pieces. I also had the genius idea to turn the concert stage into a safe space for newer and less confident performers.

Lord Frederick Vanderveer happened to be in attendance. I asked him if he would grace us with a piece. He gladly accepted and entertained the audience with a beautiful melody. It was really nice to see him perform. He doesn’t often get a venue to perform vocally and sometimes the bard factor can be intimidating.

After that, we also had the joy of being entertained by Lord Greger when he told us a humorous tale of one of his many experiences within the SCA.

To round out the night, we had a young woman with a beautiful voice who had never performed publicly before. It was absolutely lovely to have new blood show such bravery as to perform in front of an audience at our show.

We finished with a group performance of “Life Blood”, which has always been an SCA favorite of mine.

The next day, there were to be several courts held. There was one mid day at which a friend of mine would be receiving an award, so I made sure to be present.

There was a hold with the royalty (not uncommon in these situations). They had called for a bard. Typically, in these circumstances the King’s or Queen’s personal bard would be called to perform, however, neither was present for this event. Being noticed by the King, I was called to perform. I did not have my bard book on me, but without hesitation I began to sing. I few verses later, my services were no longer needed and court resumed.

I had never been called on to perform so suddenly and without preparation. This was a huge honor bestowed upon me by the royalty, and I can only be thankful my performance was not preceded by me losing my lunch all over the court attendees.

 

Sing for the East- CD

Some funds, some funds, my Kingdom for some funds!

It had been 8 years since I had done my last professional recording. I was eager to get my feet wet again. The wish fairy came to my aid via the Tome of Visages carrier pigeon. I received a request from Drake Oranwood. Drake was organizing a fundraiser for the East Kingdom Travel Fund. If one is not familiar, it is very expensive to be King and Queen, and so, we, as loyal citizens, aim to increase the size of their coffers.

We would put together a CD/digital download of East Kingdom anthems.

I was sent a piece by Mistress Aife Ingen Chonchobair in Derthaige called The Eastern Tyger’s Roar. I gave the piece one listen and needed no additional motivation. I learned the piece over the next few days and traveled to the Barony of Endewerde to visit with Mistress Aneleda. She had a sweet, sweet setup (next to her washer, dryer, and ironing board).

Recording started promptly at 10:30 PM Eastern Standard Time, and concluded 11:30 PM. I think I may have done 9 takes in that time, some of which may or may not have been composed entirely of giggles. The finished product was sent via carrier pigeon to Lord Drake and were never heard from again until the time of final production. What can I say? I am my biggest critic. 

If you’d care for a listen, and to support the East Kingdom, please follow the link below.

www.singfortheeast.bandcamp.com

 

Coronation of King Ionnes and Queen Honig

When in Rome, do like the Romans! Wear togas… what did you think I was going to say?

Callooh Callay! Oh frabjous day! My friends were getting crowned.

This little Viking — well, not so little, really — feels weird, because she doesn’t know how to roman. She’s more of a stayin kinda gal, to be honest. Thank goodness for Bianca di Firenze, who knows all about stolas and pallas and I’m pretty sure dressed the entire kingdom. Or at least the Malagentian half.

But before the festivities were to begin, there was always more work to be done for this Viking-turned Roman. Wait, where’s my bling? None of my bling matches! ACK!

I had been informed a few months prior that Lord Alexandre St Pierre was to receive *his* Laurel — I think you’ll start to notice a trend of when I compose. At least, I’m not decomposing. Yet. Wait, what’s that smell?

Anyways, how does one write a song for a scribe?  I made lists of all the things he couldn’t do very well — it wasn’t that long a list. I even tried to read poems about other scribes — don’t try it, because they don’t exist. But what does exist is a passion for hobbies, and then I was inspired by his passion. By his words, by what came from his hands, you could even say inspired by his hands.

I wanted well-rounded scribe, but a talented artist, and an archer as well. So I figured it out. I wasn’t going to write him a song. I was going to write him a poem instead!

Poems were their own sort of challenge, because they weren’t restricted by the same parameters as a song. Word stress was also far different. I hadn’t written a poem for anyone in seventeen years. I guess you have to start somewhere. Again. I stared at blank paper. I stared at ink. I made lists of all  to include *everything* he did, not just the scribal aspect. I used allusions to swords and to archery, and music as well. I was pleased with the product, but as always, shy to present it to the public.

Coronation arrived, and I think I figured out which way was up with my garb — the little arrows Bianca safety-pinned on really helped. I arrived early to help set up his vigil. And schmooze, as you do. And check for the 513th time I was wearing my palla correctly. Which fell off my head over 9,000 times! If I hadn’t been told how much of a hussy I would have been without one, I would have just given up on the darn thing.

Morning court came, and everyone played it cool. I had Alexandre’s little flaggy hidden in my palla, and he was the first one called in. The look of, “Oh crap!” was priceless! Hopefully someone got it on camera! We waved our little flaggies and watched as he was sent off to vigil. He was one of the lucky ones, because he wasn’t there when (former) King Brion made the entire room cry while singing “My Queen” to his lovely wife, Anna. I bet Alexandre’s were the only dry eyes in the entire building as King Brion sang well and with all his heart, nothing could have been more true. It was really freaking adorable. Even the Vikings cried, though they probably won’t admit it, since they were all disguised as Romans.

About an hour into his vigil, I finally got my chance to present my gift to Alexandre. I felt like one of the fairies from Sleeping Beauty. I hope it’s not Merryweather. Oh God, or Maleficent!

Since I lack the skill of calligraphy and illumination — I’m learning, but it’s taking quite a bit of time — I had “borrowed” in classic Viking fashion, a previously created illumination from Ye Olde Internets, and had placed the words of my own composition on it using Ye Olde Word MMXIII. You would think, as a bard, I’d be better at words in vigils. But I feel as if I always walk all over my tongue. I spoke to Alexandre of the beauty that he presents the world, and his multitude of gifts. So now it was my time to give him a gift back, the only one I have to offer. I handed him the framed copy, and then began to read. I didn’t catch his reaction, since I was too busy being nervous reading it to him to look up, but I feel it was well received. I also let him know that I learned a new trade just to be able to honor him that day. I told him that I would be heralding him into court. This is something I had never done before, not just in court aspect, but at all.

The rest of the afternoon passed, and it was time for the afternoon court, the first court of the new King and Queen, my friends, Ionnes and Honig. We anxiously mustered in the hall. We were all of Woolfe’s Company: We were small but we were mighty. Thank you, New England April Fool’s Day storm. We were the last business, but the energy was still high. As herald, I was the second to process, the first being a small boy no older than eight years old, carrying Alexandre’s banner of arms. I wrote the words that morning as I was inspired, and grandiosely presented my friend to the Known World. In addition, I had arranged a Machaut piece (which was of his persona) to be played as I heralded. I made sure the words suited him, and that I was clearer than crystal. The world would tremble at his presence. But not too much, because as Sir Ivan remarked, he is a small man.

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Beautiful gifts were presented to him as were his right, and court finished soon after as all the Laurels swarmed to welcome their newest inductee. I got a hug too.

Now my favorite part of any event, that doesn’t have shopping, FEAST!

This feast would have a new twist — I had signed up to serve. It’s true. My palla found a new place to live, as I became a kitchen hussy. This experience was not only enlightening, because while I had only just recently learned what it was like to run a feast a few months prior, I had never served a feast before. I would say I rolled up my sleeves and dug in, but I didn’t have any. Where it was a whirlwind at times, it was still a great time. The camaraderie and leftovers were great. 9.5, maybe 10 out of 10, would definitely serve again. Besides, any time I can be that close to Gryffyth’s food is a fantastic day in my book!

 

By His Hand

“Look at that,” he said, “how the ink bleeds.”  
It mirrors the way the rivers  
of the soul soak in the parchment
He loved the way it looked
to write on a thick pillow of the pad
To him, it was like music, a song in his hands–
all of the possible drawings,
curves, relationships–  
all of the answers, questions, mysteries,  
all of the problems solvable in that space.
The pen in his hand,  
a key to the prison, that white space.
By his hand, a new beginning.
By his hand, imagery–flights of arrows
Piercing through the stark confines
Like a sword dashing through the dark,
Revealing a new light
in his work, in his words