Stonemarche Yule 2016

Jingle Bells, the Baron Smells, MacFrode laid an egg…

Ahem, sorry.

This is the year I get to attend, and have no responsibility. The Viking was incognito, donning 13th century garb, trading in my beads for a veil, and a fancy belt. However, never leaving my side is my Bard-Book — like a safety blanket, it goes with me everywhere.

Music was supposed to be run by someone else this year, so it was time for me to be a regular bystander and enjoy the atmosphere. Besides, I had my own little event to worry about back home, I didn’t want to do anything but eat, drink, and be merry. However, we know how these things tend to work out.

A familiar tugging on my kirtle occurred, but not from Photographer-Girl — she was absent this year, and I missed her greatly, — but from the Music Maestra herself. Inquisitively, she asked when music would begin. I gave her a blank stare. I said it was her show, and I was happy to sing whenever she needed me.

More time passed, and another tugging, from a different individual. However, same question. It seemed like it wasn’t just the food that brought people to this event. Finally, a third tug had me deciding to snap the chariot reins. I Oyez’ed for interested participants, and made a space for singing. Luckily, I had brought my security blanket full of a plethora of holiday music. We gathered in the hall, and sang through my usual repertoire. When I ran out of music, it turned out that the Music Maestra had indeed brought her own holiday SCA filks.We sang through those, and the event soon ended after.

I’m starting to wonder if I’m a musical Moses. I hope I’m not doomed to wander for 40 years.

 

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The Feast of St. Nicholas in Queen Elizabeth’s Court

I’m King Henry the VIII I am!

Eight months prior to the event, I received a message on the Visage of Tomes from Mistress Aneleda. And within this message, she inquired whether I’d be willing to serve as an ad hoc choir director for an Elizabethan immersion event. Without hesitation *damn helium hand* I said sure! She quickly put me in touch Mistress Aife/Master Valentine, as well as the autocrat for this event. Most of the communication was done through email. Me, being an introvert with extroverted tendencies, I really just wanted a phone call. But I’d make this work anyway.

I was in charge of obtaining vocalists, selecting the music, and rehearsing for a one-day event. Now, you might think, this is crazy, how can you do that, why would you do such a thing, that’s impossible? Trust me, I asked myself these same things over the course of eight months. I’m sure these are the same questions I would be asking myself if I ever found myself knocked up, and some mornings, thinking about the task I had taken on, I woke feeling queasy.

Much like the first trimester, these feelings passed as this baby grew. I tried to figure out the best way to communicate with my potential vocalists: would it be via the book of faces, email, yahoo groups, carrier pigeons, messages in bottles (I felt like I needed to drink a lot of wine to get through this, so I might have some empty bottles), maybe smoke signals? And finally settled on Facebook, even knowing not everyone used it.

Four months prior to the event, as the second trimester as it were was wrapping up, my search for singers would begin. I joined EVERY Eastern Kingdom Facebook group I could find, and started to spread the gospel. The responses started to trickle in. Some committed, some didn’t, but it gave me hope.

Three months prior to the event. Huh, I should probably pick the music now, just like a parent would pick names, right? I had done my research months prior as to selecting what type of pieces — knowing that each piece had to be Elizabethan, —  but the exact pieces hadn’t been chosen until I knew what vocal range my vocalists had, and how many I would have. You can’t do six-part harmony with only two people, after all. Even Vikings can do that much complex math. I settled on five pieces in polyphony, and a few rounds. I sent out a copy of the scores, midi recordings with all the parts, as well as individual parts, for song-learning, so even if my vocalists couldn’t read music, I should have my bases covered.

A few weeks prior to the event, I kept checking in with my vocalists, to see how part-learning was going. I myself had to study the scores and be ready to assist on any of the four parts as necessary. Also, with learning the score, is looking ahead, and anticipating where there might be part difficulty. My scores looked like a rainbow. It had also occurred to me that I would need suitable garb for this event, because while Vikings pillaged quite a bit, they weren’t around to pillage the Elizabethan court. Aw, hell. Thank goodness for Fortune St Keyne. This goddess, this angel of mercy, whipped me up some spiffy threads in but a few weeks time.

A week prior to the event, I still didn’t have a final number of individuals who would be participating. It was coming down to crunch time, time to push this metaphoric baby out, and it was like we didn’t have a birth plan. Or a hospital. Or something equally important, I don’t know.

Day of event! Don’t panic. Don’t forget your towel. I’m panicking! No, don’t panic!

I was early. I’m always early. I hauled my feast gear, my keyboard, my music, my pitch-pipe, my garb, my piano-bench, and other assorted things needed for the event up the stairs of this decommissioned church. I set my things up in my rehearsal space, and slowly began to decrease my heart rate. Don’t they talk about breathing in those birth classes? Something like that. In all my years of being a choir director, I had never been in this situation before. I didn’t know what levels of experience my vocalists had, or if they had even learned their music. Heck, I didn’t even know if anyone would show up. I asked my vocalists to show up at 10am, so we would have a good two hours of rehearsal time all together. In typical musician manner — or maybe it was Scadian manner? — they were tardy. Circa 10:30, we finally got down to working on the music. My vocalists were surprised that I insisted on warming them up, like I was a professional or something. In my own turn, I was pleasantly surprised that I had a well balanced and versatile group. And they had all learned their music!!! If I could work with them every time I had to choose vocalists in the future, I would in a heartbeat.

I was also pleased to find that every section of music that I anticipated difficulty with came up, and I was able to nip it in the bud quickly and efficiently. Proper planning prevents poor performance, right? The only surprise in the rehearsal was the sheer delight and ease of this experience. Every single one of my singers were prepared and respectful. It was beyond anything I could have even imagined. I even got to twirl in my dress.

The autocrat, Lady Olivia, had done a beautiful job with her dream, though through no fault of her own, had difficulties the day of the event, with kitchen mishaps beyond her control. The only reason I bring this up, because it affected performance time. We didn’t know when we would perform, but at least we had prepared a signal. What happened next was also incredible, performance time.

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My angels took to the loft, and we assembled in the planned formation. Song after song, beautiful harmonies echoed throughout the hall. I got so excited throughout one piece, I lost control of my baton, and it left my fingers. I *think* it missed my vocalists, and landed somewhere in the pews next to us. I was saved the embarrassment of trying to climb beneath the pews by one of my angels, who retrieved said baton and returned it to me. Could a director get any luckier?

Video by : Anna Elisabetta deValladolid.

 

Even during one of the pieces, where it had slightly derailed, they continued to sing like nothing was wrong until we could get it back on track. They were true professionals in my eyes that day. There was downtime for soloist performers as well, which I had arranged, a few of my vocalists had asked me if I would sing that day. At first I refused, because that day was not about me, but I finally decided it was something I should do, if only to stop them from asking.

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Photo by Lady Olivia Baker

I sheepishly approached the front of the balcony and waited for the moment to feel right. When it did, I sang the only Elizabethan solo piece I knew by heart. When I was done, I was glad I had performed, because soon after, I was approached by five individuals who presented me with their tokens. One was chocolatey and delicious.

I am also pleased that after this performance that I gained so many new friends and performers, that I would not give up this experience for anything. Okay, maybe the Elizabethan dress. If I could have done the whole thing in my Viking, the day would have been MUCH better!

 

Fall Crown Tournament

It was a bright and sunny day. Not as warm as I’d hoped it would be, but warm enough, nonetheless. This would be my first Crown consorting for Sir Marcus. I was told I would have some mighty shoes to fill. After all, Astrid was a mighty viking. I was dressed in my finest garb, newly made for the occasion, because I lost my other finest garb — which of course, I found as soon as Crown was over.

I was early to site, with a hidden treasure tucked under my arm. I had been made aware that a month and a half prior that Dona Camille was to receive her Laurel. I had put myself to the task of composing a new piece for someone who had taken me under her wing. I found it quite the challenge to put to words what this human being was to me. So I did the next best thing. I reached out to her cadet, Trian, and asked him if he was willing to scheme with me. What a silly question that was. Of course he easily agreed.

By Trian’s hand, with a little help from me, there would be words. Due to location, and both of us being on the go individuals, we found it hard to meet up in person, however, thanks to the joys of modern machines, we were able to Skype and use Googledocs to compose at the same time. Have I mentioned how much I love modern machines? Because I really do.

I mean, we used doves, and carrier pigeons, and the Black Arts…. Yeah…

Anyways, after a few nights of tediously working and edit after edit after edit (what rhymes with Camille?) we were both sorta, kinda, maybe okay with what we considered to be the final lyrical product. It was now time for me to work my magic. *spits in hands, rubs palms together, then grimaces at gross hands* ugh….

The muse ran away. Even after I hog-tied her. Of course she did, stupid, frivolous muse! Even after all the shinies I gave her too. Then, as the muse does, in typical muse fashion, I laid in my bed, and she smacked me upside the head around 1, maybe 3 am. Eureka! I needed some tissues to wipe up the way it flowed.

I called up Trian to present the product, and he provided only minor feedback. I’d say that’s a win, right? Not bad for musical vomit in the wee hours of the morning, right?

So, back to Crown, after my musical malady had been cured. I’ll admit most of my focus was on my consort. After all, it was my duty to the East Kingdom, and him, to be who he needed me to be. I spent hours chewing at my fingernails, watching each of his combatants being laid to rest. Between bouts, I would check on Sir Marcus, and then run over to the vigil, to where Dona Camille had been taken that morning. I was lucky to have known the guards well, and gotten my name on the list when I was available. Text in a frame tucked under my arm, I made my way into the tent. The frame sat face-down in my lap and I began to explain to Camille in what words I could muster, who she was and what she meant to me. I turned over the frame, and almost skittishly provided the art that Trian and I had collaborated on. It was to no surprise that rivers ran down her cheeks — not the first time, and not the last that day. I wonder if the pollen counts were too high?

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I then hurried back to the list field when my time was up to watch my champion. Sadly, soon after Sir Marcus lost his second fight and was eliminated from the tournament. This was in the top six if I recall correctly. I couldn’t have been more proud of my friend. He fought bravely and chivalrously, and was an inspiration to the fighter inside myself.

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Soon after, we had our new Prince and Princess, Ionness and Honig, and it was time for court. It would be my first time attending a Crown Tournament court, and after I made myself comfortable next to some familiar faces, court began as dark quickly fell. Her new Highness, Honig, was presenting her first award as a Lady of the Rose, and she called my name. I was flabbergasted, trying to figure out what I could have done wrong. Honig had been, until recently, part of Malagentia, the local group, so she knew of some of my shenanigans, but I couldn’t think of anything horrible enough to get called up in front of court for. She called me up to present a token for my poise on the field. She said to me that she was impressed with my behavior, and how I presented myself as a consort. I gratefully accepted the token, and went back to my seat, where I buried myself in my cloak for the rest of the court.

 

The Maiden of the Gardens

 

Through solitude’s blooming orchid garden,

A graceful and elegant maiden does stride,

Enters our lady, Camille Desjardins,

Lavender waves across an amethyst tide.

 

The flowers herald her arrival,

Blossom with each step serene,

As if her presence Spring’s revival,

All in her grace stay evergreen.

 

Careful she gazes upon their beauty,

with every floret’s form observed,

For she accepts her kingdom’s duty,

to see them on a scroll preserved.

 

Her brushstrokes capture and acclaim,

the trappings of renown and glory,

To skill and service she does bring fame,

And to great battle, and claimed quarry.

 

Upon her parchment she infuses,

Life into the artistry she weaves,

She is the favored of the muses,

Her inspiration the lakes and leaves.

 

She captures the beauty of color and light,

Immortalizing honors with ink and quill,

To bring glory to those who do right,

Her patient hands bear unwavering skill.

 

This art alone could be life’s labor,

Yet her talent flows without such bounds,

Her voice, her stitch, her nimble saber,

The quality of which astounds.

 

Her voice can soothe a heart of fire,

Granting peace and granting reason,

As a lark’s call disperses ire,

that sounds upon the warming season.

 

Her mastery of fiber weaving,

Shows clearly within her stitch,

The way she blends fiber receiving,

awe from those it does enrich.

 

And none would dare to test her mettle,

As this gentle flower does adorn,

Herself with not just purple petal,

But with the our kingdom’s golden thorn.

 

A woman finely celebrated,

In talents stitched and inked and floral,

Does rightly need be elevated,

Into the Order of the Laurel.

 

Words by :  Trian O’Bruadair / Sólveig Bjarnardóttir

 

Music by :  Sólveig Bjarnardóttir

Fort Knox Demo

Stabby stab stab STAB! STAB STAB!

Is it dead yet? It’s just a flesh wound? Damn it!

What a better playground than a beautiful old military fort on the bank of a majestic river. Armed and dangerous, this Viking went forth with rapier, dagger, buckler, and wit to win the day, or die trying! (Damn it Karen, you can’t win a demo!)

Who says that martial activities aren’t a performance? It was my time to shine. Dona Camille and I were paired for a duel. To the pain! I mean, to the death. My death, usually. We, as glorious Scadians, made schtick happen. I love schtick! I think it’s a prerequisite to getting a blue card, perhaps. If it’s not, it should be. But it started with insulting her companion, and then my partner called for a second for this duel. Two against one! Not fair! Nothing had been rehearsed, and everything was off the cuff. Insults were exchanged, but I think my favorite line of the day was, “My face! You stabbed my favorite face!” uttered by the Dona as she (finally) met her demise. We even had a duel which turned into a melee, because reasons.

When we were done playing, I slipped into something a bit more comfortable — because everyone knows, if you’re comfortable in your armor, you’re either not wearing it right, or you’re missing something — my not-fencing viking gear, that had a lot more bling.

One of the other amazing things about the fort is the acoustics — terrible for sleeping, but great for singing! And it was time to do what I do best: sing! I found a few familiar faces, my old teacher, Mistress Aneleda, and Gregor {aka Gertrude to us Blade Society folk (Bad Karen!)} We locked eyes, and decided it was time to make the pretty music happen. It started with just the three of us, and then our numbers grew. First Scadians, and then even the mundanes joined in; it was so fun to see the joy in their eyes to see the music they knew being echoed.

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One of them was a choir director from the Bangor area. At one point, he even led us in making new harmonies and barber-shop motifs. We probably sang for a good hour before the bodies dispersed completely.

Another fine day at the fort!

Bardic Around the Fire, Part Deux

It’s that time again, kids! Or well, adults! Might be best to leave the kids at home for this one!

Back by popular demand, Bardic Around the Fire Part Deux was held at Kythe and Sine’s, on another nice, balmy late June/early July evening (things tend to run together when too much fun is had around a fire with good friends, good food, and some good booze). Much like the previous year, there were both new and familiar faces. IT seemed like people knew what to expect, so there was very little for me to manage. There did seem to be a lot more plebeians this time, who were ready to request their favorite song or story, but not quite ready to step onto the stage themselves.

 

Food was a drop more sparse in variety this time, but the alcohol made up for it, and flowed quite nicely. The only children we seemed to have this time were not really young in age, just in heart. This time we even had Battlecat Zeus in attendance, all hail his purrfectness! I swear, if people weren’t performing, they were petting this damn cat. The night roared on, much like the fire, but I had to leave at a reasonable hour, because some of us had work the next morning *grumble grumble* But I would definitely call this another success.

The Great Balloon Festival, 2016

The Viking invades Auburn, again! A teensy bit tardy this time, because she’s overcommitted. #shocker, right?

It’s time to make the music again! But this time, instead of heavylift gear, I brought things to stab people with. I had heard over the winter that rapiers made for sexier bards, so I decided to try it out. # +4tocharisma, am I right? Bard book in hand, the filk that had started last summer would be coming to life. Mwahahaha!

My repertoire had grown twice over since last year, so I was lucky enough to have more of a variety to pick and choose from. This time, instead of staying in Bardic Grove, I wandered throughout or medieval town. I channeled my inner Miss Piggy and hammed it up. See what I did there, hehe?

Again, after hours of singing, I decided that it was time to go play on the dark side of things and go stab my friends. After all, what is better therapy than stabbing those you play board games with? I think my favorite part of fencing demos is it’s just like being in stage at a B-rated play. I once again channeled my inner Bruce Campbell, a la Army of Darkness, while alive, and my Paul Rubens, a la that horrible Buffy the Vampire Slayer movie that even Joss Whedon admits isn’t canon (shut up, Karen! I like that movie!) when dying. The night came quickly, and I was off like a light, because mundania yelled at me that I had to go apartment hunting — stupid mundane life!

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The Great Northeastern War

O cantare, O solo mio!

A few months prior to the war, I was approached by the A and S minister, Lord Frederick Vandeveer, about giving a concert at the event. Excitement and anxiety rushed over me, you might say it came in like a wrecking ball!

I eagerly accepted, and had thus sealed my fate. After allowing this information to sink into my brain, I realized that, while working a standard 40 hour per week job, my skadian career, modeling, cosplaying, fencing, and an overwhelming need to satiate a need for social connection, an hour-long concert would be a little bit of an undertaking to attempt on my own.

So I decided to call in a life line and make this a tag-team Super Friends concert.

Thus, the birth of Lady Solveig and Friends!

I reached out in a frantic… I mean “composed” (yea, we’ll go with that) fashion to all my talented friend base of performers. The super list included Mistress Analitta Falconbridge, His Excellency Jean Du Montagne, Lady Eva Southerland, and Lady Nuala McKensie.

I had asked all except for Eva to have 2-3 pieces of diverse style to perform. Eva was local to me and would not only be performing her own pieces, but accompanying me on guitar as well. I had also asked everyone to include the titles and duration of their contributions. I should note this was my first time ever organizing a concert.

Eva and I got together many times to rehearse up until the day of the concert. The concert was scheduled for Saturday after court, which seemed to run on forever. To be fair, most GNE courts do. Originally the concert had been scheduled in Bardic Grove, however, due to the copious amounts of rain that had fallen, a more apt title at the time may have been “Bardic Lake”. Therefor, the concert had been moved to the barn.

8:30 or so, I hauled ass to the barn, trying to stay as dry as possible. I was blessed to have heralds announcing the concert, or I fear no one would have come. Circum 9:00, we had about 45 attendees, but 2 of my performers were still missing. But, alas, the show must go on!

I sat on the stage in front of the audience and had a casual conversation with them to warm up the crowd, and perhaps to calm my own quickened heartbeat. And after about 5 minutes of this, only 1 of my 2 missing performers had shown up. Jean De la Montagne, with his 21 Charisma (+5 modifier!) strolled in with his infamous hat (with admirably long plumage!). He offered up this hat to me, and it seemed to have magic powers. The hat bestowed upon its wearer (now me) a new sense of bravado and confidence. At this point, the concert began.

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Songs wove between the first 4 performers until the 5th had finally shown. There was no competition between the performers. Our only battle was against the rain, with its tapping against the roof a constant backdrop to any music we sought to perform.

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At one point, I was so bold as to entice the audience to join in the song. I taught them the round, “Rose, rose”, and had them sing in 4 parts. On top of that, I added another layer of “Poor Bird”, and, finally, Mistress Aneleda added an addition layer of “Hey Ho”.

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About an hour later, the concert was over, and the rain had let up. This whole concert seemed to be in perfect harmony, and I had earned some new followers. All in all, a rather positive experience.

Huginn and Munnin

Write me like one of your french women.

Huggin and Munin was taking flight and the Riding of Ravensbridge was starting to take shape. As a growing community not quite yet official, it was time to begin recording their history. Ravensbridge is an incipient Riding of Malagentia and as a resident of Malagentia, I felt the need to help document their history.

I spent the next few weeks reaching out to the founding members to find out exactly how this group came to fruition. Of combined efforts, I was able to piece together this viking village and their bright birth.

Below is the entry I composed:

 

Down by the swan-road  we soar on the  wing

and from our hearts a song we did sing

Over the mountains it rang o’re the ridge

about the birth of Ravensbridge

 

Trapped between rivaling nations we stand

This place was not home, no not on this land

Together as people the plain that we spanned

to make a home not written in sand

 

Down by the swan-road  we soar on the  wing

and from our hearts a song we did sing

Over the mountains it rang o’re the ridge

about the birth of Ravensbridge

 

We searched for a center, a place to call home

Two strongholds that stood, both we did roam

Endewearde, headland of swords north fair

Malagentia lit South, by the  light of Sif’s hair

 

Down by the swan-road we soar on the  wing

and from our hearts a song we did sing

Over the mountains it rang o’re the ridge

about the birth of Ravensbridge

 

Our men speared-din worn, our people lost drive

‘til an outstretched arm lent our kinsman to thrive

A spot between moon and shield to be shown

Our wound-hoe, blood-ember and arms soon to be grown

 

Down by the swan-road  we soar on the  wing

and from our hearts a song we did sing

Over the mountains it rang o’re the ridge

about the birth of Ravensbridge

 

Nameless the many who wandered are we

A name and an image we’re proud to be seen

In honor of friends and this place that we stand

The Raven and Bridge is our chosen brand

 

Down by the swan-road  we soar on the  wing

and from our hearts a song we did sing

Over the mountains it rang o’re the ridge

about the birth of Ravensbridge

 

As a side note, this was my first attempt at composing using kennings. Ravensbridge is a viking based group, I tried to be authentic in composition style and true to their heritage.

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After the performances were completed but before their winners were announced, music needed to be made. I did what I do best and I pulled out rounds and found any willing to sing to join me. It was then announced that I was the first winner of their Bardic competition.

 

The Birth of Ravensbridge

This piece was composed for the the incipient shire of Ravensbridge. They has put forth a challenge to compose a Song/Story/Poem about their inception. This was my response. Recording to come.

The Birth of Ravensbridge- By Sölveig Bjarnardottir

Down by the swan-road we soar on the wing
and from our hearts a song we did sing
Over the mountains it rang o’re the ridge
about the birth of Ravensbridge

Trapped between rivaling nations we stand
This place was not home, no not on this land
Together as people the plain that we spanned
to make a home not written in sand

Down by the swan-road we soar on the wing
and from our hearts a song we did sing
Over the mountains it rang o’re the ridge
about the birth of Ravensbridge

We searched for a center, a place to call home
Two strongholds that stood, both we did roam
Endewearde, headland of swords north fair
Malagentia lit South, by the light of Sif’s hair

Down by the swan-road we soar on the wing
and from our hearts a song we did sing
Over the mountains it rang o’re the ridge
about the birth of Ravensbridge

Our men speared-din worn, our people lost drive
‘til an outstretched arm lent our kinsman to thrive
A spot between moon and shield to be shown
Our wound-hoe, blood-ember and arms soon to be grown

Down by the swan-road we soar on the wing
and from our hearts a song we did sing
Over the mountains it rang o’re the ridge
about the birth of Ravensbridge

Nameless the many who wandered are we
A name and an image we’re proud to be seen
In honor of friends and this place that we stand
The Raven and Bridge is our chosen brand

Down by the swan-road we soar on the wing
and from our hearts a song we did sing
Over the mountains it rang o’re the ridge
about the birth of Ravensbridge

Birka 2016

Shopping!!!

This is where you find the viking. This year, she’s up to no good, and by no good, I mean super secret, kill you if I told you no good. I had gotten wind that my teacher, Aneleda (though only for another day, OMG the year went too fast!) was to get her Laurel this Birka. What do you give a Laurel when you can only draw pregnant stick figures? I was sure they had already chosen the best person to make her scroll, her wreath, her cloak, and I knew my skills just couldn’t compare to those that had been chosen. What could I add to this occasion?

How about the gift that she’s been trying to enhance?

I put myself to the challenge that I would compose a song for my new-to-be Mistress about the best subject I could think of: her. I destroyed pens and pencils and perhaps a few computer keyboards while trying to make the lyrics befit her eloquence. This was no small task. Finally, like a load of bricks, I was hit by the muse.

The words poured out like water from a fall. I was mostly happy, and then I rewrote the entire piece about five times over, everything from the meter to the accents to pure word choice. Then came the music. It had to be folk-like. Because that’s what it called for. So not to forget what I had composed, I recorded a copy into my mundane recording device (aka my phone), and practiced it ad nauseum (I think I sang it in my sleep a few dozen times).

Once I had known Aneleda had safely received her writ, I reached out to her to find out if I should run the rounds class in her place, since she’d be just a tad bit busy. She agreed, and I did so. There was nothing profound about the rounds, but the sheer number of voices coming together to sing made me happy, and always makes it worthwhile.

It was then time for her vigil. The ad nauseum I was talking about? That’s turned to nausea, and let’s add some knees shaking, just for fun. This is something I had poured my heart and soul into, for someone I admired. Liquid courage was needed. A friend of mine had dashed off to find me a beverage, which I quickly consumed, and I found myself called into the vigil. I drew the curtain back, and sat by the candlelight. I opened my mouth and poured out my soul. When I looked up from the music, I saw tears running down her face, and knew I had achieved what I had come to do.

 

The Ballad of the Balladeer

 

There is a tale set not long ago

Ventures a maiden, rare and bold.

Locks of silver, tresses of flame.

Her songs, her charms, her stories remain.

Fearless she seeks tales, ever forth.

Lo! The shield maiden appears from the north!

 

Besides you she sings, besides you she fights.

Circled by shield wall she’ll take up the pike

With bolstered hearts, the army ne’r yields

Joined the warrior, bard on field.  

Fearless she hunts legends, e’er forth.

Lo! The shield maiden appears from the north!

 

Warrior, friend, a sister on field

Ready for a tune and ready with a shield.

A leather bound book, great stories inside  

If you are not careful, you too will reside.

 

This Balladeer n’er will  leave your side

Your stomach soon filled as time would abide

A hearth ever lit where her songs resound

Souls never empty when she’s to be found

You will find savour burgeoning forth

Lo! The shield maiden feeds from the north!

 

Warrior, friend, a sister on field

Ready for a tune and ready with a shield.

A leather bound book, great stories inside  

If you are not careful, you too will reside.  

 

As fire lay dying, coals lay to rest.

Fellowship lines the walls of her nest

More songs, more tales, the crowd would plea

She’d exclaim, “Said you! post the last 3”

As stories of snails and epics came forth

Lo! The shield maiden sings of the north

 

Warrior, friend, a sister on field

Ready for a tune and ready with a shield.

A leather bound book, great stories inside  

If you are not careful, you too will reside.

If you are not careful, you too will reside.

If you are not careful, you too will reside.

 

Words and Music by Sólveig Bjarnardóttir