Tag: Original

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A whole new world!

Pennsic is a home for many people who may not be as active in the SCA as they’d like to be. For those who are ridden with anxiety, even this town of 12,000 humans who inhabit here for up to two weeks can be a safe haven. For some, it can also be a place where dreams come true and things you would never have done can be realities… so also, dreams coming true.
This was Pennsic #2 for me. Riding solo but still having a group to camp with has been amazing. Mermaid’s song is a group of Bards and Fencers and yes, there is crossover. I arrive and set up my tent hastily. I made a new friend as we had new camp mates. Atilla was kind and welcoming and helped me set up my tent, hastily as, in true Solveig fashion, I have overbooked myself and I don’t really know how to say “no” yet. I’m working on it. With that, I was off to my first Pennsic experience for the year.
Hastily dressed I ran up the hill (Yes, that hill. I live in the bog) to the amphitheater. There was a non-English concert set up to happen. Sadly, there were no spectators, but I think that it made it less of a concert and more of a song sharing session. There were familiar faces and new faces. One face I had seen at this gathering was Heather Dale. For those of you who don’t know Heather, she is an SCA super star and professional touring artist with 20 CD’s available for purchase. It’s like meeting Robert Downey Jr. or any large Hollywood legend. I had met her previously the year before as I was part of Drake Oranwood’s concert which opened for Heather. I didn’t expect her to know or remember me as it was just a glance meeting, but low and behold, like a normal person, she greeted me, said hello and *gasp* remembered my name. I’m terrible with names. Clearly, she was not. I tried to withhold my awestruck words and tried to treat her as a normal person. I -believe- I succeeded. It was eventually my turn and I chose not to sing my best pieces. This was a chance to show languages. I pulled out an old piece I really should memorize.

by Ludwig Senfl (1534, German)
Es Warb Ein Schöner Jüngling
Es warb ein schöner Jüngling
über ein breiten See.
um eines Königes Tochter,
nach leid geschach ihm Weh.

Ach Elselein liebes Elselein mein,
wie gern wär ich bei dir!
So sein zwei tiefe Wasser
wohl zwischen dir und mir.”

“Das bringt mir grossen Schmerzen,
herzallerliebster Gsell.
Redich von ganzem Herzen
Habs für gross Ungefäll.”

Hoff, Zeit werd es wohl enden,
hoff, Glück werd kummen drein
sich in alls Guets verwenden,
herzliebstes Elselein!”
Once there was a handsome young man
from across a wide sea.
Pursuit of a king’s daughter
led him to great sorrow.

“Oh Elselein, my dear Elselein,
how I long to be with you!
But there are two deep waters
between you and me.”

“That brings me great pain, my
dear friend.
I say wholeheartedly this is
great misfortune.”

“Have hope that time will end this.
Have hope that fortune will change.
Have hope that all else will fall into
place, beloved Elselein!”

The rest of the first evening was pretty low key afterwards. Bird the Bard and I spent the rest of the night singing into the hours.

Day 2! Saturday! Low key day as well. Several months prior to I had been asked if I would sing at the East Kingdom/Midrealm invitational Bardic. This was -HUGE-. This is a display of the best/up and coming Bards the kingdoms had to offer. There was no competition involved, just performance. It was certainly quite the show. I had chose to do Amarilli, mia Bella. This piece has a lot of emotional attachment to me as it’s a piece of music I have been doing long before the SCA.

Amarilli, mia bella,                 Amaryllis, my beloved,
Non credi, o del mio cor,       Do you not believe
dolce desio,                           Sweet desired one,
D’esser tu l’amor mio?           That you are my love?
Credilo pur:                            Believe only this:
e se timor t’assale,                 And if fear assails you,
Prendi questo mie strale        Take one of my arrows
Aprimi il petto.                        Open my breast
e vedrai scritto in core:           And see written in my heart,
Amarilli, Amarilli, Amarilli        Amaryllis, Amaryllis, Amaryllis
è il mio amore.                       Is my beloved.

Guilio Caccini (1551-1618). Composed in 1602 and the text was by Alessandro Guarini . Written before the development of the pianoforte (which was invented in 1700), “Amarilli, mia bella” was meant to be accompanied by the lute, which lends it a particularly intimate and hauntingly beautiful atmosphere. Even the words evoke an earlier time—the line, “Prendi questo mie strale” (take one of my arrows) evokes images of bows and arrows. Any performer of “Amarilli, mia bella” will want to sing with a hushed sotto voce (soft singing) throughout with exquisite legato phrasing.
Who decided that waking up prior to 12 on a Sunday was a good idea!? Oh wait… it was the best time for people to meet. ***SIIIGHHHH**** It was time for the EKCOP annual Pennsic meeting. Honestly, I think it was a really constructive meeting. I’ve been the deputy Chatelaine for almost a year now and It was really nice to see how our work has been going and what people had to comment on it. At this meeting I was nominated for Chancellor. I, however, was floored seeing the unanimous vote for my nomination. I know I really care about this group and making performance a safe and tangible place for others, but I never thought my work had gone this noticed. The rest of the day was spent celebrating other delightful musicians such as Cedar Barefoot and the Queen’s Bard, Laila (celebrating her birthday).

Monday was spend rehearsing for our concert on Wednesday and Pirate debauchery at night. Bird has spent many years as a Shantyman. I have always enjoyed a good shanty, but have never thought much about singing them. I was a bel canto singer. We sing pretty. Shanties are for the rough and tough pirates and seaman!!! (Get your head out of the gutter). However, I felt like getting out of my comfort zone. Roll the Old Chariot Along was my song of choice and belting was my game. Mind you, belting is -not- my forte, but the belting muses hit me in the face like a sack of flour. WHOA where did that sound come from!!!!??? I was elated that my voice was continuing to mature. For those of you who don’t know, you go through several vocal puberties during your life. The bigger and darker your voice is, the longer it takes to mature. Mine, according to my voice teachers from college, would be done around age 35. Joy! I digress.

Tuesday was more laid back… I think. Around 11 or so, Bird and I climbed up the brewer’s road hill, filing everyone’s favorite past time song, “Baby Shark”, to motivate us in the intense sun. We eventually made it to our family gathering where the Bard Yard could just relax and enjoy each other’s company. My Laurel and all connections to her, have become some of the most supportive and people in my SCA life. I’ve talked about brain weasels before. They continue to persist. Having a family like this as a performer is essential for building that skin up. I wouldn’t change anyone in this group for the world. Later that night, Bird and I had donated a concert to the royal travel fund. We made our way into the camp of the winners. It was a very “dry” setting despite the alcohol freely flowing. Everything from period pieces to ruckus was performed for an hour. I’m not sure how I felt about this, but I was later told that it was enjoyed. Sometimes, it’s nice to just perform and not peacock. Getting to sing/perform your non forte pieces is a relief sometime.

Wednesday! Oh man. This. This is what you’ve all been waiting for! This would be the day when we would strut all our stuff. I say we, because Bird and I were inseparable this whole war. It started with a very prestigious performance. We had been invited to perform at queen’s tea. That is the big time. Only the “right” performers got to do that. It’s a very specific setting where you are background, not the center of attention. To be invited to perform for this meant you knew how to be unobtrusive, appropriate and a good performer. Bird and I also used this as a warmup for our concert…. Which was 2 hours after. The pieces performed will be discussed after. We were presented a few tokens from attending queens and thanked for our service. It was super magical. It really felt like I was a hired performer in ye olde times… despite some of the modern accouterments. From there, off we went to present, for the first time ever “Song Byrds”. Originally this was supposed to include Collete la Trouvere, however, life happened, and it was just Bird and I. We spent a good amount of time trying to break the concert in to 3 sections that would compliment one another. The first was all period pieces, the second was SCA appropriate/Filks and finally original compositions.

Below is the concert in it’s entirety. Enjoy!

This was the best week of my life, filled with so much song. I regret not being able to perform at the Opera dell’est concert as my voice was shot from the war, but I do not regret having all the opportunities to sing. This only fire up my need to perform more, but I made more connections and started digging for more repetoir!
On an unrelated note, I did meet up with a super amazing lutenist and got to jam to some Dowland with her.

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Many Much Tokens! And classes!

Mimir’s well, year 3 was a resounding success. It was really nice to be able to teach and actually have time to take classes as well as socialize.

About 6 months ago, the Autocrat, Eleanor Grey, had asked me to come teach to make sure there was once again a bardic representation at their lovely event. I agreed. Mountain freehold is a great little shire with great people. Last year, I wrote them a song because they deserved it.

About 1.5 months ago, I was also asked if I could make the site tokens. I happily agreed. Mimir’s well is about wisdom. So, I chose to make tiny wisdom tokens. I sent Aegir the image to 3-d model as I had other work commitments I had to manage and he loves to play in fusion 360 (The 3-d modeling program we use). From there we printed and molded the tokens. She had requested that we make 100 of them.  I had also decided that I didn’t want them to look like pristine metal. So, when creating the positive before creating the mold, I covered it in modgepodge and while it was still tacky, took same sandpaper to it to make it appear more stone-like by taking some divits out of the modgepodge.

Here are the final tokens (Though this one has the hole drilled in the wrong side):

 

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From there, off to teach classes! I had a bright eyed and bush tailed class right at 10:00am. I always dread the first class of the day. I feel like no one wants to be there that early and no one is emotionally awake. It’s also the same as first performer stage fright. Always so hard to go on first, however, once the stage is set, everyone is ready to go!

My first class is how to warm up your body to perform. Yes, I taught this class the week before, however it is never the same. Here is the outline of the class so you know more (in a bullet form, what was gone over in the class)

  1. Why do we warm up our bodies?
    1. Athletes
    2. Protection from harm
    3. Emotionally warmed up
    4. Setting the stage
    5. Setting nerves aside
    6. Ready to move
  2. Anatomy of the mouth
    1. Lips, Teeth, Alvular ridge, Hard pallet, Soft pallet
    2. Discussion of how body is connected
    3. Posture- Demonstration
  3. Body stretches and massage
    1. Head/temples
    2. Neck
    3. Head rolls
    4. Arm body crosses
    5. Pliet
    6. Foot stretches
    7. Rag dolls
    8. Group massage
  4. Breathing
    1. Clavicle breathing
    2. Proper way to breath in (order of operations)
    3. Floor breathing
    4. Engaging diaphragm and low back muscles
  5. Breathing exercises
    1. In outs on “Straw”
    2. In outs on “Shhh”
    3. Bubbles
    4. Coughing/laughing
  6. Projection
    1. Talk about notes/polyps/hemorrhaging (Julie Andrews story)
    2. 5 locations to send sound in mouth
    3. Discovering the soft pallet
    4. Lollipops/York peppermint paddies
    5. Eyebrows/yawning
    6. Tongue twisters (Diction is done… Mommy made me…)
    7. Finding nasal air flow spot
    8. Tongue position
    9.  Dynamic projection (Using soft “stage whispers” to speak across the room)
  7. Body tension
    1. Finding tension in your body
    2. Finding good mouth space
    3. What you can do to loosen up your body

Questions:

 

From there, I hung out, ate, made some music with friends and enjoyed. I finally got to sing a few filks I had composed to those who had never heard them and saw the glee as disney and queen were attached to their favorite SCA activities. In addition, I got to see Aegir working in the kitchen, which he had a blast with.

My final class was just us singing period rounds. I just finished compiling a book of about 50 all period rounds (Sans “Le coq et mort”… which is a traditional, but hey, everyone likes to sing about dead chickens… plus I added the german. Morbid…dead..german… chickens). However, what makes my book different, besides it being so long, is I wrote up all the translations, IPA (Internation Phoenetic Alphabet) dictions and newspaper diction. I will be adding my written documentation on this shortly as well as the appropriate IPA charts, however, after the class, all 14 of my students were begging me to publish it now. (it was 25 pages, so I was remiss to keep printing more copies out of my pocket).  I did, however, sell the 8 copies I made for charity and donated the funds on behalf of my class.

Here is the book, documentation to come!

https://docs.google.com/document/d/1PvID7hHNG2gvJjWctuWdpQiK-OyhmB_GlVLQhHqEcI8/edit?usp=sharing

Finally, Aegir and I displayed our molds and casts we’ve been doing over the last few months. We had a BLAST telling everyone about the process. Again, making everything more accessible. We really want to make our arts accessible to people. I find it to be a gateway drug. If you find an easy/cheap way to do it, you most likely will want to explore how it was done. *GASP RESEARCH*

 

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Sweet hats and bling, so says my Laurel Sister.

I don’t even know where to begin about K and Q Bardic, yesterday. Parts of it were a blur, however, I cannot express how much my community means to me. I suppose I will start at the very beginning. I hear it’s a good place to start.

This is my 3rd year competing in K and Q Bardic. I never try to say ” I am going to win”, instead, I set smaller goals and achievements. It makes everything less stressful.

The evening before I stayed at the home of the amazing Sarah Byrd. She, as the day I met her 2 years prior, was full of kindness, warmth and a immense hospitality. I was unaware she had any staff duties at the event, meaning her hospitality was even more elevated.

The next morning I was fed and coffee’d… as Bards typically do -not- wake up before 11. It’s cruel and unusual punishment. This was heaven in a cup and plate. Sarah, Aegir and I dressed and walked the long and rigorous 4 block walk to site. We were greeted on our way by planned parenthood supporters (while we were in full garb), and wished them well as they stood for hours, in the cold, defending what they believed in. They asked where we were off too and we explained we had a competition just up the road. They cheered us on and off we went.

At site, we have a super secret delivery to a vigil and made that first priority before getting in the correct head space for the day. I talk about head space because as a performer, if you do not connect with yourself in the appropriate way for the day, it could cause your performance to suffer. I originally had a plan to perform “Twa Corbies” the Scottish “parody” of Three Ravens by Thomas Ravenscroft. However, I was unable to find detailed enough documentation to make it fit the day. So, with that said, 2 weeks prior to the competition, I decided to change it out for a much newer piece in my repertoire. I changed the piece to Depairt, Depairt, by Alexander Scott (See below for documentation). It took a while to settle in to my body. This was not my original piece and I was have problems coming to terms with it. However, over the two weeks I took to focus on it, I felt it in my soul.

Round 1) I was the 4th performer to go (out of 19). I do not envy anyone who has to go early in the rounds. It can be very unnerving. I was however blessed to follow two story tellers and a song that was very different from my own style. This allowed me to set the stage for my own unique performance style.  I opened up and out it came. I have no regrets starting with that piece. I only regret not singing out as much, but perhaps that is what allowed me to really open up. I sat the rest of the time, listening to each performer with their own unique performance. I was moved by several. When the round was over, I went to almost every single performer and presented them with my token and a genuine compliment. If you had read my last post, I have made it my mission to become more open about telling people about the talents they posses and not addressing anything negative at any point. I wanted people to enjoy their day as much as possible.

Between rounds I was introduced to a newer performer in the area who had won the novice day prize. I spoke with her at lengths about her passions and listened to what she had to share. I offered any assistance I could and encouraged her to come out to the event next weekend, which would be a friendly performance space. She also had mentioned she wanted to complete but was intimidated by not having enough rep. My friend and I both reassured her she should compete and if she needed help, we would help her find some.

round 2.png

I have made it to round two every year so far. This was good news. The competition for round 1 was super fierce. When I heard my name called I was relieved that I could at the very least continue this tradition. I went second in round 2. Again, I don’t really like going to close to beginning, but with the field narrowed down to 9, I wouldn’t have too much of a choice. I had a piece that Aegir and I really enjoy singing together and in the car. It’s a Ladino piece called “La Prima Vez”. (More on Ladino below) It is possibly period, however, because Ladino was only prominently around for such a short period of time, we cannot document that this piece was indeed period. It’s pretty enough and the emotion is universal. At some point during the performance, the lights went out for a few short moments. I don’t recall it much as I was in the midst of performance, but I don’t remember even hearing a gasp. The lights went back on and I was still going.

Prima.jpg

Round two was probably the best I have ever seen in my performance career in the SCA. I took my time afterwords trying to re hydrate (Just in case). I spent the time between the announcements speaking with fellow friends and mentors. Speaking to my fellow performers and sharing our experiences today. Planning more shenanigans in the future. No matter the outcome today, more music to come!!!

Finals.png

 

The finals: I was surrounded by my family! My friend, Phillipe who I had met the year prior, who inspires me with his flare for the dramatics, his composition and his genuine kindness. Margretta (I can’t make the symbol to spell her name correctly… I guess I’ll figure it out eventually) who is my big sister. I wear her apprentice belt from Sabine. She is amazing in everything she does. She is dedicated to the music and the panache it deserves. She is who I aspire to be when I grow up! And finally Laila, new friend who I just met at Coronation of Wilhlem and Vienna. She met making music. We have connected and have been working on an opera company together. We have been planning to make more music. THIS IS MY FAMILY. There is no losing no matter what.

For the finals, we were challenged two fold. 1) To compliment the person who would be performing after you. This was no challenge, because I love all these people dearly. 2) To perform a piece that embodies kindness.

I didn’t hesitate more than a moment before picking my piece. I walked over to my Laurel and I showed her what I wanted to do. She agreed full heartily to it and so I ran into the hall for my “10 minute” prep time. (I think it ran longer, but i’m not complaining)

Hokay! I was going first. I spoke about Phillipe and then I revealed…. THE PIECE. About a year ago I composed a lullaby for Matilde. I spoke of the event that had sparked it. Though I was not close with her, I was moved by her kindness and selflessness she gave to the kingdom. I saw her having a rough time (while I was surfing the Visage of Tomes  //Facebook) and when I got home from work, I wrote it down, recorded it and sent it to her. I generally do not share pieces I’ve composed in public. It’s a piece of my soul and if it got damaged I don’t know what I would do. I write for people often, but it’s for them in their private moments. I sang it with all my heart. I sang it for a crowded room. I didn’t cry… then, but inside I wept because I shared my soul. This song is posted to my blog, but I suspect not a lot of folks actually read it.

It was decision making time and I didn’t care. We made music and reveled. We sang rounds and songs. We heard others play. My heart sang. I won the day. I was making music with old friends and new.

Court came. I was not announced the winner. That’s ok. I WON. My FAMILY was standing as champions. They are MY champions. They have always been my champions. Baldric or not. I love them. I screamed as they were announced. I cheered as they were addressed.

Not long after they had been announced, her Majesty, Vienna was announcing that she had been inspired by two other individuals in round 2. Myself and my brother, Phillipe. We were awarded a very rarely given award know as the Golden Lyre. (About the Golden Lyre below)

Lyre.jpg

I sat down to enjoy the rest of court. I was reveling again in the day. Surrounded by my community. The Bardic community. However, I was called into court for one more piece of business. The EKCoP (East Kingdom College of Performers) announced a new travel journal to be passed around. This journal is to document someone who inspired you that day (and a few more details). It is to be passed on to them at that event and taken home to the next event. Today, it was presented to me.

Also, throughout the event, I was presented these tokens by the populace for my performances. I added these into my “I guess I don’t suck” box. I keep every single token I’ve ever received as a way to remember on those days when the worms get to me that I am not as terrible as my brain tells me. HAND OUT TOKENS. GIVE COMPLIMENTS. These could help motivate and save your friends or strangers.

Tokens.jpg

 

This was my 3rd year. You bet you will see me next year. Until then, I have won the day. I hope everyone else won theirs too!

 

Depairt, Depairt

  • Alexander Scott (16th-century poet) (c. 1520–1582/83), Scottish poet. Scottish lyricist who is regarded as one of the last of the makaris (or poets) of the 16th century, because of his skill in handling the old Scottish metrical forms. His 35 extant poems are contained in the Bannatyne Manuscript (1568).
  • This was composed in Courtly verse in the grand manner.  Poetry in this manner comprises several elaborate dream-allegories more or less saturated with classical, as well as, rather more incidentally and cursorily, scriptural, allusion somewhat simpler love-allegories and dream-visions and debates, grandiose panegyrics and lament. Almost all of this is in more or less elaborate Chaucerian stanzas, mostly of seven, eight or nine lines of inter-rhyming pentameter lines. Set pieces in the courtly manner are also prefaced or appended to, or introduced into, works mainly in the narrative and didactic modes – as more or less conventional and pretentious prologues and prohemes, and conventional panegyrics and hymns, and some ‘complaynts’ or laments.

 

Depairt, depairt, (depart)*

Allace, I most depairte (Alas)

From her that hes my hairt (heart)

With hairt full soir (sore)

Aganis my will in deid (indeed)

And can find no remeid, (remedy)

I wait the panis of deid (pains of death)

Can do no moir. (more)

Adew sueit thing (Adieu sweet)

My joy and comforting,

My mirth and sollesing (delight)

Of erdly gloir: (earthly glory)

Fair weill, my lady bricht (bright)

And my remembrance rycht, (rich)

Fair weill and haif gud nycht, (have good night)

I say no moir.

 

Daiches, D. (1982), Literature and Gentility in Scotland, The University Press, Edinburgh

Smith, George Gregory (1911). “Scott, Alexander” . Encyclopædia Britannica. 24 (11th ed.). p. 468.

Cranstou, James (1897). “Scott, Alexander (1525-1584), poet” . Dictionary of National Biography.

About Ladino:

Ladino is very nearly extinct in many of these areas. A very archaic form of Castillian Spanish mixed somewhat with Hebrew elements (as well as Aramaic, Arabic, Turkish, Greek, French, Bulgarian, and Italian), Ladino originated in Spain and was carried to its present speech areas by the descendants of the Spanish jews who were expelled from Spain after 1492.

 

About the golden Lyre:

Given to an individual or group whose single work or performance, either displayed publicly or in an arts & sciences display at a Royal Progress, in The Crown’s sole opinion and discretion, manifests and represents the fire and passion of the East Kingdom arts. The basis for bestowing the Award of the Golden Lyre will rely on the artistic use of period mediums, creativity, and/or inspirational value of the work or performance. The work or performance may be a work in progress. Documentation is not required, but is highly recommended. Individuals/groups can receive the award more than once during a reign, but not for the same work or performance. The Award of the Golden Lyre may be awarded by the King or Queen, together or individually.

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Teaching Online- Barriers and Successes

A few months ago I was asked by the resurgence of the East Kingdom College of Performers to teach a class online. As I have been serving as the Deputy Chatelaine, I feel very connected to this group and it’s successes. I agreed but had to think of what I could teach. Very much, like the iconic Taoist bear, Winnie, I sat and thought and I thought and I thought.  Then in struck me, like a a sack of bricks… or something more gentle I suppose, as my face and body are intact. As a modern medievalist, I spend a large amount of time attached to social media. I use it to make connections in our modern world and I use to to connect to better resources. Living in the more Northern Part of the East Kingdom and being separated from our vast populace, there are only so many places I can travel. The internet is for more than porn and kittens… and memes.  (By the way, my Partner has just given me a huge lecture on the actual teachings of Taoism)

One if the largest issues about being a performing artist is how to get your work out there and how to get noticed. Below is an outline of my class. If you’d like more in depth information regarding what I talked about, please feel free to contact me.

 

First and Foremost, your online appearance:

 

Good/Yes!                                                              

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Bad/No!!!

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Be neat, clean and groomed. It doesn’t matter your personal style, but no one wants to see you fresh out of bed.

1) Getting noticed

  • Bards/Performers are a 1 off performance (fleeting performance)
  • How do we get seen outside of competitions and bardic circles
  • We are not all composers (and don’t need to be)

2) Platforms for getting noticed

  • Competition
  • A and S
  • Word of mouth
  • Campfires/Events

But…. is this effective? Let’s talk digital!

Social Media Platforms

  • WordPress
    • Can maintain images/texts/videos
    • Simple to use
    • Easy cross platform posting
    • Free, but Can pay to upgrade for additional features
    • Maintenance heavy
    • Free
  • Livejournal
    • Text only
    • image/video embedding is not as simple
    • Older Platform
    • Not as well trafficked
    • Nominal customization
    • Free
  • Reddit
    • Home of trolls
    • Very well trafficked
    • Not well respected in documentation society
    • Simple to use
    • Easy Embedding
    • Easy search engine to use
    • Posts are easy to discovered if you are looking for them.
    • Minimal customization
    • Free
  • Facebook
    • Well Trafficked
    • Well integrated
    • Easy embedding
    • Videos can be downloaded and uploaded
    • Images are easy to upload/download
    • Algorithms are wonky
    • Missing data
    • Timeline only (Scrolling text and no customization)
    • Free

 

  • Myspace (LOL)
    • Houses Tracks
    • No space for Blogging
    • Basically a dead site
    • Free
  • Soundcloud
    • Tracks only
    • Free
  • Podcasts
    • Tracks only
    • Can have upkeep costs
    • Can have potential for income
  • Homemade websites
    • Fully customizable
    • May require coding knowledge
    • Generally have a cost
  • Youtube
    • Videos/Songs only
    • Cannot have copyrighted material
    • No limit but can take forever to upload material
  • Yahoo Groups
    • Text only
    • Dead source
  • Instagram
    • Images only/Videos/Vines
    • No text

Silliness ensues

  • Twitter
    • Short text only
    • Good for link sharing/Cross posting
  • EK Wiki
    • Good for short and basic info about your persona
    • Can link videos/Images
    • Not very versatile for blogging/Documentation

Blogging in general

Talk about WordPress in general and availability

 

https://solveigbjarnardottir.wordpress.com

 

https://wiki.eastkingdom.org/index.php?title=Solveig_Bjarnardottir

 

https://www.youtube.com/watch?v=eIGXtcuwfZg

 

https://myspace.com/laurentreidel

 

EK Wiki:

  • Everyone should have one!
  • Easy to maintain. If you don’t have one or don’t know how, we can connect to make sure you have one
  • Should have who you are, awards, affiliations, interests and events you’ve staffed. If you have any other focuses, those can be listed as well. Should really be just short reference and quick so people writing you in, people reviewing you for the order and scribes and do you proud.

Word Press:

This is where you make the dream happen

Images!

Videos/Recordings

Blog entries

Compositions

All other social media can be linked to and from

 

What sort of things should I be blogging about?

  • What you are doing
  • Period pieces performing
  • Documentation
  • Videos and recordings of your performances
  • Stuff you have composed/wordsmith-ed (Images if they are avail) If there is documentation on that, include it too
  • Non musical stuff. People want to see that you are more rounded
  • Classes you are teaching and their documentation
  • Feedback and reflection

 

The major barrier of teaching online is engagement and response. Also, equipment levels from your audience.

Success!!! I got a bunch of information out from my house, I had a moderator and more people are blogging.

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EK- 50!

Where to begin with such a gigantic milestone for the East Kingdom. My home. This is the place where it felt safe to sing in public again. What else could I do for the Kingdom I love besides give it back the gift it gave to me?

I decided I would give everything I had to singing this weekend. It was too hot to do anything else. I think the heat this year was as bad as Pennsic 2 years ago where the heat won more bouts than the fighters. I’m glad no one was too seriously injured from heat.

With that being said, although I had transitioned to late period garb, the heat beat me in that battle for the weekend. Saari not Saari. Thats right, I ran around … well, walked around as a proper Indian woman should. It was a new feeling for me as I, in general, don’t show off this much skin. I’m a pretty modest dresser.

I bring this up  because it has a lot to do with how I perform. Confidence is key in your performance. If you are not confident, your performance will suffer. Another point being is that when you practice to perform, you should, for all intents and purposes, rehearse in garb and shoes similar to what you will wear in performance. This was not the case for my 3 concerts I did over the weekend.

EK50

I was, however, blessed to be surrounded by performers and family of whom I respect immensely as performers.

In the first concert,Bards Ease, I collaborated with my good friends Bird the Bard and Sáerlaith íngean úi Duinnshléibhe (with Guest performances by Mistress Sabine and Mistress Margreatta) We would sing solo, group performances and some off mix of whatever we felt like was a good for the audience. Typically, I’d plan a concert one one genre. However, the 3 of us are so eclectic of performers, I really wanted to showcase that.

The next day we did a showcase of the Sing for the the East CD (which if you purchase this CD to support the East Kingdom Travel Fund, you can hear the track of Ceder San Barefoot and I performing that track. The rest of the concert was the original vocalists performing and the rest of us harmonizing.

The final concert was a sneak preview for the upcoming performance in April, The Decameron. We will be performing a a day of stories and music all from the 14th Century Italian literature. This happy little quartet was again, Myself, Bird, Sáerlaith and Margreatta.

If this wasn’t enough singing, we had our own camp of Bards who withered the night away with song till the wee hours of the morning.

I’d call this a success.

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Words for Simona Bat Leon, Silver Crescent

Words by Lady Solveig Bjarnardottir (Based on Psalm 31)

A woman of noble character has been found!
She is worth far more than rubies, she is the diamond of our kingdom.
She lacks nothing of value.
She brings good all the days of her life.
She works with eager hands and brings service to all.
She is like the merchant ships, bringing her company and good deeds.
She gets up while it is still night;
she provides for the kingdom
She considers a task and performs it;
She sets about her work vigorously;
her arms are strong for her tasks.
She sees that the Barony lamps do not go out at night.
She opens her arms to the poor of spirit
and extends her hands to the needy.
When it snows, she has no fear for her household;
for all of them are clothed in black and hold.
She is clothed with strength and dignity;
she can laugh at the days to come.
She speaks with wisdom,
and faithful instruction is on her tongue.
She does not eat the bread of idleness.
Many women do noble things,
but she surpasses them all
Charm is deceptive, and beauty is fleeting;
but this woman is to be praised.
Honor her for all that her hands have done,
and let her works bring her praise at the East Kingdom Gates

And so, by our hands, do we, Emperor Brennan and Empress Caoilfhionn , see fit to induct, Simona Bat Leon , into the order of the silver crescent. In Addition we grant her arms Per pale azure and argent vetu, a mullet of six points between three bees, all counterchanged, at Falling Leaves, in the Barony of Carolingia, As 53.

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Scroll for Noble Bird the Bard

When the mead of poetry falls upon dumb lips, the tongue lay now silvered. Sweet rhapsody resonates, flowering from what was once small buds, fragment gardens. Firey passion and never hesitation from the spirit. As a nightingale sings so does our beautiful azure songbird. They grace us with music, poetry, performance from dawn till dusk and never do they falter. Today, we the people and landed Baron and Baroness, Rowen and Suba, do see it fit to bestow this honor upon the muse amongst us by inducting them into the order of the (insert) at Pennsic

Text by Lady Solveig Bjarnardottir

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Silver Wheel for Juliote de Castlenou D’arry

She bestows her gifts with a generous hand;
Pausing not for toil and pain for those she keeps silent
Chronicler, wrangler
Weary not through the heat of summer as she serves all ,
Weary not through the cold spring rain as she sings;
But wait till the autumn comes
For the sheaves of golden grain sifted tirelessly for she lives as a warden.
Scatters the seed, and asks not for recognition
So we are moved to do this, We, the East, choose to recognize her this day. We Ivan and Mathilde, Tzar and Tazrina do induct Juliote de Castlenou D’arry into the Order of the Silver wheel on October 28, Anno Sociotatis 52 at The Harvest Festival

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GNEW- GNE- A new? 2018

I often find that GNE has been my event home since I started playing in 2010, but it wasn’t my first even. It is always one that has resonated with me as a war… a true immersion event for me.

This year was no different. I got to get my hands dirty with Bardic from helping to arrange the Bardic space, advertising and even performing myself.

I spent the weeks prior to GNE helping Gregor set up the Bardic space and quire Bardic Talent. I’ll admit, however, I was a bit preoccupied with my own agenda. This was my boyfriend’s first event and I wanted it to be as magical for him as it was for me.

Friday I spent fencing and showing my boyfriend around the range and doing a little bit of shopping. Saturday, I made sure I was there for the other performers as well. Prior to my own performance, a friend of mine was having a difficult time building up her own confidence. I spent time prior to making sure she knew people would be there and the massive amount of skill she possessed. I even requested she sing a song specifically for me.

When it was time to perform, I took the stage. This would be a casual performance. I really feel it’s important to read your venue. I chose not to sing the songs that made me feel like a million bucks, but ones that my audience would enjoy. This concert was not for me. It was for the audience.

The Friday prior, my good friend, now Mistress Christiana Crane had been sent to vigil. I feel like I only truly have one gift I can give and so this is what I made for her.

 

Recording forthcoming:

 

In the forests of mid Malagentia

Shimmers the snowy white gleam

Carried on the beams of Polaris

The Winter witch schemes

 

The harmony of her cackles

Delighted as temperature drops

When the snow fall curtains the skyline

The witch never stops

 

The icy blast from her chill

Her powers make you succumb to her will

Though with no terror you shall fill

From the winter witch

 

When autumn passes slowly

And you feel her chill in the air

The summer spells has faded

Your skin halts to  bare

 

The icy blast from her chill

Her powers make you succumb to her will

Though with no terror you shall fill

 

From the winter witch

The icy blast from her chill

Her powers make you succumb to her will

Though with no terror you shall fill

From the winter witch

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Words for Antonio Giancarlo Nicastri

This was a scroll assignment for the Order of the Silver Tyger

With fearsome might, he enters the list
Keen strength and skills surpass those of peers and Tygers all
What blows are swung with sword, skidded by shield and skewered by spear
May you fear them equally
In front of him, pray you not be
Side by side, a brother at arms to stay
Pennsic Brave, one of five left and still not an ounce of cowardice in his eyes
Honor and Valor drape humbly upon his shoulders
We, the East, are proud to have him armed and ready
In turn, we, Emperor Brennan and Empress Caoilfhionn, proudly induct Antonio Giancarlo Nicastri into the order of the Silver Tyger on this day, April 21, Anno Sociotatis 52 at Balfar’s Challenge